I’m a full-time photographer, I take photos for a living. It’s my main source of income. Its how I pay the rent, keep the lights on and put food on the table. The problem when you work for money, specifically when you get paid for your photography, is that you are no longer in full control.
There’s been a lot of buzz around the new Panasonic S1 full frame mirrorless camera. Some of it good, some of it not so good. People like to complain about the size and weight, and the fact that it doesn’t have a flippy out LCD like the GH5. But how about the good? Well, cinema5D has been having a play with the Panasonic S1, and when it comes to low light performance, they feel it could be the new king in town.
The phrase “dual native ISO” seems to be coming to more and more cameras these days. Certainly not to all of them, but to many, especially when it comes to video. Panasonic’s done it with the GH5S, Blackmagic’s done it with the Pocket Cinema Camera 4K, and it’s out there on a few more, too.
But what exactly is it? I mean, we get what the end result is, but how does it work? What is this voodoo? And how does it really affect how we shoot? John Hess from Filmmaker IQ dives deep into dual ISO and the effect it has on dynamic range with the BMPCC4K in this video, and it’s probably the best explanation I’ve seen so far on how it all works.
Among so many great moon photos out there, it doesn’t happen all too often anymore that one of them makes you stop scrolling and just stare in awe. This is what happened to me when I saw this magnificent moon photo by Andrew McCarthy. Then I read that it’s an 81-megapixel photo, stacked from nearly 50,000 exposures. I reached out to Andrew curious to learn more, and he kindly shared the details of his process with DIYP.
We’ve posted before about the massive amount of work that went into the creation of Star Wars and how the movie was basically saved from disaster in the edit. And there has been plenty of content made over the years covering how some of the crazy sound effects in the Star Wars universe were created, like the iconic light sabre.
One thing not often shown, though, is how scenes compare with their original sound vs the final production sound – well, except for Darth Vader voiced by David Prowse’s before James Earl Jones was dubbed on top. Here, though, we see the original dailies from the Cantina bar scene from Star Wars: A New Hope, and you really realise just how much difference sound design makes.
A little more than 10 years ago I had a realization that would one day change my life forever. During an evening stroll in the local woods with my camera in hand, I became aware of just how much I love photography and what it means to me; it was at that moment I knew it would be a part of me for a long time to come.
There weren’t many online resources when I began investing time in learning how to better utilize my camera equipment. Neither was there too much buzz about it on Social Media.
There are several ways to convert your images to black and white in Photoshop and Lightroom, and to edit their final look. But Colin Smith of photoshopCAFE suggests a method that you may not have tried before. In this quick tutorial, he’ll show you how to use the Color Temperature slider to edit your black and white photos.
George Mendonsa, the “kissing sailor” from a famous Alfred Eisenstaedt’s photo, has died on Sunday at the age of 95. Mendonsa was photographed kissing a nurse on 14 August 1945 during the celebration of the WWII’s end. The photo was published in Life magazine and it became one of the most influential images of all time.
Tamron are getting ready to announce a new 17-28mm f/2.8 Di III RXD lens for Sony FE, according to a post on Sony Alpha Rumors. While not quite as wide or as long, it should offer Sony shooters a less expensive alternative to the Sony 16-35mm f/2.8 GM lens for a short focal length zoom with a fast aperture.
Vitec Imaging Solutions, a division of The Vitec Group, has acquired New Zealand based camera slider and motion control company Syrp. The acquisition actually happened on January 23rd, although it seems to have received very little coverage.
In a press release, Vitec states that “the acquisition of Syrp adds electronics and software features that control cameras to Vitec’s current product portfolio”. A portfolio that includes Manfrotto, Joby, Teradek, SmallHD, Lastolite, Lowepro and many more besides.