After the original Lume Cube, here comes the upgrade. Lume Cube AIR has just been released, and it’s a lighter, slimmer and more portable lighting solution for content creators. Just like its predecessor, it’s durable, shock-proof and waterproof, and it’s an affordable little light.
Being kind of a computer geek, I found myself looking for a good way to simulate studio lights. I tried Blender, Cinema 4D, and other 3D programs until I found Set.a.Light 3D. Let me save you the long read. It’s awesome. OK, you can continue now.
I first fell in love with Set.aLight 3D with one of its first versions back in 2015 or so. It was love at first light (sorry! I could not resist the pun). Since those early days, the simulation improved quite a bit, and the latest v2 release officially blew my mind.
Like most photographers who have been working for many years, I have my favorite, go-to lights. These include the Broncolor Para 88, 133, and 222; the Broncolor ‘pre-2006 style’ Flooters; the Elinchrom Zoom Spots; and Elinchrom Litemotiv Indirect.
I have adapted all of these modifiers within the last year to fit the Flashpoint 1200H remote heads, as well as the 600Pro (AKA Godox AD600 Pro) and 600H Pro, as I prefer these mobile, lightweight, HSS capable flashes for the flexibility they provide over any other current brands or models.
One of the questions I often hear from people who are new to photography, particularly when using flash is “How high should my light be?”. It’s a difficult one to answer, especially if you’re shooting on location because there are so many variables.
The Koldunov Brothers break their usual silence in this 9-minute video to explore the topic. They offer a lot of tips with practical examples to show how different lighting heights and positions affect how the camera sees the subject.
Interviews can be a fun lighting challenge, especially when you need to go back and forth between two subjects; The interviewer and the interviewee. There are all kinds of elaborate lighting setups you can use to light two subjects and have them both looking great on-camera.
Sometimes, though, you’re limited on gear or space or setup time. In this video, filmmaker Rubidium Wu shows us a simple three light setup that gives short lighting on two interview subjects to great effect.
Ring lights are a big love-hate thing in the world of photography. Some people are actually quite passionate about the catchlight it can present in a subject’s eyes – believing that there’s only one way to use a ring light. But ring lights can produce some wonderful light on your scene, especially when used off-camera.
And that’s how this giant ring light is intended to be used. Inspired by Oscar-winning DP, Roger Deakins, Todd at Shutterstock shows us how to build our own in this video. It’s fairly straightforward to do if you’re comfortable with basic tools.
Lighting a room can be deceptively difficult. You’d think it would be straightforward, but it’s easy to do it badly if you’re not careful. In this video, Jay P Morgan walks us through five different lighting setups in one room. Jay uses LiteCloth LED panels for the demonstration, but you could just ass easily do this with most other types of continuous light or flashes with the right modifiers.
Having only one light available doesn’t seem like it will give you many options for shooting. But in this video, Nerris Nassiri from Aputure will show you five basic key lighting patterns you can create with only one light. They’re commonly used in both photography and filmmaking to get a wide variety of looks, and they can help you tell different stories in your shots.