When he wanted to create a futuristic movie in his imaginary world, a green screen was not an option for Michael Plescia. It was too expensive and way too time-consuming to composite every frame. So, he gathered a dream team that helped him reinvent filmmaking and make his movie possible. He shares the story of how he killed the green screen and brought his idea to life.
Because the snowdrop shoot what so much fun, I wanted to do something like that again. After I saw the cherry blossoms on my tree, it was crystal clear what comes up next. I wanna shoot one of these with my wet plate camera, but this time I will shoot them on the tree.
When I was little, this tree was my climbing adventure. This tree has seen better days – the weather from the recent years started to ruin some parts of it. But it is still beautiful in the springtime.
Chances are, most of you arriving here are aware of the backstory to this article, but just in case, I’ll quickly catch you up.
A few weeks ago I announced a community competition on my Facebook page; all you had to do to enter was to submit a ‘before’ photo (the raw) and an ‘after’ photo (the final fully retouched photo). There would be two winners; one chosen by a populous vote and one chosen by myself. The winners would then receive their entries fully retouched by myself.
We’ve seen plenty of amazing drone footage so far. But, what about a long take with a drone, indoors, at some impossible angles? Katsu FPV created a video which demonstrates the impressive shots you can get indoors with a nano-drone. Long takes can generally hold my attention, but this one just blew me away.
Making mistakes is an inevitable part of our learning process. Still, it’s good to learn how to avoid them, so we can grow and make our work better. Nerris Nassiri from Aputure shares five biggest mistakes all beginner cinematographers make. But to be honest, photographers will recognize themselves in some of these, too. Did you make them when you were still new to cinematography/photography as well?
I can almost guarantee that, in terms of modern-day travel, there’s no such thing as secret location anymore. And unless you’re willing to travel hundreds of kilometers deep into the alps or rainforests of distant lands, you’re not going to be the first to discover a picturesque scene.
A recent article from Annabel Claire discusses whether photographers should share the locations of their photos, and to what extent it becomes beneficial over being detrimental.
So is there really any reason to keep the location details of your latest photo a secret?
Natural light or artificial light? Sure, it’s a matter of preference, but photographers Manny Ortiz and Jessica Kobeissi made an interesting challenge out of these two approaches. They had three rounds of photographing the same model in the same studio. Jessica used only natural light, and Manny added off-camera flash. Let’s check out the results and see which you prefer.
How do you know when you’ve found “good light?” In this video, photographer Sean Tucker will try to answer this question. This is the first video in a series that deals with finding and using good natural light in your work. Since photography literally means “writing with light,” Sean’s goal is to help you learn “how to write with it.”
What would it look like if tens, hundreds, even thousands, of different moments from a sports game happened all at the same time? This is perhaps the best possible explanation of a brilliant series of images by photographer Pelle Cass. For the project titled “Crowded Fields,” he visits local college games and takes thousands of photos. He later merges them into single images, giving a chaotic and brilliant twist to sports photography.