On Saturday, 16 February, Kelyn Alyssa and her husband went to Broadacres in Houston to have some photos taken of their baby daughter to celebrate her first birthday. During the shoot, a woman started shouting at them from a car for taking photos. But then it got worse – she got out of the car and threw a tantrum. She was screaming at the couple and the photographer, she hit the husband and started moving the props, all while the terrified child was screaming.
This viral video is the result of an angry Broadacres woman for shooting on public property
by Leave a CommentThese are the 10 best cameras for video under $300
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If you want to start shooting videos or vlog, I guess you already know how expensive cameras can be. But why not start small? In this video, Caleb Pike of DSLR Video Shooter suggests as many as 10 cameras that are great for video, yet they all cost under $300.
How to quickly remove flare in Photoshop without cloning
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To shoot directly into the sun is both challenging and fun. Challenging because it can be difficult to control the light and, not least, our images are very often marred by sunflare. One simple way of avoiding flare is to shoot an extra exposure with one finger or more obscuring the sun.
Admittedly, it happens that I forget to follow that simple step, or I am too lazy or I believe that clouds or mist sufficiently diffuse the light so that the lens won’t produce any flare. In the example below I believed that mist would prevent any flare. I was wrong something which became very evident when examining the raw file in Lightroom.
Bowens really is back – and they’re made by Godox
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For those of you that are unaware, a couple of weeks ago, U.K. online photography retailer WEX photographic, quietly announced that Bowens was coming back. And to many, myself included, this was a huge surprise.
Why I abandoned 60,000 followers and deleted my social media
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Hey guys. This morning I woke up and deleted all my social media. My Instagram, Twitter, and personal Facebook accounts (I deleted my Facebook business page a year earlier), all gone. I ghosted from the party. As a small business, it’s a bold move (if not insane) to walk away from such successful pages (I had over 60,000 followers between the three platforms). But I had had enough, and here’s why.
2019 World Press Photo contest nominees will give you chills [NSFW]
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62nd year in a row, The World Press Photo Foundation has run the renowned World Press Photo of the Year contest. The finalists of the 2019 contest have just been announced, and these are powerful images that tell stories from all over the world.
The problem when taking photos for money
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I’m a full-time photographer, I take photos for a living. It’s my main source of income. Its how I pay the rent, keep the lights on and put food on the table. The problem when you work for money, specifically when you get paid for your photography, is that you are no longer in full control.
The new Panasonic S1 might just be the new low light video king
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There’s been a lot of buzz around the new Panasonic S1 full frame mirrorless camera. Some of it good, some of it not so good. People like to complain about the size and weight, and the fact that it doesn’t have a flippy out LCD like the GH5. But how about the good? Well, cinema5D has been having a play with the Panasonic S1, and when it comes to low light performance, they feel it could be the new king in town.
This is the best explanation on the Internet about what dual ISO is and how it affects dynamic range
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The phrase “dual native ISO” seems to be coming to more and more cameras these days. Certainly not to all of them, but to many, especially when it comes to video. Panasonic’s done it with the GH5S, Blackmagic’s done it with the Pocket Cinema Camera 4K, and it’s out there on a few more, too.
But what exactly is it? I mean, we get what the end result is, but how does it work? What is this voodoo? And how does it really affect how we shoot? John Hess from Filmmaker IQ dives deep into dual ISO and the effect it has on dynamic range with the BMPCC4K in this video, and it’s probably the best explanation I’ve seen so far on how it all works.
This epic 81-megapixel moon photo was stacked from 50,000 images
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Among so many great moon photos out there, it doesn’t happen all too often anymore that one of them makes you stop scrolling and just stare in awe. This is what happened to me when I saw this magnificent moon photo by Andrew McCarthy. Then I read that it’s an 81-megapixel photo, stacked from nearly 50,000 exposures. I reached out to Andrew curious to learn more, and he kindly shared the details of his process with DIYP.
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