These are the two lenses every portrait photographer should own
Oct 13, 2017
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No matter what genre of photography you’re into, I’m sure you have your favorite lens(es). Manny Ortiz does mainly portrait and has two lenses he’d recommend to any portrait photographer out there. The 50mm and the 85mm are his lenses of choice, and he explains why he thinks every portrait photographer should own them. Let’s see if you agree.
The 50mm and 85mm are close in focal length, but according to Manny, they serve a different purpose.
50mm is usually the first one we buy after the kit lens. It was the first prime lens for me, and still remains my favorite. It’s similar for Manny, as he often returns to the “nifty-fifty,” too. He uses Sony Sonnar T* FE 55mm f/1.8 ZA. Not exactly 50mm, but close enough. He points out this lens is great for environmental portraits. Still, you can also get up close, and shoot without the distortion you’d get with, for example, a 35mm.
As for the 85m, Manny says it’s his “bread and butter lens.” Many of his portraits were taken with this one, and I also know lots of portrait photographers who’d choose it over any other lens. It has a larger working distance, but you can stand close to the model and communicate. For example, with the 200mm, you’d need to stand far back, and get closer every time you need to direct the model. This could slow down the photo shoot, but with the 85mm, there’s no such problem. Also, there is no distortion and the lens is flattering to the subject. The background compression is great, and this lens gives you a nice, shallow depth of field.
Of course, all this is subjective, and there are no explicit rules. Plus, you can always experiment with wide-angle portraits and get amazing, creative images. Personally, I don’t do portraits so often, but when I do – it’s usually with the 50mm lens. Although, on my Nikon D7000, this lens provides 75mm equivalence. So I guess I’m somewhat closer to Manny’s beloved 85mm. What’s your “bread and butter lens” for portrait photography? Do you agree with Manny’s choice?
[Two LENSES every PORTRAIT photographer should own! | Manny Ortiz]
Dunja Đuđić
Dunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, concerts, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.





































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16 responses to “These are the two lenses every portrait photographer should own”
35 & 50 mm on D5300 :)
Could I use a lens, Sigma 105mm f/2.8 EX DG OS HSM Macro for example, and use its focus ring to cover both 50mm and 85mm? are the results same? if not so what are possible differences? tnx.
You will get narrower angle of view. If you stand close to a model with 50mm, you will see more things surrounding the model. If you stand close with 105mm macro, you will only see a part of model’s face, not the surroundings. Hope this helps.
+ 135mm ?
105mm for portraits ?
24mm and 105mm on full frame… I’m a man of extrems ;)
“Hi can I take your portrait picture IN YOUR FACE!?” ?
I use 35mm…Is buying 85mm 1.8G worth if in future I buy the 70-200 2.8G on D5500..
hi Ed, I’d recommend buy the 85 for now, it’s worth it. After you buy the 70-200G, you decide whether you keep the 85 or not :)
I have to agree with rifki… The 85mm has become my go to for most work, unless I’m in a tight spot.
Canon 24-105mm
105
85mm ?
I prefer around 180 at 2.8
70-200 f/2.8 ;)
50 1.8 & 105 2.8