As most of you in the photography and filmmaking community know, on the 21st of August, North America (and some parts of South America, Africa and Europe) will get to experience a moment that reminds us just how small we are on this tiny planet rocketing around the universe – a solar eclipse.
We’ve put together a handy guide on everything you need to know about being prepared to capture it, so read on, get your gear together and remember to show us what you’ve managed to shoot after it all goes down!
One thing to say before we get started – eclipses are bright. Well the eclipse itself isn’t bright, however whenever you can see the sun throughout the eclipse, it’s going to be damn bright with UV and IR rays flying all over the place. A little common sense is required to not look at it, even when you think it’s covered up enough by the moon, because that’s specifically when it’ll get ya. Wear some fancy eclipse glasses if you can’t resist (but not the ones that Amazon recalled…) and don’t look through your view finder, even with your ND on at its darkest – use the live view function instead.
A little different from a lunar eclipse where the earth passes between the sun and the moon, blocking the light that usually makes the moon shine, a solar eclipse is when the moon orbits between the earth and the sun, casting a shadow on earth.
It’s an incredibly rare sight, which is why photographers haven’t stopped talking about it for weeks.
Eclipses aren’t straight forward things either – there are several phases:
- Partial eclipse – when the moon begins to slide in front of the sun, partially covering it,
- Start of total eclipse – just before the moon fully covers the sun phenomena such as Baily’s Beads and the Diamond Ring effect occur,
- Totality – when the sun is fully covered by the moon. The sun’s corona is visible in a ring around the moon,
- The steps above reverse and the sun is revealed.
The constant transition of an eclipse means that photography can only capture one element at a time – which is where time-lapse comes in.
So When and Where Is It All Going Down?
The two most important things you need to know when hoping to capture a solar eclipse are pretty simple – where you need to be and when you need to be there.
The upcoming eclipse will pass from the West to East Coast of the US. The path of totality – a fancy way of saying the area where you can see a total eclipse from – is a narrow 70mile (110km) strip running from coast to coast. This strip is the ideal place to get the complete eclipse experience, although you’ll still be able to capture some pretty cool time-lapses if you’re outside of the range.
The best time to view the eclipse changes depending on where you are. To find out where and when you can check it out, there’s plenty of great online resources like this one provided by NASA (so you know it’s legit).
Getting Your Gear Together
So you know where you’re going and what time you need to get there, but what do you actually need to bring with you? To do the eclipse justice, you need to have the right camera and lens combination.
Wide angle lenses will not work well because the sun will appear too small. You’ll need to use something that’s more than 200mm (on a full frame camera), although 600mm-800mm is more ideal. The below diagram shows you how the different focal lengths effect your final image.
Long lenses can be pretty expensive, but because you’re taking pictures of the sun, you’re not going to have an issue with low light, so using cheaper lenses with higher f-stops won’t be a problem.
Having a crop factor camera can also be of advantage as their smaller sensor sizes increase your focal length, allowing you to get more out of your current lenses.
On to Exposure
One of the most difficult elements of capturing the eclipse is the massive change in exposure throughout the event. In the earlier stages you’ll need to expose for the sun using an ND filter (it’s pretty bright, ya know). During totality, the only light you’re going to see is from the corona (edges of the sun around the moon’s outline) which is pretty dim. It’s standard practice to remove your ND filter for this part of the eclipse.
For time-lapse, you’re going to need to manually bulb ramp from bright sunlight, to when the moon is in front of the sun and back again. There are a few ways to go about this, the easiest being manually adjusting the dials on your camera – although this can cause your camera to move. Due to the nature of the scene this can also be very hard to fix in post because there isn’t much information for post stabilization systems to grab on to. A better option would be to use an app such as Canon Connect to control the exposure of the camera wirelessly.
Something else you’ll want to avoid is the shaking that comes when removing your ND Filter. A way around is to use a variable ND Filter such the Syrp Super Dark. It’s 5-10 stops, which provides enough range to cover all phases of the eclipse.
When bulb ramping, it’s best to change one setting at a time rather than all at once – this way it’s easier to keep track of everything. For example, start by changing the ISO, ND, aperture, and finally shutter speed.
Below is a diagram showing example exposures at different parts of the eclipse.
Get Your Interval Right
One of the core components in creating the time lapse is your intervalometer. This will trigger your camera at regular intervals. To do this you can use a Genie Mini. Not only does it act as an intervalometer but it also has motion control features which you can use for tracking the sun.
Setting the Interval significantly effects the feel of the compiled time lapse. A too long interval will cause the phases of the eclipse to go by too quick. However, a too fast interval can cause your camera to miss shots. This is due to the previous image still being processed. Using a fast camera and card will help mitigate this issue. It is best to test out what your camera is capable of before the shoot.
Below is an animation of the solar eclipse at different intervals. An interval of 1 second will mean the duration of totality during play back will last around 6.6 seconds, while at an interval of 4 seconds it will last 1.7 seconds (this is at 24 fps).
