I combined 7 Godox AD200 lights to make a huge 1400Ws cluster light

Markus Klinko

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Like most photographers who have been working for many years, I have my favorite, go-to lights. These include the Broncolor Para 88, 133, and 222; the Broncolor ‘pre-2006 style’ Flooters; the Elinchrom Zoom Spots; and Elinchrom Litemotiv Indirect.

I have adapted all of these modifiers within the last year to fit the Flashpoint 1200H remote heads, as well as the 600Pro (AKA Godox AD600 Pro) and 600H Pro, as I prefer these mobile, lightweight, HSS capable flashes for the flexibility they provide over any other current brands or models.

The Flashpoint XPLOR 600 Pro (AKA Godox AD600 Pro)

Some of these modifier adaptations proved to be slightly more difficult and costly than expected, mostly due to the lack of efficient adapters on the market. But with some trial and error, and the help of a good metal shop, I finally got there!

I also like to use arrangements of multiple lights that are combined into one larger light source. For example, a tower of 3 strip boxes creates a nice rim/edge light, and using 2 such towers on each side of the subject, with an additional overhead strip, creates an easy-to-use backlight. Powered by 6 Flashpoint 600H Pro remote heads, as well as a 1200H remote head for the center strip, these 7 boxes work as one light.

For special effects, I sometimes also group several theatrical spots. This allows me to project lines, cycles, and other shapes. For greater control of the placement of these sharply defined lights, it is much easier to use several stacked spots.

A few months ago, I also experimented with using 4 Flashpoint eVOLV 200 (aka Godox AD200) mounted on a Really Right Stuff large flash bracket, shooting through the ring and off-centered.

This works nicely, but I decided to take it a step further by building a unique cluster light, with one Evolv in the center of the ring, and 6 additional units around it. This arrangement is easier to use than it sounds! The Evolve cluster can be set up in just a couple of minutes, and each of the 7 units can be controlled individually. For my taste, this clusters produces the best effect with the wide umbrella

This cluster produces a very broad and powerful 1400ws output with a bright center. It looks a bit like combining the effects of a spotted and un-spotted larger Broncolor Para.

The cluster also has a great advantage for shooting outside, as unlike a big Para, the wind is generally not a problem for the cluster.

Since it also can be broken down into smaller pieces quickly, this Evolve cluster is very easy to take on the road. It does, however, require a solid stand for safe handling. Because of its unique qualities, this light is now among my favorites.

About the Author

Markus Klinko is an international fashion & celebrity photographer. He has worked with many of today’s most iconic stars of film, music and fashion. You can more of Markus work on his website. Images copyright Markus Klinko.


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We love it when our readers get in touch with us to share their stories. This article was contributed to DIYP by a member of our community. If you would like to contribute an article, please contact us here.

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3 responses to “I combined 7 Godox AD200 lights to make a huge 1400Ws cluster light”

  1. Ethan Shotz Avatar

    Just curious – Why would someone need that much power in a controlled studio environment? Is there an advantage?

    1. Kaouthia Avatar
      Kaouthia

      Huge modifiers and being able to get way back to minimise falloff for a more even spread spring to mind. :)

      Shooting a larger format sensor or film can also require a smaller aperture to get the depth of field you need so more light is required. The session below used 7500Ws of power in the studio.

      https://www.diyphotography.net/photographing-a-rock-band-on-wet-plate-with-7500ws-of-strobe-power/

  2. bergstrom Avatar
    bergstrom

    nice if we all had the money to buy them