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Meike releases manual focus 25mm f/0.95 lens for APS-C mirrorless cameras (including Canon RF)

Meike has announced a new 25mm f/0.95 lens for APS-C mirrorless cameras. It’s a manual focus lens, which means it’s coming in Canon RF mount as well as Canon EF-M, Fuji X, Nikon Z, Sony E and Micro Four Thirds. This isn’t the first 25mm f/0.95 lens on the market, but it is Meike’s first at this focal length and aperture, which should keep Meike lens fans happy.

Being an APS-C lens, it offers a field of view similar to 37.5mm on full-frame. When used on MFT cameras, it’s equivalent to 50mm on full-frame. It has a 13-blade aperture for as round a bokeh as possible with 11 elements in 9 groups and a minimum focus distance of only 25cm. The Sony E mount version has already been released, with the others coming later in December.

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Recent Webb Telescope photo brings an entirely new look at the Pillars of Creation

Pillars of Creation is certainly one of the most iconic space photos we know. Originally shot by Hubble in 1995, it was reshot 20 years later, and seven more years later with NASA’s brand new tool, James Webb Space Telescope, or JWST for short.

In its most recent photo, JWST brings us an entirely new look at the famous gas and dust pillars. Thanks to its infrared cameras, we get to see this star-forming region with details we’ve never seen before.

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Artist sues Cardi B and her photographer for copying his Marge Simpson illustration

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Rapper Cardi B recently got herself in legal trouble that broke the internet. On Halloween, she published photos of herself dressed like Marge Simpson in an iconic Thierry Mugler dress.  But as it turned out, the photo was inspired by work from another artist. And no, it’s not (just) Matt Groening.

The artist is now filing a lawsuit against both Cardi B and her photographer, and the whole case has reached the level of ridiculousness when it just becomes amazing.

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Your AI-generated images are now welcome on Adobe Stock

Adobe has announced that Adobe Stock has started accepting AI-generated content. While some stock photo websites are banning this type of imagery due to potential copyright issues, Adobe takes a different route. From now on, your AI-generated content is welcome in its collection. According to the company, it’s a part of “navigating the creative evolution that generative AI brings.”

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Disney creates AI that changes actors’ age in seconds

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The researchers at Disney have developed artificial intelligence that makes actors appear younger or older in seconds. If this becomes a standard, it could make that terrible CGI obsolete and unnecessary. It will also make it much faster, easier, and cheaper to re-age someone. But also, is it a step closer to not needing human actors at all?

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The Nanlite T8-7X tube light is the perfect replacement for annoying fluorescents

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If you have been a photographer or videographer in the last 40 years or so, you probably hate fluorescents. Fluorescent tubes are such a crude way of lighting. They flicker, give our horrible (and unpredictable) color casts, and they can not be dimmed. Just horrible.

We previously reviewed the Nanlite Pavotube 30X as a replacement for some fluorescents, but what about those other fluorescent bulbs? Those thin, easy-to-break, really annoying, enlengthen tubes? The T8 type… For those, Nanlite came up with the Nanlite PavoTube T8-7X RGBWW LED Pixel Tube. And they are an interesting lighting solution indeed.

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First images leak of upcoming non-Pro DJI Mini 3 drone show no obstacle avoidance sensors

Just over a week ago, word came that DJI had registered an upcoming cut-down DJI Mini 3 non-Pro version with the FCC. Now, we’re getting our first proper look at the drone according to reliable DJI leaker, DealsDrone, on Twitter.

From looking at the images, the design looks like a bit of a cross between the DJI Mini 2 and the more recent DJI Mini 3 Pro. But it’s pretty clear that the obstacle avoidance sensors are gone, bringing it more in line with the Mini 2, but with the Mini 2 and Mini 3 Pro having similar capabilities already, aside from the obstacle avoidance, how is this not just a slightly redesigned Mini 2?

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RED has been granted a new patent covering Compressed RAW in all video-capable devices including smartphones

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The words “RED” and “patent” are pretty familiar bedfellows. They’ve used their raw video patents to strongarm every other camera manufacturer from being able to implement raw video in their camera without RED’s approval (and a hefty fee), even if those companies have developed their own raw video technologies. Now, they’ve filed – and been granted – a new patent over compressed raw video.

The new US patent number 11,503,294, joints three other RED patents relating to compressed raw video (8,872,933, 9,479,749 and 9,787,878), but this new one seems to encompass devices other than just cinema cameras. In fact, pretty much any device that’s potentially capable of capturing compressed raw video, including smartphones and even sensor technologies they don’t own or use – like Sigma’s Foveon.

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Nikon suspends sales of Nikkor Z 100-400mm f/4.5-5.6 VR S due to orders that “exceed our expectations”

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I don’t know how long camera manufacturers will continue to think that we believe their “we didn’t know it was going to be so popular!” excuse. Of course, they knew it was going to be popular. because its predecessor was also extremely popular. Still, Nikon has posted an announcement stating that demand “exceeds our expectations”, so they’ve suspended sales of the new Nikkor Z 100-400mm f/4.5-5.6 VR S lens.

All I hear when companies claim they “didn’t anticipate the demand” is Homer Simpson saying, “It’s my first day“. Fortunately, some sellers still have them in stock for now. But once they sell out, it might be a while before they get more. It’s not even a new lens, either. It was announced last October. Here’s what Nikon has to say…

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FoCal goes mobile with their new iPhone and Android app for lens autofocus calibration anywhere

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The shift to mirrorless has largely helped to eliminate one of the biggest issues of DSLRs; Focus calibration. And although mirrorless is now selling at a higher rate than DSLRs, there are still a lot of them out there. For example, even though I bought half a dozen Panasonic mirrorless cameras for video a couple of years ago, I still have 14 or so Nikon DSLRs. Every time I get a new autofocus lens, I need to calibrate it to each body I plan to use it with.

One of the leading products to help with calibrating your DSLR autofocus lenses is Reikan FoCal. This software makes you shoot a bunch of images and dial various settings in your camera in order to give you a result that ensures sharp focus every time. Well, now, FoCal’s gone mobile with a new app for iOS, iPadOS and Android.

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