We’ve all seen Eric Pare’s DIY light tubes for light painting, but these ones from Adam Rahn at DroiMedia are a little bit different. These ones are designed for video. They’re to emulate lights like the Quasar Science and CAME-TV tubes. These DIY options are relatively inexpensive, easy to build and allow you to customise them to your own shooting needs.
Although the darkroom isn’t quite as common as it once was, it seems to be gaining a resurgence of late. Every day I see people buying and selling darkroom equipment in Facebook groups and various online classifies. But a lot of the older electronics kit just doesn’t work anymore, and repairing it isn’t always easy, or even possible.
But, now we have plenty of other options to replace some of those electronic items, even if they need to be modified. Ikea’s Klockis, for example, is potentially an ideal little darkroom timer, but it needs modifications in order to make it safe. In this video, photographer Markus Hofstätter shows us how he modified his Klockis for use in the darkroom.
By now most everyone dabbling in analog photography has seen articles on the use of “Caffenol”, “Beerinol”, “Redwineol” where people have developed film in mixtures of coffee, beer, red wine. While these can be fun experiments with show-able results they are somewhat pricey developers. Aside from the coffee-beer-wine you also need fairly consumptive amounts of sodium carbonate (wash soda) and ascorbic acid (vitamin C) to make it work. We are going to pare that down a bit.
Are you looking for an affordable but also electronic macro lens? Or maybe you have an old kit lens, that’s just sitting around, collecting dust since your last upgrade?
Well, then read on, because in this article I am going to share one cool hack that will allow you to transform almost any kit or standard zoom lens into a capable macro lens!
And I am not talking about reversing the lens or mounting it on extension tubes, we’re actually going to convert the lens for good. And it’s incredibly simple.
When you’re shooting landscapes in bright sunlight, a sunstar can be a really neat addition to your images. You won’t always capture it in-camera, and in this case, you can add a sunstar in post. Christian Möhrle of The Phlog Photography has created custom sunstar overlays which he can later add to images. In this video, he’ll show you how you can make your own with practically no budget.
For those of us born in the 1970s and ’80s, this new phenomenon of mottled, cloudy backdrops appearing in modern portraits is an odd one. You see, back when we were kids, we had horrendously cheesy family and school portraits taken in front of these bizarrely arranged patterns, so to us, it’s pretty weird to see these painted, cloudy backdrops now grace the covers of Vogue and Tatler.
One of the things I love the most about DIY projects is that they can give a new life to the items that are destroyed beyond salvation. In this video, Matthew Perks of DIY Perks will show you how to repurpose a broken LCD TV or monitor and turn it into an amazing LED light panel. It almost perfectly simulates daylight, and it’s useful for photographers as well as filmmakers.
3D printing has come such a long way in the last few years. As developments in printer design and software have progressed, it’s become a lot easier to make some pretty accurate prints. One photographer, though, Nick Sherlock, decided to test the limits of his 3D printer to make a 300mm long extension tube allowing him to extend the magnification of his Sigma 180mm f/3.5 APO Macro DG HSM lens.