There are some things in life that are just universal rules we should all follow. Things like not cheating on your wife, not killing anyone, and not stealing. Easy enough, right? These are just a few of the Ten Commandments. So if life has Ten Commandments that are just some simple things to not do, then retouching should have them as well, right? Here’s what I see as the 10 Commandments of Retouching.
There is a problem we all face as creatives in one way or another, and that is either being too hard on ourselves, or too happy about our own work that we take critique very personally. Both of these sides are toxic and they aren’t the essential zone we need to be in to promote and nurture growth with our work and our lives.
Over the last eight years, I’ve had the pleasure of getting to know photographers who I have seen become very successful. I met them on their journey and they asked for my help in improving their retouching through one on one consultations. I noticed a trend among those that made it during our time spent together, and it wasn’t just the relentless drive they had in order to succeed, but the exceptional balance of knowing their worth while also being aware that they had room to grow.
[I thought that seeing as I have a Post-Producition Workshop fast approaching, I needed a blatant excuse to promote it via an article on my site :D Well here it is, a look at some of the
sharpening techniques I use in Photoshop to give my images a little visual-pop before I publish them.]
Once, the idea of rotating my canvas when retouching was jarring to me. I knew it was something my peers were doing but I just couldn’t be bothered to try it myself.
After a few one on one lessons where I was “forced” to do it by David Neilands, I actually found a surprising improvement in not only the end result but also in identifying problems quicker with fewer revisions.
Rotating the canvas is actually a technique that was popularised by Pratik Naik of Solstice Retouch. The guy knows his stuff, he won retoucher of the year last year!
No matter who we are, our skin isn’t perfect. It’s just a fact of life. The odd zit here and there, a little scratch, perhaps a single stray hair. There’s always something. So, for portraits, temporary blemishes usually need a quick touch up. Fortunately, such issues are easy to fix in Photoshop. Or, more accurately, Photoshop offers us several easy fixes.
In this video, Nathaniel Dodson from Tutvid shows us five different ways to get rid of them. Each of the techniques shown has its advantages as well as its down sides. Nathan talks through make the most of them and overcome the potential problems. He also explains how these techniques can be used on other images besides portraits, such as landscapes.
Dodging and Burning images is something that I see every day in photography and it seems to have two purposes: Artistic character and removing luminosity based distractions.
Today I’m going to be talking about the latter, removing luminosity based distractions. I’m going to assume you already know how to do dodge and burn (and if not you should check this tutorial), so we’ll skip the baby steps and jump straight ahead to the point of the article!
I’ve been working on 4K for the last year, and as such, I have to zoom in quite considerably more than resolutions such as 1080 and 1440 to get to the same level of “zoomed in” view. This extreme zoom-in adds a grid to the view. As a photographer and a retoucher, it can make life very difficult if you’re not aware that you can turn this grid off.
I was recently scouring the Interweb when I came across a fantastic, post apocalyptic, promo image. As I looked further it seemed to be for a new TV show, but as I dug a little deeper, I found out it was the brainchild of Jeff Madison.
Jeff is a photographer from New York, and his new photo series Mad World is based on a fictional TV show that comes on after AMC’s The Walking Dead! I like nothing more than when a photographer/digital artist who goes the whole hog and creates detailed stories with their images. I myself tend to write backstories and write down full character sheets before any actual shooting begins. So I was happy to see Jeff building a whole world with his imagination.[Read More…]
Do you use Photoshop for your portrait photos? Silly me, of course you do. We all do, and that’s fine. But do you draw a line between acceptable and unacceptable amount of retouching? Do you merely emphasize people’s natural beauty, or are you the one who makes them look beautiful? Scott Kelby – photographer, retouchist, the editor and publisher of Photoshop User Magazine, gives a fantastic and inspiring talk on this topic. Why do we retouch people in Photoshop? And do we know what our job as retouchists is?