Nikon’s long-awaited firmware update for the Z6 and Z7 to add 4K ProRes raw video capability via an external recorder still isn’t here. We still don’t know when it’s going to be coming beyond “later this year”, although we do now know that this will not be a free firmware update. It will be a paid upgrade. That’s going to upset some people.
You can still shoot 10-bit N-Log video externally already without raw capabilities, although N-Log hasn’t exactly been the easiest to grade. Nikon has now, however, released two completely free LUT files for both the Nikon Z6 and Nikon Z7 cameras.
The new dedicate LUT for Nikon’s N-Log is compatible with the Rec.709 colour space, and two separate downloads are available for Nikon Z6 and Z7 cameras.
To capture 10-bit N-Log, an external recorder is required, but these new LUTs should make your post-processing and colour grading lives a little bit easier. The LUTs should work in Premiere Pro CC, DaVinci Resolve, Final Cut Pro or just about anything that supports standard .cube LUT files.
Also in the same announcement, Nikon offered an update on the raw video firmware update for the Nikon Z6 and Z7 cameras. This would allow for 12-bit ProRes raw video capture when using an external recorder like the Atomos Ninja V. Those two devices, of course, being sold together in the Nikon Z6 filmmaker kit.
The Z6 filmmaker kit offered two huge advantages. The first is that you’re probably going to buy all that gear anyway, and there’s a decent saving when buying it all together in the one package rather than buying each item separately. No matter what camera you buy, if you’re planning to shoot video, then at some point you’ll probably want an on-camera microphone, a gimbal, and some kind of external monitor/recorder. So, if you were planning to buy a Z6 for video anyway, it makes a lot of sense.
However, the second advantage it offered was the promise of a future firmware to add that 12-bit ProRes raw capture support. A promise that caused many users to go with Nikon where they might otherwise not have, given the competition that’s been out there like the Blackmagic Pocket Cinema Camera 4K. Now that Blackmagic has released the Pocket 6K, the Z6 kit with the now-paid firmware upgrade isn’t looking quite so desirable.
Although raw support is still coming, it’s not the free upgrade that many users had banked on.
I wonder how those who bought the Z6 filmmaker kit with the Atomos Ninja V based solely on the promise of raw video in the future are going to respond about having to spend more money.
Considering the static activity in sales, the piss off factor by consumer who paid full price only to see steep discounts/free FTZ bundles, the fact that they have been knocked out of second place by Sony, and not to mention the mediocre eye AF update charging for a function that should always been there is a great marketing idea. Keep up the mediocrity Nikon.
Prores Raw over HDMI, a literal world’s first.. a concept people literally thought was impossible a year ago.. should have “always been there”?
Look.. I’m all for criticizing these companies for being lazy, and/or exploitative.. and there’s an argument that maybe this falls under the latter.. but the notion that ProRes Raw over HDMI should have “always been there” is completely ludicrous.
he was talking about the mediocre eye AF should have been there, NOT RAW over HDMI. In fact, it sure would be nice to actually see that, until then it is just talk. IF they actually deliver RAW over HDMI, before someone else does (a7S3 maybe?), then yeah kudos to Nikon. But, where is it? we are almost a year into the big promise.
I am so glad I sold off all my Nikon gear
I wonder if the Panasonic S1H will beat Nikon to the “RAW over HDMI” punch now that Atomos is saying a free upgrade to that camera is coming. If so, my Z6 just became a poor man’s S1H.
That being said, if you want to use the new LUT to monitor on your Ninja V, prepare to be dissapointed with crushed shadows and too much contrast and saturation. There is, however, a solution. I used my RED Epic-W’s rec709 LUT to adjust Nikon’s LUT to make them look similar. The result? Just decrease the LUTs intensity by 50% and you’ll have a beautiful monitoring LUT.
If you don’t know how to create a LUT, I’ve put mine online to download…
http://s000.tinyupload.com/?file_id=30811195182189585323
Z6 and Nikon’s LUT…
https://uploads.disquscdn.com/images/f0a29a5a3a5b92307d1c215e7a444d4c7ea37dc0cbf280ad67af8e111b61f3f1.jpg
RED and its rec709 LUT…
https://uploads.disquscdn.com/images/3f5dba1ce8603c27fc57dc8b3a44e7e27aa3e98383f214a2d46cf48e327e877a.jpg
Z6 and my adjusted LUT…
https://uploads.disquscdn.com/images/d80802f92eb5aedd2c9c394fb683e5c65668aa66a62c847a6ccc22ec5fd39902.jpg