Aligning the Sun
Fun fact; the sun and moon move across the sky at 0.25° a minute, so you’ll need to ensure that you set up your camera so they don’t drift out of frame. There’s two ways to do this:
- Use the drift method, where the sun and moon drift into frame
- Track the movement using a motion control device like the Genie Mini
This is the simplest of the three methods as it doesn’t require motion control. First you will need to set the focal length of your camera. This has a significant effect on the duration of your time-lapse. The wider the lens, the longer it takes for the sun to move from one side of the frame to the other. Below is a diagram showing how different focal lengths capture a different amount of the eclipse. Around 600 to 800mm is ideal as it will allow you to capture all the eclipse as well as providing enough room for error in aligning your camera.
Once you have set your focal length you can then derive your record time. This is done by calculating the time it takes for the sun to move across the frame. To do this use the table below. If you want to calculate this for yourself use this equation (Horizontal FOV + 0.53)/0.25 Where 0.53 is the degrees the sun takes up in the sky and 0.25 is the degrees per minute the sun moves. (As your Record Time and Interval are set your Play Time will be determined automatically from this).
The next step is to align the centre of the frame with where totality will occur. To do this you can use the NASA website we previously mentioned to figure out when totality will occur. Then in the app PhotoPills, set the time to that of totality. Using the Augmented View, roughly align your camera to where the eclipse will occur. Adjust your ball head and make sure the camera is parallel horizontally with the path of the sun, so that it will sweep across the frame from left to right.
When pressing record, you want to do this so that it ensures that totality is halfway through your time-lapse. If you had a record time of 20min you would press record 10min before totality. Before pressing record make a small adjustment to your ball head positioning the sun on the left just out of frame. Now everything is lined up you can press go and bulb-ramp (see Exposure section above) through until it is finished. Once complete the sun will be just out of the right side of frame
Genie Mini – Polar Alignment Track Method
Tracking the sun has the advantage of not having to worry about it drifting out of frame. This lets you capture a time lapse of any desired duration, enabling you to capture every phase.
To set this up you need to align your Genie Mini’s axis of rotation to the rotational axis of earth. The most accurate way to do this is using an equatorial mount, which is designed for telescopes. Although less accurate, you can also achieve this using a sturdy tripod and head. First connect the Genie Mini to the tripod head. Using an app like PhotoPills, open Augmented Reality View and lie the phone flat on top of the Genie Mini. Adjust the tripod until the phone is perfectly facing the south pole. You can also align your Genie Mini at night by aligning it to the North Star, Polaris.
Once aligned, fix your camera to the Genie Mini using the tilting arm of the Pan Tilt Bracket. This will alleviate the weight of your camera and long lens making it easier for the Genie Mini. Shift the camera backwards and forwards on the mount until it’s balanced.
Next, you’ll need to set your record time. At its longest, the eclipse will last 2hrs 55min. Depending on your location your total duration will differ.
Once set you’ll need to configure how far the Genie Mini rotates over this time period. Make sure it is rotating counter clockwise from east to west. As the sun moves at 0.25° per minute, you’ll want to multiply the length of your record time in minutes by 0.25. In this case its 43.75°.
All you need to do now is align the start point so the camera is facing the sun and press go when the start of the partial eclipse begins.
Genie Mini and Timelapse +
Timelapse+ and the Genie Mini – the method above is brand new and in beta testing. It’s been sent to us by Timelapse+ and while we haven’t tested it ourselves, we hear it’s pretty reliable.
It’s pretty straightforward — install the latest beta (enable Settings->Developer Mode to access beta versions), then make sure you either have a GPS fix or disable the GPS (Settings->GPS Module) and manually enter the Latitude, Longitude and current time (in UTC) in settings. Make sure bluetooth is enabled in Settings->Wireless Setup and up to two Minis should automatically connect.
Then when you’re setting up the time-lapse, you’ll have the option to enable tracking = ‘sun’, and assign each Mini to an axis (#1 was the first connected). Or, better still, use the app (you need to enable the Built-in AP and use the local 10.0.0.1 option with the beta) and then you can configure each axis and enable sun tracking. You’ll also have a joystick mode with liveview for setup.
Also, here’s how to test the eclipse program mode:
Here’s how to test it yourself for the eclipse:
- Disable GPS (Settings->GPS Module) so you can enter manual coordinates
- Find the coordinates on Google Maps of where you plan to be, and enter them in Settings->Set GPS Latitude/Longitude
- Change the date to 21 Aug 2017 in Settings->Set UTC Date
- Set the time to a little before first contact: 16:00:00 in Settings->Set UTC Time (then check Information->Eclipse Info to verify)
- Go to Time-lapse and set Timelapse Mode to ‘eclipse’
- Configure your settings for each part of the eclipse in Eclipse Circumstances
- Check Review Program to see the planned events and settings
- START the time-lapse and see how it goes!
Something To Note
Camera Sensor Size – All calculations are done with a full frame camera in mind. If you’re using a crop sensor, multiply your focal length by your crop factor and use the resulting focal length for your calculations. For example, if you have a 200mm lens on a Canon 80D with APSC sensor that has a crop factor of 1.6, the resulting focal length would be 320mm.
So there you have it, that everything we have in our brains regarding the upcoming solar eclipse. Let us know how you get on, and have fun on Monday!
About the Author
Syrp is a New Zealand based manufacturer of motion control products ranging from highly technical to the bare basics. You can find out more information on the Syrp website and follow them on Facebook. This article was also published here and shared with permission.
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