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This stunning flight over San Francisco was captured entirely with the iPhone 12 Pro

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I’m not an Apple fanboy by any stretch of the imagination. Before the iPhone 3GS was released, I hadn’t owned an Apple product since the Apple IIe, and I haven’t owned iPhones in a few years now, either. But I have to say, this footage from aerial photographer and filmmaker Toby Harriman shot on the new iPhone 12 Pro is just gorgeous.

Toby was given the chance to test out the newly announced iPhone 12 Pro to see how the hardware handled the challenges of his typical shoots – which means shooting from a helicopter. So, that’s what he did, filming from the air over the beautiful San Francisco bay.

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The Nikon Z6 II and Z7 II will get support for both Blackmagic and ProRes RAW

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As mentioned during the initial announcement of Nikon’s two mirrorless cameras, the Nikon Z6 II and Z7 II, both will be eligible for a firmware upgrade to add RAW over HDMI capabilities (it does not come with the camera out of the box). As with RAW over HDMI on the Z6 and Z7 mirrorless cameras, though, it is still a $200 paid upgrade.

We already knew that ProRes Support would be coming in the form of the Atomos Ninja V, although Blackmagic has now confirmed to No Film School that they’ll also be supporting Z6 II/Z7 II 4K60p BRAW recording in the Blackmagic Video Assist 12G as well. And if you’ve already upgraded your Z6 or Z7, you’ll get it with those, too!

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This is the most frugal DIY clamp for high speed laser triggers

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A few years ago, I became interested in what stuff looks like when falling through space. Specifically, I wanted to see the accidental shapes which occur when something is unrestrained in the air.

First, I asked a young woman model to jump from a wall about two feet high. This way I could see the configuration of her body when she was in mid-air and not posing. Interestingly, when she was concentrating on something else — the landing — and her pose was sort of beyond her control.

Then I took some photos of the model lying on a sheet. I separated her image from the background sheet, and placed her “floating” body on a public domain photo of the crab nebula. There she was, floating in actual Space.

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Vivo’s X51 5G smartphone with built-in gimbal camera is coming to Europe in 9 days

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The world of smartphones moves thick and fast these days, and a lot of them all start to look the same after a while, but this is one announcement I’ve definitely been waiting for. Chinese smartphone company, vivo has today announced their expansion into Europe and they’ve announced a new phone – sort of.

It’s the X51 5G, which is essentially the European release of the X50 Pro, from the company’s flagship X series and it features a gimbal stabilised camera. You might remember the gimbal camera was first teased in the vivo Apex concept camera back in March, expected for the X50 in May and then released in China in June. Now, it’s coming to Europe.

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This DIY doggy selfie booth is the most adorable photography thing you will see this year

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Simone Giertz is one of the most amazing people on YouTube if you’re into building and making. You might remember Simone from her Shitty Robots fame, but more recently she’s actually been building stuff that actually works and, well, she’s pretty entertaining. And sometimes adorable. In this video, Simone decides to build her dog, Scraps, a fully automated pedal-operated, treat-dispensing, doggy selfie booth.

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The Tree Frog is an IP67 rated waterproof mini RGBWW LED light

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Waterproofing (or at least really good weather sealing) seems to have become quite popular with photo and video gear lately, especially when it comes to lights. And particularly small lights that one might occasionally choose to use with their smartphones – given that many new smartphones now are also somewhat waterproof.

Lighting and gimbal accessories manufacturer DigitalFoto has already released one waterproof light tube recently, and now they’ve announced another. Their new Tree Frog RGBWW Pocket LED is an IP67 rated update to their previous pocket-sized RGB LED lights, and offers a couple of other neat extras besides.

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This Canon EF to RF tilt adapter only costs $3 to make

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Well, this is pretty awesome. At least, it is if you happen to own a Canon RF mount camera, some EF mount lenses and a 3D printer. While Canon’s busy coming up with their own adapters, and the competition is releasing theirs, the 3D printing community has been happily doing its own thing to satisfy their needs.

Like, Whomstevest, for example, who’s designed this 3D printable EF to RF tilt adapter. Yes, that’s aright, a lens adapter that converts your EF lens to fit on an RF body and it gives tilt capabilities!

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This DIY ATEM Mini case is a whole multicam streaming solution in a box

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The Blackmagic Atem Mini (and Atem Mini Pro and Atem Mini Pro ISO) have quickly become very popular tools for multicam live streaming. They allow you to feed in up to four cameras and a separate dedicated audio stream with an easy ability to switch between them in real-time while offering a lot of features typically only found in much higher-end systems.

But it can be a pain to keep setting up and tearing down if you’re not using it in a permanent location. Caleb Pike has solved this issue by creating what is essentially a whole multicam streaming solution in a box with everything self-contained inside a little Pelican case. In this video, he shows us how he made it.

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This e-bike is the ultimate mobile multicam streaming machine – complete with Atem Mini Pro

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Sometimes, you see a project that’s just so cool and so out there that you just have to find out more. That was me when I saw the photo above from Rattanak Sorn.  Rattanak live streams his e-bike journeys to Facebook and it’s turned his bike into a self-sufficient multicam live streaming machine, complete with Raspberry Pi and an Atem Mini Pro.

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How to fix the biggest problem with the Godox AD400/AD600 Pro strobes

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Photography equipment has come a long way in recent years; staggering megapixel counts, blisteringly fast AF systems, and low-light performance that was unheard of not long ago. But in my opinion, one of the most useful and underrated advancements has been in off-camera lighting, notably portable, battery-powered strobes.

Gone are the days where I hauled my 30kg case that housed my 3 Bowens Gemini lights and the rats nest of 10 metre power cables and PC Sync cords to every assignment, I no longer need to search high and low for power outlets and risk clients tripping over cables, nor do I need to spend every pound earned on a physiotherapist to repair my back from the labour of it all.

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