Well, this is a pleasant surprise that’s going to make a lot of Fuji shooters very happy. Particularly those with the GFX 50S. Phase One has teamed up with Fuji to offer support for all Fuji models, including Fujifilm Film Simulations, and tethered support for a bunch of Fuji camera models.
Since Adobe switched from perpetual licenses to a subscription model, I’ve been trying to make my photo and video workflow as Adobe-free as possible. As a result, I don’t use Lightroom. So I never really had a need for the original Loupedeck.
But when the announcement came for the Loupedeck+ with support for Skylum Aurora HDR and Capture One, and more software support coming in the future, I thought it was time to take a more serious look at it. I’ve been using the Loupedeck+ for a few weeks now, and I think it’s safe to say that it’s won me over.
Non-Lightroom users have been a little jealous since the Loupedeck hit the scene. They want consoles for their respective applications, too! And the folks at Loupedeck listened. Now they present us with the new Loupedeck+. It’s a welcome update to the previous model with a more refined construction, new mechanical keys, custom dial control mode and support for more software.
As of right now, as well as the Lightroom compatibility of its predecessor, the new Loupedeck+ supports Skylum Aurora HDR 2018. Beta integration with Capture One is here, and more apps are on the way!
Capture One seems to be growing rapidly in popularity. Since Adobe’s decision to split Lightroom up into multiple products, and ditch the perpetual license they promised would be around forever, more and more are making the switch to Capture One. Now they’ve announced the first major update to Capture One 11 with an 11.1 release. It offers workflow improvements for bulk editing, as well as support for a lot of recent camera & lens releases.
Phase One has officially launched Capture One 11, the latest version of their RAW conversion and image editing software. It builds on the previous version, but it’s packed with new and improved features. It seems that the main focus was making the workflow faster and more efficient for the users, and from the preview, the updates sound really useful. The company says they have responded to customer’s needs with the latest version of the software. So, let’s see what’s new in Capture One 11.
(hit play on this movie to see what this article is about, this is not a computer generated image, it’s all done in camera – see the final product here)
As someone who deals with compositing on a daily basis, I foud myself in a restless state. And I don’t mean that restless state that all us creatives are in, I mean something that was extreme even for me. I am always struggling with backplates, so I started making a wish list of what the perfect backplate would be. What would it look like? Turns out it’s not an easy question, and it definitely does not have an easy answer. Making that backplate required a $50,000 camera and ended up as a 14 Gigabyte file. But I have finally found how I want my backplates to be. Here is the story of how I made it.
Something came to my attention recently thanks to some feedback from close friends. This was called “Fixing the Keystone” or “Keystoning” and it simply means making sure that your verticals are vertical and horizontals are horizontal.
A very simple concept and also one which architectural photographers will have been on top for decades.
Here’s how you can fix the problem in just a few clicks!
Adobe Lightroom has always faced some stiff competition against Phase One’s Capture One for medium format shooters. Even many photographers using DSLRs have made the switch. If you were hoping to use Capture One with the new Fujifilm GFX, though, you may be out of luck.
Imaging Resource seems to think that Phase One are feeling a little threatened by Fuji’s new mirrorless. But I don’t necessarily think that’s true. At least, no more threatened than they’ve felt about other medium format cameras in the past. According to Phase One support, support is unlikely to come as they don’t want to support “direct competitors of our core business”.
Until today I’d known my Sony A7II could handle the shadow world, but I could never bring myself to push it. Mainly out of fear, no actually entirely from fear of losing the image. Recently I had the absolute pleasure of working at Rebecca Bathory’s place I decided to test the range once and for all.