Thypoch Expands Its Lens Lineup With a “Golden Range” Zoom and a Pocket-Sized Prime

Alex Baker

Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

Lens makers love to talk about character, but it usually comes with a trade-off. You either get clinical, modern optics or something with personality that leans heavily into vintage quirks. Thypoch is trying to sit somewhere in the middle, and its latest releases suggest it’s taking that balancing act pretty seriously.

At NAB, Thypoch showed off two very different lenses: its first autofocus zoom for full-frame shooters and a tiny manual prime that leans hard into retro aesthetics. On paper, they could not be more different. In practice, they’re both chasing the same idea: modern usability with a bit of cinematic character. DIYP talked with Susanne Wu about the new lenses.

A 24–50mm f/2.8 That Covers the “Golden Range”

Thypoch Expands Its Lens Lineup With a “Golden Range” Zoom and a Pocket-Sized Prime

The headline release is the Voyager 24–50mm f/2.8, Thypoch’s first autofocus zoom designed for full-frame cameras. That alone marks a shift for a brand that has largely focused on manual lenses up to now.

The focal range is what most people would call a “golden” zone. Starting at 24mm gives you enough width for environmental shots and travel work, while 50mm at the long end keeps things firmly in portrait territory. It is not an all-in-one zoom, but it covers a lot of everyday shooting without pushing into extremes.

A constant f/2.8 aperture keeps it flexible in lower light and gives you some control over depth of field, which is important if you are trying to maintain the slightly cinematic look that Thypoch keeps referencing. According to the brand, the lens is designed to bridge the gap between traditional photo lenses and cinema glass, combining practical autofocus performance with a more character-driven rendering.

There is also a focus on optical control. Thypoch says it has introduced a new coating aimed at reducing chromatic aberration and controlling flare. In short, this looks like a lens aimed solidly at hybrid shooters. If you are switching between stills, video, travel, and documentary-style work, that 24–50mm range will be a great addition to your camera bag.

The Ksana Series Goes Small and Retro

Thypoch Expands Its Lens Lineup With a “Golden Range” Zoom and a Pocket-Sized Prime

At the other end of the spectrum is the Ksana 35mm f/2, part of Thypoch’s third series of manual lenses. This one is clearly aimed at a different kind of shooter, particularly those using rangefinder-style systems.

The first thing you notice is the size. It is genuinely tiny, designed to be something you can leave on your camera or drop into a bag without thinking about it. For travel or everyday shooting, that alone makes it appealing.

Thypoch Expands Its Lens Lineup With a “Golden Range” Zoom and a Pocket-Sized Prime

But the real focus here isn’t just portability; it’s character. Thypoch has introduced a new coating designed to give the lens a more distinctive look, with warmer tones and more pronounced flare. The idea is to evoke a slightly retro aesthetic, something reminiscent of older lenses without fully sacrificing modern optical performance.

That approach makes sense with a 35mm focal length, which has always been one of the most versatile options available. It works for street photography, travel, environmental portraits, and general everyday use. Pair that with a compact form factor, and you have a lens that is easy to carry and use.

Two Lenses, One Direction

What is interesting here is not just the lenses themselves, but the direction they suggest. Thypoch is not simply expanding its lineup, it is experimenting with how modern lenses can feel. The Voyager zoom leans towards practicality, with autofocus and a flexible focal range that fits into real-world workflows, while the Ksana prime goes the other way, focusing on tactile shooting and a more stylised visual output. Both, however, are built around the same underlying idea of giving photographers and filmmakers tools that feel modern without looking overly clinical.

That balance is not easy to get right, and it will ultimately come down to how these lenses perform in real-world use cases. But as a statement of intent, it is a clear one. Thypoch is not trying to compete purely on specs, it is also trying to offer a different shooting experience.


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Alex Baker

Alex Baker

Alex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

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