Reviews
Platypod Bracket & Bounce is the Most Versatile Flash Bracket I’ve Ever Used
Using on-camera flash is one of those things that can either work really well or completely fall apart depending on the location – and the…
Camp Snap Fever: Can a Screen-Less Camera Really Go Pro?
In the growing field of screen-less digital cameras, the camera that started this sensation has decided to add a bit more incentive to hesitant prospective…
Krafty Kreate KR48 Kamera Kleverly Kaptures Pix with a Kavalcade of Lenses
Remember, Wacky Wednesday? The beloved Dr. Seuss book about a child who “sees” oddball occurrences throughout the day, until the kindly policeman informs her that…
The Lens that Fell to Earth: Viltrox 16mm f/1.8 L Lens
Imagine a camera lens with a built-in liquid crystal display (LCD) screen that shows aperture settings, depth-of-field scales, and precise focus distance measurements. It sounds…
We Bought the Kodak Charmera, So You Don’t Have to Waste Your Money
Remember that craze that whipped perfectly normal people up into an elbow-throwing, expletive-cursing frenzied mob trying to buy a plush toy doll? That insanity-inducing doll…
A Mirrorless Lens with Light Leaks. WHAT? Don’t Worry, it’s Intentional
Who would think of deliberately designing a camera lens that contains an optical flaw? Well, PolarPro had that thought and decided to run with it….
Is the Fujifilm X-T30 III the Camera for You? That Depends
The X-T30 III didn’t get a 40-megapixel sensor but did pick up a few tricks from the X-T5. But who is this camera for?
Should You Snap Up the Kodak Snapic A1? TLDR; YES!
One quick glance at the Kodak Snapic A1 camera and you might think that it shares a casual resemblance to a RETO Ultra Wide &…
My Photo Library Was Chaos: A Hands-On Review of Excire Search 2026 and Excire Foto 2025
If you’re anything like me and you’ve been shooting for more than a few years, chances are your photo archive has grown into something slightly…
Viltrox Wide and Telephoto Conversion Lenses Add Range to Your X100VI
The Fujifilm X100VI is one of the more polarizing cameras available today. For some, the fixed-lens APS-C camera is the perfect, high-performance point-and-shoot. For others, the crop sensor and fixed lens are far too limiting – even with the ability to digitally crop in. I tend to be more in the latter camp, preferring to use one of FujiFilm’s interchangeable lens cameras to maximize functionality. Recently, I got the opportunity to try the X100VI again, this time with Viltrox’s Wide and Telephoto Conversion Lenses. Did it change my mind about the camera?






































