When users started complaining about their content being shadowbanned, Instagram denied that the concept even existed. However, the app now admits that some accounts may be shadowbanned. In fact, it even tells you when it happens and what you can do to have your content visible again.
Photographer loses case as Luxembourg court rules “not copyright infringement”
Photographer Jingna Zhang has lost her case accusing artist Jeff Dieschburg of copyright infringement. The Luxembourg courts ruled on December 7th that the artist was not infringing on Zhang’s work due to “insufficient originality in the photo”.
Jingna Zhang has responded to the ruling, saying that she is “devastated by the copyright ruling in Luxembourg today, which stated that my work lacks originality and therefore will not receive copyright protection in Luxembourg.”
Pentax updates its K mount lens roadmap but there’s nothing new on it
Pentax has updated its K mount lens roadmap as of November 2022. This sounds like it should be a good thing, although it’s really not. No new lenses have been added to the roadmap, not even mysterious ones with vague titles that don’t actually give anything away. Sure, there are a couple of those on there, but they were already on there in the last roadmap update.
Given recent reports of Ricoh dumping less profitable sections of its business, this does not bode well for the future of Pentax. If their own engineers don’t have anything new to report, then it could be because they’ve been told not to work on anything new. There are two updated roadmaps, with one showing every Pentax lens and one showing only full-frame lenses.
Panasonic has developed an innovative new way to correct distortion and tilt from single photos
Fixing distortion and tilt is a tricky problem. It was solved back in the large format days by having lens boards and film backs that could tilt, shift and move around in all kinds of directions. And while tilt-shift lenses are available for modern cameras, the one thing they can’t fix is lens distortion – particularly from things like fisheye lenses. Of course, such distortion can be fixed in software using manual tweaks or custom lens profiles. But figuring it out automatically?
For software to figure out how to correct such distortion usually takes multiple images so the software can “learn” the characteristics of a lens. But according to Nikkei, Panasonic has developed a new technology that seems to be able to do it from just a single image. Right now, it’s still in the testing stages while they determine if the method can be practically implemented.
Sigma to release its first Nikon Z mount lens, the 60-600mm f/4.5-6.3 Sports in 2023
Well, this certainly has taken a while but it looks like Sigma’s getting ready to release their first Z mount autofocus lens in 2023. And it’s not just a Z mount version of an existing lens – although, I expect those will come in time – but a new lens announcement. According to reports, Sigma will be announcing a 60-600mm f/4.5-6.3 DG DN OS Sports lens in 2023 – a mirrorless refresh of the Sigma 60-600mm f/4.5-6.3 DG OS HSM Sports for DSLRs.
So far, the rumours say that it will be coming in Nikon Z and Sony E mounts, with no mention of anything else. But given that Sigma’s in the L mount alliance and has two L mount mirrorless cameras of their own – the Sigma fp and fp L – I can’t imagine they won’t release it in L mount flavour, too.
Capture One is changing its perpetual license and ditches annual release cycle but it’s not as bad as it sounds
Capture One has sent out an email to customers stating that changes are coming to its perpetual license model. It’s doing a bit of an Adobe and switching over to a primarily subscription-based approach, with new features being added to the application as they’re developed and become available rather than doing a major update each year. This has a few implications for existing perpetual license holders, but it’s not really a bad thing.
The new method of updating the application regularly with new features and there no longer being an annual release cycle means that we won’t see a Capture One 24 being released next year. Perpetual licenses will not see new features coming, either, although they will receive bug fixes. Upgrade pricing is also going to be disappearing, too, in favourite of a mysterious “loyalty scheme” model.
Is Ricoh finally giving up on Pentax DSLRs and leaving the camera business?
In a recent article on Japanese outlet Newswitch, Ricoh CFO Shun Kawaguchi says that the company is looking to essentially dump some of its business in order to be able to focus its time and money on more lucrative areas of the company. There was no explicit mention of Pentax, Ricoh’s own branded cameras or the Theta series of 360° cameras, although logically, they might be some of the first up for the chopping block – and probably in that order.
Pentax’s defiance of market trends and its steadfast refusal to enter the mirrorless market could be its downfall. Who could’ve seen that one coming, huh? Pentax proclaimed in 2019 that users would start switching from mirrorless back to DSLRs within 1-2 years. Well, it’s 2022, and that hasn’t happened. In 2020, they reaffirmed their commitment to DSLRs. And just last month, they released the entirely underwhelming Pentax KF – which is basically just a K-70 with a flippy-out LCD.
Adobe’s latest Premiere Pro update adds stylised captions and improves collaborative editing
Adobe has released version 32.1 of the popular video editing application Premiere Pro. The new version comes with a bunch of new features, but topping the list are stylised animated graphics created from captions (including speech-to-text captions) and an update to Premiere Pro’s collaborative features, with sequence locking and easy sharing. Other features include improved masking tools and expanded XAVC HDR support, along with improved and new support for ARRIRAW and RED V-Raptor XL support.
New LED street lights are killing night photography with a purple hue
Cities around the world are abandoning old sodium-vapor streetlights for more efficient LEDs, but the switch is leading to an unfortunate phenomenon. Unfortunate at least, for any nighttime photographers.
The issue seems to be that some of these LEDs are failing and turning a mysterious hue of blue or purple. Some areas of New York City or Vancouver, for example, have been reported to be experiencing this unexpected problem.
Meike releases manual focus 25mm f/0.95 lens for APS-C mirrorless cameras (including Canon RF)
Meike has announced a new 25mm f/0.95 lens for APS-C mirrorless cameras. It’s a manual focus lens, which means it’s coming in Canon RF mount as well as Canon EF-M, Fuji X, Nikon Z, Sony E and Micro Four Thirds. This isn’t the first 25mm f/0.95 lens on the market, but it is Meike’s first at this focal length and aperture, which should keep Meike lens fans happy.
Being an APS-C lens, it offers a field of view similar to 37.5mm on full-frame. When used on MFT cameras, it’s equivalent to 50mm on full-frame. It has a 13-blade aperture for as round a bokeh as possible with 11 elements in 9 groups and a minimum focus distance of only 25cm. The Sony E mount version has already been released, with the others coming later in December.
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