As much as we’d like for our clients to just naturally know how to pose for a photograph, we have to be realistic; it’s never going to happen. Part of the portrait photographers job, in fact, is to be able to tell their subjects how to pose and present themselves in front of the camera and, just like our subjects, we’re not always the best at posing, either. Fortunately, supermodel Coco Rocha (aka “The Queen of Pose” ) has teamed up with iconic photographer, Steven Sebring, to publish the super useful book Study Of Pose.[Read More…]
As Joe McNally explains in the video tutorial below, it can be really hard to get an original shot when shooting sporting events. Most of the photographers are shooting with the same size lenses and are generally limited to the same confined areas to shoot from. One way to make a photograph stick out from all the others is by getting creative using motion blur techniques.[Read More…]
Sometimes it takes a huge corporation to invest the resources in making something amazing. In their push to advertise their ambilight TV technology Philips has created one of the most beautiful Sky movies I have ever seen.
Forget skiers with little GoPro cameras strapped to their helmets. How about lighting full slopes with massive amount of lights have having some of the world’s best skiers wear an LED suit and have a go at it.
To match the production value it was shot with a Red Epic Mysterium x3 Larius
Getting a good corporate photos has a lot to do with lighting. What should not come as a surprise if the fact that it also has a lot to with human interaction.
J.P. Morgan and the slanted lens crew walk through the ropes of a recent corporate shoot they did, and while they do talk about lighting (as always) I love the fact that they are investing a bit more time on this video about prep-work and talent direction.
The big take for me was not the lighting setup. It was the how to make sure the talent looks good and feels good, which definitely shows on the final image. (Yes, you will need to bring a steamer).
[One Light Corporate Image | The Slanted Lens]
As I was watching this clip of Lonely Planet photographer, Philip Lee Harvey, scale sheer vertical cliffs so he could photograph the Abuna Yemata church in Ethiopia, all I could think was how awesome his cameraman and film crew are. The climb, which took them 2500 feet up, involved no ropes or safety gear, and was completed barefooted in heavy winds. The trek Harvey made was borderline crazy. His crew was doing the same trek while carrying up all the camera equipment and filming while they were at it. Kudos to Harvey and his crew for getting it done.
Watch in wonder as the team climbs to one of the most inaccessible churches in the world:[Read More…]
This is an interesting question. On the Red corner we have hot shoe strobes: they are (relatively) cheap, small and portable and recycle pretty fast, but they need lots of AA batteries. On the Blue corner we have monoblocks; They are big and more cumbersome but they give A LOT of light.
So whats the trade off, when are you better getting several small hot shoe strobes and when are you better off using one big light? This is not a trivial question to answer especially since hot shoe strobes measure in GN, while monoblocks measure in Watt-seconds. now with TTL monoblocks this becomes a really interesting question.
Neil van Niekerk did an empirical test trying to answer that question. His comparison addresses the power aspect while leaving convenience, price, light shape and modularity out, but even at that it gives a good idea about how to begin dealing with the trade offs involved.
So often are timelapse videos stuffed full of vivid colors and bright tones that it almost catches us off guard when we come across a black and white timelapse that is every bit as breathtaking as their full color counterparts. Such is the case with this short video the team over at Fourth Dimension Video captured while spending 5 days in the quiet Scottish isle in June. The Isle of Skye features both, timelapse and some sweeping aerial drone shots.[Read More…]
Long exposure photography doesn’t have to be hard or expensive. As Matt Granger shows us in the video below, you can still capture a variety of great long exposure shots using shutter priority mode with basic equipment. With just your DSLR and a tripod (you should always buy the nicest quality tripod as your budget allows) you can experiment with light painting, motion blur, and more. Add a set of neutral density filters to your kit and you’ve opened up a whole new set of doors.
Take a look as Granger explains several different styles of long exposure photography and how you can practice them on your own.[Read More…]
Here it is. The new iMac. With a gorgeous Display. Well. At least with a high resolution display.
First, I have to say: I love Apple Products. Most of them. In my household, there are plenty of them. iPhones, iPad, (the old) Mac Pro, MacBook, MacBook Retina, MacMini and iMacs. Darn. It’s actually a lot of computer gear, but who cares.
Earlier in august this year Hong-Kong based company YongNuo announced that they are releasing the YN600EX-RT – A Canon compatible strobe.
Some Canonistas, especially off camera flashers (AKA strobists) were pretty excited about this announcement. Mostly because the strobe was said to be compatible with Canon’s new 2.4GHz RT radio system that their 600EX-RT strobe features. The RT is a pretty awesome TTL triggering and strobe control system working on radio rather then on IR. But, Canon’s strobe sells for about $499 while the new Yongnuo which appeared on eBay today only sells for about $185. Roughly a 1:3 ratio.
DIYP are the last to be blamed with lack of frugality, but looking at the images that popped up on YongNuo’s sites got me thinking. Look at the two photos on the top. See any resemblance (aside the obviousness of the names). The strobe on the left is Canon’s 600EX-RT flagship, and the right one is the new YN600EX-RT.