So you have just picked up your first light or you have had one light for a while now and you are wondering what more you can create with just that one light, well you can create LOADS. I see many post/comments saying they can’t do that as they only have one light and while it is more efficient using more lights in certain situations it really is quite amazing what you can create with just one, so my best advice is to get out and shoot loads, experiment and fail as many times as you can, because honestly you will learn more this way and the experience gained will stay with you, In this post I will show you just a few ways I have created images with one light, now this is no tutorial more a post on ideas to try . If you want to jump straight to the video for this post click below.
I’m not a fan of western superhero franchises.
Yes I fully appreciate that I’m in the minority here and it’s certainly not my intention to turn you away in the first sentence, but rather to solidify the fact that this exploration of colour in cinema does not come from a fanboy solely driven by vapid, one dimensional characters and napkin narratives, but rather pure adoration of a masterwork in cinematography.
OnPortraits.com was built to fulfill a positive mission: I want to give you actionable tips and tactics so you can create the portrait photographs you want.
But I woke up on the wrong side of the bed today, and I want to talk about 4 things I truly hate about portrait photography in 2019.
For all those who are reading the title of this article and thinking to themselves, “What the crap is Cyberpunk?” … Well, according to the dictionary it is, “A genre of science fiction set in a lawless subculture of an oppressive society dominated by computer technology.” Just think “Blade Runner” and you’ve got the gist of it. As much as I love (and will obviously always love) to create stereotypical fantasy art, I’ve recently been super inspired to create artwork that leans on Cyberpunk themes. What’s not to love about neon lights, shiny leather, sunglasses at night, glowing technology, and in-your-face vibrant colors popping out of the dark moodiness of a dystopian futuristic city!?
I’ve read The Onion headlines and McSweeney’s pieces that have knocked me off my chair. I can still remember staying up late during high school to watch Saturday Night Live sketches like “Change Bank,” or Dave Chapelle’s Killing Me Softly on HBO. I’m a person who can appreciate good humor and satire.
This is neither.
I’ll own up to this and say that I’m guilty of being stuck in my ways. But age is no excuse for not being as adaptive as I should be to the changing times. But let me explain.
Before a presentation we did during a bad-weather day on a photography workshop I co-guided in Northern Norway, I was asked to give my best advice for landscape photographers. I wanted to talk about some slightly different topics rather than repeating standard tips such as ‘straighten the horizon’, ‘use f/11’ and ‘photograph during golden hour’.
These tips won’t make an instant change to your images but they are essential to be aware of if you want to develop your craft and grow as an artist.
While most commercial photographers know about copyright laws and the use of a model for their images, it seems the answer isn’t so clear when it comes to Travel Photography. So if you’re travelling the world with your camera, what laws apply – for you and for your subject?
You might need to consider what it means… taking photos of people in a foreign country, photos that you may one day print, sell or publish.
So I made a big purchasing decision a few months ago by investing in the new Fujifilm GFX 50R camera. It is a larger-than-full frame, ‘medium format’ sensor camera. The 50Rwas by far the most affordable medium format option in its class at the cost of $4500 USD($5700 CAD). Despite the amazing image quality of the Fujifilm G series lenses, they can be prohibitively expensive and lack the wide apertures that full frame shooters are accustomed to. What excited me most about this camera was its ability to adapt other lens systems with F/1.4 lenses to create images with a very shallow depth of field. In an ideal world, I would be able to treat this camera like a medium format digital back.
Your actor headshots, combined with your actor showreel, are the foundations of your actor profile. They are without shadow of a doubt a key marketing tool for your acting career. It’s important to prepare yourself in order to get the most out of your session.
If you are reading this it is because you have booked or you are thinking on booking a headshots session. In this article I’ll try to answer most of the common questions that we usually receive on how to prepare for your actor headshots session.