Hacking Photography - one Picture at a time
A simple 3-step formula for creating stunning HDR images
This article is a step by step guide to creating stunning HDR images. This guide will help you to photograph and post-process High Dynamic Range images effectively.
In this post, I am going to tell you Secrets for Stunning HDR images.
This simple 3-step formula will help you to create beautiful High Dynamic Range (HDR) images.
Let’s dive right into it!
Shooting in a studio has its advantages. But although being warm, dry and convenient are greatly appreciated, shooting between the same four walls can get a little boring if you’re constantly using them as backgrounds for your shots.
Sure you could get some coloured paper setup, you could even buy a fancy canvas sheet with paint splashes on it, and for the really adventurous, you could even use some coloured lights behind your subject. But what happens when you’re finally bored of all that? Time to get a little more creative with your studio backgrounds.
The third season of Stranger Things was launched four days ago, to the joy of millions of fans. The popular TV show is really inspirational in terms of lighting, transitions, costumes, and so on. But there’s one more thing – its minimalistic, eerie opening sequence. If you wanna try and replicate it, Javert Valbarr of FXhome will show you a tutorial to help you do it.
Photoshop is full of tricks and shortcuts. If you ask me, this is one of its beauties, as there’s always something new to discover that will help you speed up your workflow. In this video, Nathaniel Dodson of Tutvid gives you 25 handy Photoshop tips and tricks in only 20 minutes. They’ll help your editing become faster and more efficient, and these are the tricks every photographer should know. Are you familiar with all of these?
Ok, so, the title says “any location shot”, but it’s probably more like any outdoor location shot, when you think about things practically. Sure, you could use these tips indoors, too, although they wouldn’t make a whole lot of sense. But Ted at Indy Mogul talks to Phil Rhodes, writer at American Cinematographer in this video, to chat about water and how it can make a big difference to your shot.
Gimbals can be wonderful filmmaking tools, and they’re ideal for adding interesting movement to your shot with the minimum of fuss. But they’re not always easy to get to grips with instantly. To get the best out of them, you need to practice and experiment. If you’re very new, though, just searching on YouTube for gimbal tutorials can get overwhelming. Many of them cover advanced techniques without really showing you the basics.
In this video, Jason Vong goes through some gimbal basics to get you shooting cinematic footage as quickly as possible. And he not only talks about the techniques he uses but also his lens choice to get the most impact.
When the news that Blackmagic were replacing CinemaDNG with their own Blackmagic RAW format, there was a mixed reaction. It’s Blackmagic’s own format, offering a lot of benefits over similar formats when it comes to speed, file size and efficiency. But it’s only officially supported by Blackmagic’s own DaVinci Resolve editing and grading software.
Fortunately, though, Blackmagic released the new format with an API that allows 3rd parties to integrate BRAW compatibility into their software. Adobe hasn’t picked up that gauntlet yet, but the developers at Autokroma have. Their BRAW Studio plugin allows you to use BRAW footage easily within Premiere Pro. In this video, Gerald Undone shows us how it works.
It’s the 4th of July, and you guys in the US are gonna have fireworks everywhere. I’m sure you’d like to take some stunning photos of them, and there are some tricks to nail your shots. In this video, Serge Ramelli shares a couple of tips to help you capture fireworks, and you’ll hear them in just three minutes!
Many users of flash feel quite comfortable with it in the studio. The studio makes things fairly straightforward. You expose to eliminate all the ambient light and then you add it back where you want it with your strobes or speedlights. But when many newer flash users struggle when they get out on location, where you can’t or don’t want to completely kill the ambient light, but need to add flash.
In this video, Jay P Morgan at The Slanted Lens looks at how to mix strobes with the ambient light and how to balance them outdoors to achieve a good exposure.
Although “shutter angle” is mostly a digital concept these days rather than a physical thing, it’s the term that determines how the camera calculates your shutter speed when shooting video. It’s a foreign concept to many photographers, though, especially if they haven’t used cameras which utilise it. This video from DPReview explains why it’s the best way to control your shutter when shooting video.
You can find out more about John on his website and follow his adventures on YouTube and Facebook.
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.
JP’s photography is available for licensing at Stocksy United.
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