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DJI has finally announced its new Ronin 4D full-frame 6K & 8K pro gimbal cinema cameras

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It’s been rumoured for a long time, but now DJI has officially announced its new Ronin 4D 4-axis cinema camera. It combines the new full-frame Zenmuse X9 gimbal camera with a 4-axis stabilisation system, LiDAR focusing with video transmission and control in a single device. DJI says the system is designed for high-end productions to make them more efficient.

It’s available in both an 8K model and a 6K model capable of shooting both h.265 as well as internal recording of both Apple ProRes and ProRes RAW for maximum versatility in post. You also get dual native ISO, over 14 stops of dynamic range with full-resolution frame rates of 6K/60fps and 8K/75fps.

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Samyang to launch its first Fuji X mount autofocus lens on October 26th

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Since Fuji opened up its X mount to third parties, those third parties sure seem to have jumped on it. And they’re not just manual lenses that happen to use the mount, either. We’ve seen a few autofocus from Tokina, Zeiss, Viltrox and even a zoom lens from Tamron. Well, now it looks like Samyang’s jumping into the fray with what looks like a 12mm f/2.0 autofocus lens for Fuji X.

Samyang hasn’t explicitly said what the lens is, but looking at the silhouette of the lens in an image posted to the Samyang Facebook page, it looks pretty much identical to the Samyang AF 12mm f/2.0 E lens for APS-C Sony.

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Aputure brings bicolour, daylight and RGB LED panels and Bowens mount COB lights to the entry level

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Aputure has today released four new LED lights in their entry-level Amaran range. Two of them, the Amaran P60c and the Amaran P60x are LED panels and the other two, the Amaran COB 60d and Amaran COB 60x are Bowens mount LEDs. As the name suggests, they’re all 60 Watt lights and can be powered by NP-F batteries on location or included AC adapter.

The two Bowens mount lights are the COB 60x and COB 60d, which are bicolour and daylight balanced lights respectively. The P60x and P60c are bicolour and RGBWW LED panels. So, let’s take a look at the COB lights first.

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Could Sigma’s new 18-50mm f/2.8 DC DN mean an APS-C L mount camera is on the way?

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Sigma has announced its new 18-50mm f/2.8 DC DN Contemporary lens for APS-C mirrorless cameras. Interestingly, it’s available in two mounts. Sony E and Leica L. Yes, that’s right, an APS-C f/2.8 zoom lens with an L mount. I highly doubt Leica shooters are going to be buying this one, so could it mean that either Sigma or Panasonic has an APS-C L mount camera on the way?

The Sony E mount release is logical and obvious. But I’m not sure I see the point in releasing this lens in an L mount version if there isn’t an APS-C l mount camera coming from either of them. I could be wrong, but I can’t see too many Leica shooters picking this one up.

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Samyang parfocal AF 24-70mm f/2.8 for Sony FE has now been announced globally

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Samyang (AKA Rokinon and Bower) has launched their first zoom lens with the new Samyang AF 24-70mm f/2.8 FE, a wide-angle to short telephoto lens with a constant f/2.8 aperture for full-frame Sony E-Mount cameras. The lens had previously been announced only in Thailand, but now the announcement appears to be global.

Autofocus lenses have been part of Samyang’s lineup for a while now, although they were primarily specialising in manual focus lenses. But Samyang says that after five years of “in-depth research and communications” with its customers, they now want to target more of the mass market to better meet photographers needs.

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Spotted in the wild – Godox is releasing a 600W Bowens mount LED light

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At the P&I Shanghai International Wedding Photographic Equipment Exhibition Godox were showing off some new toys, including a powerful 600 Watt Bowens mount LED light with external ballast. The show was actually in July, although the photos from the show seem to have only just come to light.

The images were posted as part of a series to the website Wakwb, which appears to be some kind of blog or social network based in China. Most of the images show the Godox stand and the usual equipment we’re familiar with, but two of them showed a Godox M600D light and what appears to be an M600D-CL ballast and controller.

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“Great Joy” launches full-frame 60mm T2.9 1.33x Anamorphic lens and 1.35x Anamorphic adapter

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Seems to be a big anamorphic thing going on lately. We’ve had the launch of Sirui’s full-frame 50mm T2.9 Anamorphic lens, stacking Anamorphic lenses with Anamorphic adapters and now we’ve got the new “Great joy” 60mm T2.9 1.33x Anamorphic lens and 1.35x Anamorphic adapter being launched through Kickstarter.

The new Great Joy 60mm T2.9 lens offers a 1.33x anamorphic aspect ratio. The adapter provides a 1.35x anamorphic aspect ratio. When stacked together you’ve got 1.8x anamorphic, offering some pretty wide field of view. Of course, like other anamorphic adapters, you can also put this one onto a regular lens to give it that anamorphic look.

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7Artisans releases their new 25mm f/0.95 lens for APS-C mirrorless and MFT

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7Artisans has released their new 25mm f/0.95 manual focus lens for APS-C mirrorless and Micro Four Thirds. The lens was first teased in September, but now it’s finally official, available and all of the specs are published. The lens is designed specifically for mirrorless cameras, being available on Sony E, Fuji X and Nikon Z APS-C mount options, as well as MFT.

That nice wide f/0.95 maximum aperture will let in a lot of light and allow for some pretty shallow depth of field, despite being made for APS-C and MFT cameras. On APS-C it offers a field of view equivalent to about 37.5mm on full-frame and on Micro Four Thirds it’s about a 50mm full-frame equivalent field of view.

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This is what it looks like when you use an anamorphic adapter with an anamorphic lens

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Anamorphic lenses are a lot of fun to shoot with and they’ve really risen in popularity over the last few years. That’s obvious by the number of new ones that keep getting announced, particularly for the lower end of the movie-making spectrum. Sirui even announced their newest one today. But there are also anamorphic adapters out there. They sit on the end of a regular lens to give it that anamorphic look and feel.

So… what happens if you stack the anamorphic adapter on the end of an anamorphic lens? Well, that’s the question that was asked of the folks at Epic Light Media, so they decided to find out!

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The Industar 50-2 is a $10 vintage lens that’s an absolute gem

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Vintage lenses have become really popular over the last few years, mostly amongst the video shooters but also with photographers. And these days, everybody seems to be on the lookout for those great bargains that offer a unique look at a very low cost. Filmmaker and YouTuber Yuval Aloni thinks he’s found something. It’s the Industar 50-2 and it seems quite commonly available on big online auction sites for around $10.

This is by no means high-end glass, even by the standards set during the time in which this lens was made. But for what you can find them for, it offers excellent value that produces a wonderfully retro look. It’s not super sharp, although it’s sharp enough where it needs to be and it blooms a bit in contrasty areas, but in a very pleasing way.

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