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Phase One has announced Capture One 20 with an array of new editing and workflow features

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Phase One has today announced the launch of the latest version of their photo editing software, Capture One 20. They say that the latest release was driven based on feedback from the Capture One community to deliver the features and workflow that people actually need.

It comes with improvements to the existing toolset, along with an array of new features, too, including the Basic Colour Editor, High Dynamic Range, Noise Reduction, a new Crop Tool and an improved user interface. It also brings with it, support for some of the most recent camera releases including the Canon EOS 90D and Nikon Z50.

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JPEGmini’s crazy compression is now available as a plugin for Capture One

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When Capture One 12 was announced last year, it brought some pretty big new features along with it. One of those features was the ability to finally be able to use third-party plugins on both macOS and Windows versions of the software. And here’s one that’s going to make a lot of people rather happy.

JPEGmini has made a Capture One plugin version of its space-saving jpg compression tech. Similar to its Lightroom counterpart, it allows you to export images directly from Capture One with JPEGmini’s compression algorithms applied.

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The ColorChecker Passport is finally compatible with Capture One

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Over the past several years I’ve found the ColorChecker Passport to be an invaluable tool for my photography. It lets me get consistent colour weeks or months apart, even using different cameras. But it has one slight drawback. It’s only really compatible with Adobe Lightroom and Photoshop. And more recently, DNG Profile support was added to Skylum Luminar.

But one of the things that’s kept many people from adopting the ColorChecker is Capture One support. It’s also one of the things that stopped many ColorChecker users from switching away from Lightroom to Capture One. But now, all that changes as X-Rite announces Capture One support has been added to the ColorChecker Camera Calibration software v1.2 (Public Beta).

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New Preset Converter lets you use your Lightroom presets in Capture One

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One of the big draws of Lightroom for many users is its ability to use presets. And there are a million of them out there. Free and paid Lightroom preset packs are everywhere you look these days. But there are very few available for Capture One.

It’s those purchased presets that put a lot of photographers off switching away from Lightroom. They don’t want to feel they’ve wasted their money by no longer using them. But now, a new Lightroom to Capture One preset converter, the imaginatively titled Preset Converter, might make your choice a little bit easier.

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Phase One breaks with tradition and opens up Capture One to Fuji medium format cameras

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Well, this is a pleasant surprise that’s going to make a lot of Fuji shooters very happy. Particularly those with the GFX 50S. Phase One has teamed up with Fuji to offer support for all Fuji models, including Fujifilm Film Simulations, and tethered support for a bunch of Fuji camera models.

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Are control consoles the future of photo editing? DIYP reviews the Loupedeck+

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Since Adobe switched from perpetual licenses to a subscription model, I’ve been trying to make my photo and video workflow as Adobe-free as possible. As a result, I don’t use Lightroom. So I never really had a need for the original Loupedeck.

But when the announcement came for the Loupedeck+ with support for Skylum Aurora HDR and Capture One, and more software support coming in the future, I thought it was time to take a more serious look at it. I’ve been using the Loupedeck+ for a few weeks now, and I think it’s safe to say that it’s won me over.

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The new Loupedeck+ offers console control for Aurora HDR, Capture One and Lightroom

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Non-Lightroom users have been a little jealous since the Loupedeck hit the scene. They want consoles for their respective applications, too! And the folks at Loupedeck listened. Now they present us with the new Loupedeck+. It’s a welcome update to the previous model with a more refined construction, new mechanical keys, custom dial control mode and support for more software.

As of right now, as well as the Lightroom compatibility of its predecessor, the new Loupedeck+ supports Skylum Aurora HDR 2018. Beta integration with Capture One is here, and more apps are on the way!

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Capture One 11.1 update offers new workflow improvements and camera support

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Capture One seems to be growing rapidly in popularity. Since Adobe’s decision to split Lightroom up into multiple products, and ditch the perpetual license they promised would be around forever, more and more are making the switch to Capture One. Now they’ve announced the first major update to Capture One 11 with an 11.1 release. It offers workflow improvements for bulk editing, as well as support for a lot of recent camera & lens releases.

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Capture One 11 officially launched: improved masking, new annotation system and faster performance

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Phase One has officially launched Capture One 11, the latest version of their RAW conversion and image editing software. It builds on the previous version, but it’s packed with new and improved features. It seems that the main focus was making the workflow faster and more efficient for the users, and from the preview, the updates sound really useful. The company says they have responded to customer’s needs with the latest version of the software.  So, let’s see what’s new in Capture One 11.

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How I shot the Photoshoper’s wet dream: A PSD room where you can control 34 different lights

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(hit play on this movie to see what this article is about, this is not a computer generated image, it’s all done in camera – see the final product here)

As someone who deals with compositing on a daily basis, I foud myself in a restless state. And I don’t mean that restless state that all us creatives are in, I mean something that was extreme even for me. I am always struggling with backplates, so I started making a wish list of what the perfect backplate would be. What would it look like? Turns out it’s not an easy question, and it definitely does not have an easy answer. Making that backplate required a $50,000 camera and ended up as a 14 Gigabyte file. But I have finally found how I want my backplates to be. Here is the story of how I made it.

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