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Here’s why you should upgrade your speedlight to a studio strobe

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I’d argue that nearly all of us owned a speedlight at some point before we owned a studio strobe. When we’re looking to dip our toes into supplemental lighting, strobes seem like a big investment. It just makes sense to pick up a cheap speedlight to play with right?

Like many others, I did the same thing. I bought a cheap speedlight (that was ultimately pretty crappy), then I got a proper one, but I was still unhappy, whereupon I quickly bought a strobe. I immediately wished I’d done it sooner. Here’s why.

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Five portrait lighting patterns you need to learn

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It seems that there are always things we “need” to learn when it comes to shooting certain genres of photography. And while many of them for a lot of genres do boil down to personal taste, when it comes to portraits, there are some things that you need to know and understand, like lighting techniques – even if you don’t use all of them all of the time.

In this video, photographer Hannah Couzens shows us five different popular portrait lighting styles that every portrait photographer should really know and understand. She also demonstrates them using both hard and soft light, so that you can see how the light actually hits the subject and how to make it more visually pleasing.

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How to recreate natural window light with strobes for food photography

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Many photographers love using natural window light, and I must admit I’m one of them. But when the weather just isn’t cooperating, you have to rely on artificial lighting. Still, you can recreate that window light that you like, and in this video, Barry Mountford shows you how.

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How to shoot easy white backgrounds for either products or portraits

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It’s one of the oldest and most fundamental techniques when it comes to shooting both portraits and product photography in the studio. But it’s also one of the most misunderstood and difficult to grasp for a lot of newer photographers. Yes, that’s right, I’m talking about the ubiquitous white background shot.

In this video, Rob Hall walks us through the process of getting two white backgrounds. The first demonstration is in a portrait setting, showing how the background is lit vs the subject and how to prevent the background from flaring into the lens. In the second, Rob sets up a small product shot using a light table. Both are lit quite differently but achieve the same result.

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How to create lighting gradients in your shots with coloured gels

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Using coloured gels can be a little unforgiving, especially if you’re new to using strobes. But one of the biggest reasons using gels can be tricky, is due to how hard it can be to use multiple coloured gels in the same setup. Coloured lights do not play well together and unlike paint, where you can create new and wonderful colours by mixing them, mixing coloured light often results in dull, washed-out colours. Coloured gels do not mix and consequently must ordinarily be kept separate in your shot at all times.

Thankfully though, in today’s setup, I will be showing you how to mix coloured gels with incredible ease, in fact, it’s so easy, we’ll only be using one light to do it!

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Here is your perfect lighting setup for shooting high school graduate portraits

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Having been a school and graduation Photographer for 20 years, I have changed my lights several times, always looking at improving my workflow, quality and stability light output, photographing hundreds of pupils per school per day, the importance of stable, colour consistent lighting is essential for fast post-editing and printing.

By far the best and most rewarding move was to go all battery-powered lighting in 2015. I will give a few details of how I have tweaked my kit over the years to get to my perfect balance of power, weight set up and transport.

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A super simple 2-light setup for shooting still life photography

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Big-shock I know. A coloured gel lighting technique from me is hardly surprising, but this time I’m scaling things down and today I’ll be sharing a super simple 2 light setup for still-life.

To be clear, I’m a million years away from being an even remotely good still-life photographer, but I thought I’d share this quick little setup as I had a few questions about some shots I shared in a recent article. Plus, if I, a know-nothing portrait and fashion shooter can throw together this still life setup, anyone can do it.

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Confused by lighting terms? Here’s what they all mean

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If you’re new to working with flash, especially when shooting portraits, all of the different terms for different lights can be quite confusing. With no context whatsoever, “key”, “fill”, “rim”, “kicker”, etc. are all kind of vague and non-descript. Once you understand the purpose for each, though, the naming convention becomes quite obvious.

In this video, photographer John Gress walks us through each of the different terms used for different types of lighting position, as well as how and why each of them are used when shooting portraits. He also mentions some of the names different photographers seem to use for the same thing – often a big cause of confusion judging by some of the posts I see on social media.

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How I shot a portrait of two people 7,000km apart on a single wet plate photograph

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This is not about a technical perfect wet plate. This is about building connections from thousand miles away. Overcoming obstacles and being there for each other.

This 5-minute exposure captured more than just an image, it’s a short movie where the plate captured our thoughts and movements. Thanks to Shane Balkowitsch to be a part of it.

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Parabolic softboxes “make a mockery of the laws of physics” and are “completely unnecessary”

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When somebody begins a video with the phrase “what a load of marketing bulls**t”, they’re about to either make themselves look like an idiot or they’re going to back their claim up and show you some solid evidence. In this video from Karl Taylor, I’m leaning towards the latter. Karl takes a look at parabolic softboxes and demonstrates why they really don’t offer all that much benefit over regular octagonal softboxes (or octaboxes).

 

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