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How to create lighting gradients in your shots with coloured gels

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Using coloured gels can be a little unforgiving, especially if you’re new to using strobes. But one of the biggest reasons using gels can be tricky, is due to how hard it can be to use multiple coloured gels in the same setup. Coloured lights do not play well together and unlike paint, where you can create new and wonderful colours by mixing them, mixing coloured light often results in dull, washed-out colours. Coloured gels do not mix and consequently must ordinarily be kept separate in your shot at all times.

Thankfully though, in today’s setup, I will be showing you how to mix coloured gels with incredible ease, in fact, it’s so easy, we’ll only be using one light to do it!

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Here is your perfect lighting setup for shooting high school graduate portraits

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Having been a school and graduation Photographer for 20 years, I have changed my lights several times, always looking at improving my workflow, quality and stability light output, photographing hundreds of pupils per school per day, the importance of stable, colour consistent lighting is essential for fast post-editing and printing.

By far the best and most rewarding move was to go all battery-powered lighting in 2015. I will give a few details of how I have tweaked my kit over the years to get to my perfect balance of power, weight set up and transport.

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Watch these four awesome one-light portrait setups in just 10 minutes

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Most of us end up getting so bogged down with gear at some point that it can be difficult to choose exactly what gear we’re going to want to take to a session – especially when it comes to lighting. I’m sure I’m not the only one whose bags are comprised of 20% gear we’ll use and 80% “just in case” gear that we hardly ever use.

Sometimes, though, it’s nice to bring it down to the bare basics, carry less gear, and keep things simple with just one light. And for those just starting out, perhaps one light is all you may have. But fear not! In this video, photographer John Gress walks us through four very effective lighting setups that each use only a single light.

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Stop asking photographers what flash power they used – it’s irrelevant

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It’s a question that’s often seen in photography groups. For some reason, people want to know all of the technical specs and exposure settings of every photo posted to those groups. In flash groups, people even want to know what flash power level you were at – as if it was actually a useful question to know the answer to.

Photographer Rob Hall sees this question all the time, so he’s decided to respond with a video. But this isn’t just a rant about why it’s a dumb question – well, not completely. Rob also tries to inject some knowledge to explain why the answer to the question is irrelevant and suggests some questions that you should be asking instead.

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Confused by lighting terms? Here’s what they all mean

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If you’re new to working with flash, especially when shooting portraits, all of the different terms for different lights can be quite confusing. With no context whatsoever, “key”, “fill”, “rim”, “kicker”, etc. are all kind of vague and non-descript. Once you understand the purpose for each, though, the naming convention becomes quite obvious.

In this video, photographer John Gress walks us through each of the different terms used for different types of lighting position, as well as how and why each of them are used when shooting portraits. He also mentions some of the names different photographers seem to use for the same thing – often a big cause of confusion judging by some of the posts I see on social media.

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Quick tip: Use tent pegs to stop your light stands falling over on location

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One of the most common questions I see on social media, especially just after somebody’s posted an image shot on location with flash, is “How do you stop your light stands from falling over?” – which isn’t an unreasonable question to expect. When it’s just you and your subject, how do people stop their light stands from falling over?

Well, you could carry a bunch of heavy sandbags around with you, or make sure to hire an assistant for all of your location shoots, but photographer Wayne Speer has another idea – especially when shooting in locations with soft ground. He uses tent pegs and rope.

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This speedlight diffuser is either brilliantly stupid or stupidly brilliant

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I haven’t quite made my mind up about this one yet, and I think I’d actually have to try it – or at least see some results shot using it vs a regular Stofen style diffuser – before I’m able to, but Irish accessory manufacturer, Hahnel has released a new speedlight diffuser that’s… Well, it’s interesting, to say the least.

The humble Stofen style diffuser has been around for years and serves 99% of people quite well. The other 1% believe that other products will serve them better. Whether or not this one will, though, I’m not entirely sure. I love the concept and would be very happy to know that it works to diffuse the light while offering better output performance than the existing options, but I’m not convinced.

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How to light and shoot portraits of yourself or your family in your home

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There are lots of videos out there on lighting and shooting portraits, but they often show huge studios, with the kind of space that no reasonable person would have available in their home. That observation was pointed out to photographer Nathan Elson on a video he posted shooting self-portraits at his studio. So, he’s made another one, to show how you can use smaller equipment to get a similar look in a small space in your home.

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Frustrated with your flash gear? Here’s some therapy for you

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Flash equipment can be a pain. No matter who the brand is, they all have their little issues. Maybe the buttons stop working, perhaps there’s too much interference on the frequency they use stopping them from firing, too many cryptic buttons and menus? Sometimes they decide to just not play ball for no apparent reason whatsoever.

This video comes from US-based lighting and accessories retailer, MoLight and parodies one scene in the movie Office Space perfectly (if you’ve seen it, you know what I mean), including the pre-cursor clips of frustration leading to the inevitable demise of… well, you know.

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How to use light, shadows and highlights for dramatic portrait lighting – Part 2

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Hey guys! In episode 2 from my Light, Shadow, and Hi-light series, I will take you behind the scenes of the image below. I will break down the lighting setup one by one and I will go through the camera gear used so you can easily recreate this look in your own style. Think of it as a great starting point.

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