Laowa launches trio of compact, lightweight and low budget 1.5x anamorphic prime lenses

May 17, 2022

John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Laowa launches trio of compact, lightweight and low budget 1.5x anamorphic prime lenses

May 17, 2022

John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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Venus Optics has announced a new line of low budget lightweight 1.5x anamorphic prime lenses for EF and PL mount cameras as well as seven different mirrorless mounts. It’s called the Nanomorph series and consists of 27mm T2.8, 35mm T2.4 and 50mm T2.4 1.5x anamorphic lenses. Interestingly, they’re available with a choice of “flare options” – amber or blue – letting you choose your desired look.

They claim to be the “world’s tiniest anamorphic lenses” and in mirrorless form, they are. The Canon EF/PL mount versions are a little larger and heavier, but not by much. In total, they’re available for nine different camera mount systems and the mounts are user interchangeable (but there’s a caveat that we’ll get to down below).

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Surprisingly, Laowa’s not just putting these out for sale like they typically do. Instead, they’ve taken to launching these ones on the crowdfunding platform Indiegogo. Aside from the fact that they’re so small, what makes the lenses particularly interesting is that they’re available in two colour options. And I don’t mean the colour of the lens but the colour the lens sees in the flares. The typical anamorphic look is for those blue lens flares so commonly associated with the likes of JJ Abrams. But as well as the standard blue flare option, Laowa has released these with an amber coloured flare option, too.

The traditional blue flare
A more moody amber flare

If you end up deciding to buy lenses in both flare colour options, though, don’t worry. It’s easy to spot which lens is which, as noted by the colour of the ring around the lens. Natrually, the blue ring signifies that it gives a blue flare while the orange ring signifies the amber flare.

The size, though, is one of their big selling points. Being so compact and lightweight, these Super 35mm (APS-C) format lenses offer a great range of versatility. The fact that they’re available in nine different mount options also provides for maximum compatibility with today’s cinema and mirrorless cameras. Naturally, they’re available in Canon EF and PL mount but they’re also available in Micro Four Thirds, Canon RF, Sony E, Leica L, DJI DL, Nikon Z and Fuji X mount, too. Oh, yes, and they’re interchangeable. By the user.

Now, as far as interchangeability of mounts goes, there are limits. The Canon EF/PL mount lenses are physically different to the mirrorless mount lenses. So, if you get the EF/PL mount version, you can only swap the mount between EF and PL. You can’t convert it into a mirrorless mount lens. Likewise, if you buy a mirrorless mount version of the lens, you can swap between the seven different mirrorless mounts available, but not Canon EF or PL.

Whichever one(s) you get, though, the light and compact design of the lenses, though, means that if you want to pack super lightweight but still have the capabilities that cine lenses offer – like built in 0.8 Mod gears for a follow focus on a compact gimbal – then you can. And each of the three lenses also keeps a unified gear position for focus and aperture, allowing you to quickly swap from one lens to another in a rig without having to adjust your follow focus and other devices that interlock with your lenses.

They’re also light enough that you can use them on Micro Four Thirds mount (and DJI DL) cameras built for drones and expect them to balance and hold reasonably well without putting too much strain on the motors. Finding good MFT lenses for drones isn’t always easy, especially if you want to go anamorphic!

The lenses feature both metric and imperial scale measurements for the focus distance and there’s a Focal Back adjustment screw, that allows you to quickly fine tune the backfocus using an included 0.9mm Allen key ensuring that you get accurate focus at all distances if you swap the lens from one camera to another that’s slightly off.

Nanomorph 27mm T2.8 1.5X CineNanomorph 35mm T2.4 1.5X CineNanomorph 50mm T2.4 1.5X Cine
Focal Length27mm35mm50mm
FormatSuper 35mmSuper 35mmSuper 35mm
Aperture RangeT2.8-T16T2.4-T16T2.4-T16
Optics15 elements in 13 groups15 elements in 13 groups15 elements in 13 groups
Diaphragm Blades13 blades13 blades13 blades
Min Focus43cm50cm70cm
Mirrorless Mount version
Front Diameter58mm58mm58mm
Filter Diameter55mm55mm55mm
Dimensions60x90mm60x90mm60x100mm
Weight313g360g390g
MountsCanon RF, Sony E, Micro Four Thirds, DJI DL, Nikon Z, Leica L, Fuji X
PL/EF Mount version
Front Diameter80mm80mm80mm
Filter Thread77mm77mm77mm
Dimensions84x67mm84x75mm84x75mm
Weight490g520g550g
MountsCanon EF/ARRI PL

The regular retail price on the lenses is $999 each for the mirrorless mount versions and $1,499 each for the EF/PL mount versions. Bundles containing all three will be $2,699 and $3,999 for mirrorless and EF/PL mount versions respectively. While it’s on its crowdfunding journey, though, you can get up to 10% off – there were better deals, but they sold out pretty much immediately – the cost of either the whole set or individual lenses.

To find out more and maybe back the lenses for yourself, head on over to Indiegogo. Lenses are expected to ship in August and September.

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John Aldred

John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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