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How and why you might want to use High Speed Sync flash in the studio

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High speed sync flash is typically associated with shooting outdoors. You’re in the bright light, and you need to take your shutter past your camera’s sync speed in order to overcome the bright outdoors and bring it under control. High speed sync lets you keep using flash beyond these speeds. But there are times when you might want to use them indoors, too.

In this video, Gavin Hoey shows us why we might want to use high speed sync in the studio or other indoor settings and how to use it to get the shots we want.

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The Godox R1 and RF1 look a lot like the Profoto C1/C1+ except Godox announced them first

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I missed this while I was away at IBC 2019, and they didn’t have any on the Godox stand, but Godox has announced a couple of new lights aimed at smartphone photographers that look a whole lot like the Profoto C1 & C1+ announced recently. Profoto can’t really accuse Godox of copying this time, though, as the Godox lights were actually announced first.

The news of the Godox R1 and RF1 was overshadowed by the launch of the FV150, VL150 and VL300, but now I’m starting to read up about the R1/RF1, they look pretty cool. They’re designed for use with smartphones, and one is a continuous light only, while the other offers continuous and flash capabilities.

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How to shoot awesome dance floor photos at weddings

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I love dancing shots at weddings! Nothing like getting stuck into the middle of a party and capturing everyone having an awesome time. But invariably the lighting for the party isn’t great, what’s fantastic for a party atmosphere isn’t always good for a photographer. So if you want to capture some incredible dancing shots, you’re going to need to add your own light.

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How to balance your strobes with ambient light on location

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Many users of flash feel quite comfortable with it in the studio. The studio makes things fairly straightforward. You expose to eliminate all the ambient light and then you add it back where you want it with your strobes or speedlights. But when many newer flash users struggle when they get out on location, where you can’t or don’t want to completely kill the ambient light, but need to add flash.

In this video, Jay P Morgan at The Slanted Lens looks at how to mix strobes with the ambient light and how to balance them outdoors to achieve a good exposure.

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Understanding Light – Working with hard light

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Being able to look at an image and understand the lighting within it is not crucial to becoming a great photographer. But having the ability to look at another image you love and recognise the qualities that stand out to you will undoubtedly help you to become a better photographer far faster.

Last week we looked at how important being able to understand light can be and I also highlighted where many self-taught photographers struggle with this in today’s industry. If you missed last weeks article then I recommend you take a look to see some of the pitfalls self-taught photographers can struggle with as today’s article leads on from that.[Read More…]

How to make real beams of light stream through your shot with flash

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If there’s one thing in photography that never gets old, it’s light beams. Especially for interiors. You have the sun streaming through a window, lighting up the haze in the atmosphere and you get that nice beam of light that just seems to wrap everything in its warmth. But they’re difficult, if not impossible, to predict. In this video, Gavin Hoey shows us how we can make our own, any time we like, using flash.

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How to shoot high speed action photography with flash and a slow shutter

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With so many ways to be creative in photography, I get really excited with many ideas for a photograph. One area I find very interested is sports action photography, but with a twist. It’s great to capture that split-second moment and have that frame frozen, but I wanted to explore capturing the motion and freezing the action all in one go. Above you can watch the video of me using this technique with some karate students.

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Lights, shadow and highlight – How I lit this dramatic portrait

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Creating a dramatic portrait, moody ,emotional, edgy, dark, the subject/model, scene and clothing help portray all of those but one ingredient that remains constant to help achieve the drama is light, shadow and highlight, in this blog post I cover how I lit this image I will show you the position of the lights and what modifiers were used.

If you want to jump straight to the video explaining it all here you go.

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How to shoot those crazy dance floor light streak photos with flash

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I’ve lost track of the number of people who’ve asked me how to shoot this type of photo over the years. The basic concept is quite simple, although it can be difficult to wrap your head around if you’ve not used flash in such conditions before.

In this video, photographer Eric Floberg talks about how you can achieve this effect in-camera. While the principle is pretty straightforward, it’ll definitely take some practice.

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How to create a classic three-light beauty portrait lighting setup

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The three light setup has been a staple of portrait photographers for decades. There isn’t just one three light setup, though, there are several, with some slight variations, which can change the mood dramatically. In this photo, photographer Rob Hall used his three lights with various modifiers to create this portrait, and he’s shared with DIYP how he set them up in order to get it.

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