If you are like everyone else stuck at home, trying to live stream, you probably know about live switching. A switcher is a box that lets you control multiple cameras; The live part enables you to push the stream into Facebook or Youtube. Black magic has a basic ATEM mini for four cameras for $300. Now Feelworld has the LIVEPRO L1 – a four-camera switcher with a frigging LCD for the same price.
Stupidly wide, The Laowa 9mm f5.6 W-Dreamer on the Sigma FP
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I’m no stranger to a wide-angle lens, back in my crop Pentax days I used to love shooting my old Samyang 8mm Fisheye, and more recently with my Sigma fp I’ve been enjoying the 14-24mm f2.8. On a full-frame sensor 14mm is already really wide, so imagen my excitement when Laowa asked me to try their 9mm f5.6 W-Dreamer lens.
It’s crazy that this 12mm Full Frame ZERO-D cine lens is under $1,500
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The king of ultra wides just stepped into the ring of cine-line lenses with a very bold claim. The Venus Optics Laowa 12mm T2.9 Zero-D Cine Lens is the newest lens to come out of Laowa. The “Zero-D” supposedly stands for zero-distortion, but at 12mm how is that even possible!? After playing around with the lens for a while, I can officially say, I’m blown away by this lens.
Camera Conspiracies isn’t happy as he explains “Why I’m leaving Pansonic FOREVER”
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The whole “I’m switching from this brand to that brand” or “I’m done with whatever brand” videos have been done to death, but this one from Kasey at Camera Conspiracies popped up on my feed last night after the announcement of the Panasonic S5 and I have to say, it’s pretty hilarious.
He talks about Panasonic’s strengths (which are now mostly at least matched by the competition) as well as their weaknesses in the way that only Kasey can. The complaints mentioned in the video (the main one being the DFD autofocus) aren’t anything new, either. Panasonic’s flagship GH5 was plagued with autofocus issues and that was released three and a half years ago.
This 5x macro is possibly the strangest lens you’ve ever seen
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There are a lot of oddball lenses out there these days. And I mean that in the nicest possible way. Look at Laowa’s crazy lookin’ 24mm f/14 2x macro probe lens, for example. I’ve played with that one myself and it’s a lot of fun and pretty awesome. The Yasuhara Nanoha Macro Lens for Sony, though, takes the reach much further, going all the way to 5x. And the best bit? It costs a mere $399.
You might wonder what’s so unusual about it. Well, for a start it’s got a strange removable hood thing that houses several LED lights, powered by USB (yup, it’ snot for firmware updates, just powering LEDs). But that’s not all. This thing… Well, Arthur Reutov’s made a video about it. So, why don’t you have a watch?
A comprehensive review of the new Moment Travelwear bags
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Moment, who started back in 2013 with a lens for mobile phones Kickstarter, is back! This time with a new line of Travelwear bags and accessories designed for everyday use. The new collection consists of a backpack (17L or 21L), a Tote bag, and a bunch of accessories: Camera Insert, Tech Organizer with mini Tech Organizer, and a Battery Organizer.
This hands-on review of the RED Komodo contains the best footage I’ve seen it produce so far
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Recently, we posted a video by filmmaker Joey Helms about his shiny new RED Komodo 6K camera, and five reasons why you might want to get one. He got a lot of questions asked in response to posting that video, so he’s created this 30-minute follow up to provide a full hands-on review and blast through as many of those questions as possible.
Joey seems to know what he’s talking about with this camera, too, as the video shows some of the finest sample footage I’ve seen shot with the RED Komodo so far. Whether that’s down to the camera settings used or the work he does in post, I’m not entirely sure but he sure makes that thing look pretty amazing.
First Look: Zhiyun updates a legend with the new Zhiyun Crane 2S 3-axis motorised gimbal
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Zhiyun has today announced an update to their ever-popular Crane 2 gimbal. Not surprisingly, it comes in the form of the Zhiyun Crane 2S. Over the original, it offers increased load capacity, a more extensive camera compatibility list, axis locks, an improved follow focus wheel, larger OLED screen, more shooting modes to match the rest of the gimbals in Zhiyun’s current lineup and greater accessory connectivity.
I’ve had one here to play with for a couple of days so far, and we’ll have a much more extensive review coming in the near future, but here are some of its major features and differences over the original Zhiyun Crane 2.
Still the best motorised mini slider I’ve tried – Smartta SliderMini 2
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The SliderMini 2 is Smartta’s latest iteration of the SliderMini, its small form factor motorised slider. It’s largely the same as the original and you can read that review here, but it has received a couple of significant changes since the original that allows it to offer much more versatility.
Like the original, the SliderMini 2 is a super-compact slider that allows for easy portability for use just about anywhere. I’ve been using the SliderMini 2 for the past few weeks now in order to try to answer two very specific questions. But first, how about some pretty (yes, I know that’s subjective) sample footage shot using it?
Canon EOS R5 in concert photography – a review
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(It goes without saying that) This article is not sponsored or commissioned by Canon, this article represents what I really felt when using the Canon EOS R5 at concerts, and I don’t even intend to convince anyone to agree with me or buy the camera, it’s just my opinion.
For the sake of this review, I took the EOS R5 with me to shoot a concert. It was a perfectly safe concert, with no live audience. The lighting, stage, and singer were very real though. So aside from the minimalistic audience, this was a real, live show. That allowed me to test the camera in a real-life concert-shooting scenario.
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