Hacking Photography - one Picture at a time
One of the parts of editing and post-processing I enjoy the most is colour grading. You can really add to the emotion and story depending on how you edit the colour palettes of an image.
In this excellent video from Adorama, editorial and commercial photographer Emily Teague shows us how she goes about colour grading an image. Emily is using Capture One to edit her image, however, the same principles apply to whichever software you’re using.
This one’s been a long time coming, having been teased since June of 2021. It’s taken a year, but it’s finally here as Capture One has announced Capture One for iPad. The company says that the new app is available as a standalone iPad app but can also work in tandem with Capture One Pro for the desktop through its Cloud File Transfer subscription.
Capture One for iPad, they say, has been designed to “take advantage of the iPad to its full potential”. This means it supports gestures and touch interactions that its desktop counterpart cannot. It allows users to bring their work with them when they go mobile and have all of their images and adjustments synced up between their iPad and Desktop.
Capture One has announced the newest v15.3.0 update for Capture One 22. It brings with it a number of features for Sony and Canon shooters who want to shoot tethered and brings new tools like the Magic Eraser. It also sees a Tool Panel redesign, easier watermarking, support for the Canon EOS M50 II and EOS R5C along with a bunch of new Canon lenses.
The company is also gearing up to release its Capture One iPad app later this month and the latest Capture One 22 update lays some of the foundations for that with Cloud Transfer to easily sync up and send files over to your iPad. The latest update also brings a bunch of extra little features to help improve the overall user experience
Capture One has released a powerful update to Capture One 22. The improved version features a re-envisioned keystone tool, an array of feature updates with expanded capabilities, and Apple silicon performance advancement that brings a host of substantial speed improvements.
This update also brings new camera and lens support for a number of the most recent hardware releases.
Capture One has released Capture One Live, a new platform for photography and collaboration. It’s meant for both real-time and post-shoot collaborations between everyone involved – photographers, clients, and production team members, no matter where they are.
Capture One has announced that they’ve officially discontinued their brand-specific versions of Capture One for Nikon, Sony and Fujifilm cameras. This means that now, there’s only one version available; The more expensive one. The change, they say, is due to “preparation for the launch of new and existing products, including a powerful new way to collaborate with Capture One Live, and the brand’s first iOS app with Capture one for iPad”.
It seems, though, that all may not be quite lost. If you own a perpetual license for the Sony, Nikon or Fujifilm version of Capture One 22 (which is still available to purchase today at B&H for $199), they will continue to work forever and Capture One says they’ll still see updates throughout the life of Capture One 22. However, you’ll get a free upgrade to Capture One Pro (which is $299) in early April 2022.
Which RAW editor and photo management software do you use? There are a few different options out there and many of them have had some significant updates recently. Perhaps using the same one you have always used is a good thing, but equally, perhaps looking around to see what other options there are could also be a good idea to see if something else might serve you better.
In this video, Rob Hall goes over 5 different reasons that Capture One might be a better fit for you and your workflow than Lightroom.
Capture One has announced its new Capture One 22 software. Or at least, they’ve announced that it’s coming. With a release date of December 9th, it brings with it two pretty significant and highly requested features. The first is native panoramic stitching. Yes, that’s right. No longer do you need to export them out and bring them into another piece of software, you can now stitch from within Capture One itself straight from your raw files.
The new Capture One 22 is also able to create merged HDR files within the software as well, allowing you to exceed the dynamic range of just a single raw file for maximum versatility in high contrast scenes. Unfortunately, there’s no teaser video yet showing these new features in action, but they do have a live stream scheduled on their YouTube channel for December 9th when it’s officially released.
Contracts are a funny thing. The wording they use, the things they have to say in order to allow them to do the things they do, can seem quite overbearing – particularly when it comes to things like Digital Rights Management, otherwise known as DRM. Put simply, DRM is the part of the software that checks to make sure you’re running a legitimate copy of the software with a valid license key. It’s something that Adobe does each month when it checks that you’re still running a valid Creative Cloud subscription.
Capture One, though, seems to demand complete and absolute access to not only your computer through its software checks but “on-site investigations” with physical access to any computers that they suspect are running Capture One. And it’s all in the name of copyright. It sounds a bit (a lot) big brother, but is it something you should really worry about? Well, to quote the great Jar Jar Binks, “Not really, no”.
Recently, Capture One released their latest v14.3 update. It came with some great new updates like the Magic Brush, but their attempt to “streamline” the user interface experience seems to have made quite a lot of their professional users pretty upset. At least, that’s what the feedback on social media suggests.
As PetaPixel reports, the Output Tab has been removed along with specific associated features – breaking many workflows for photographers and editors. Some feel this is Capture One essentially trying to dumb down the interface for the more casual consumer and not their core professional user base that’s driven much of their growth since the product was first launched.
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