Hey, folks! Its a brand new year and one I am pumped for! 2020 is gonna be another great year! To kick this new decade off, I wanted to share with you some lighting setups and behind the scenes from a portrait session where we tried out a few different setups, if you prefer to watch the video you can check it out above.
This is what low contrast lens filters are and how you can use them in portraits
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As the name of the filter alludes to, these lens filters do indeed lower the overall contrast of a shot. To clarify what that means in relation to photography; these filters will reduce the darkness of the shadows by allowing light to bleed into them from surrounding highlights.
How to shoot atmospheric photos of glass with just a couple of speedlights
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Photographing glass can be a very tricky topic if you don’t know how to approach it. It doesn’t react to light the way that most of the subjects we shoot do, because there’s really nothing to actually light. It’s all about the lit objects that reflect off it or refract through it.
You don’t need a lot of fancy gear to photograph glass, though, and in this video from Dustin at Workphlo, we see how we can photograph glass with a very simple setup utilising just a couple of speedlights, a small strip softbox and a diffuser.
How I built this low budget DIY set for my recent photography project
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For my latest project, “we are the dead“, I decided to build a room in which to shoot my pictures. I had absolutely no idea how to do this, but there were some facts I needed to consider:
How to create the “Corona” lighting effect on your subjects
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I’m just gonna come clean here and say that I just made up the name ‘corona’ for this lighting setup. In fact, the word corona is a commonly used term with solar eclipses. During an eclipse, we can often see the moon silhouetted against a ring of light and the word corona is often used to describe that halo of light we see around the moon.
As we explain this lighting, my reasoning for calling this setup ‘corona’, should start to make a bit more sense because we are actually trying to achieve a similar lighting eclipse look by adding a ring of light around our subject.
How and why you might want to use High Speed Sync flash in the studio
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High speed sync flash is typically associated with shooting outdoors. You’re in the bright light, and you need to take your shutter past your camera’s sync speed in order to overcome the bright outdoors and bring it under control. High speed sync lets you keep using flash beyond these speeds. But there are times when you might want to use them indoors, too.
In this video, Gavin Hoey shows us why we might want to use high speed sync in the studio or other indoor settings and how to use it to get the shots we want.
Three one-light setups using V-Flats with three very different looks
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V-Flats are one of those most underrated studio accessories, but one of the most useful and versatile. At their core, they can do two things. They can reflect or block light, and that’s pretty much it. But photography is all about light, and controlling it through reflections and blocking.
They’re particularly useful when it comes to shooting portraits as their reflective sides can produce beautiful soft light and specular reflections. And they can also help to create a lot of drama. In this video from V-Flat World, photographer John Gress shows three different ways to use V-Flats for portraits using just a single light to get three different looks.
Here’s how to light a product with only one or two lights
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Light is one of the key elements of photography, and product photography is no exception. If you’re just starting out, it’s certainly good to learn how to work with light and get the look you want. In this video, Jay P Morgan shows you how to create simple lighting setups with just one or two lights and how to control the light so that you achieve different results.
How to deal with tricky reflective surfaces and create stunning product photos
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When doing product shots in the studio, reflective surfaces could be very tricky to handle. But of course, there are methods to deal with them and light them to show all their beauty. In this video, Dustin Dolby of Workphlo shares a comprehensive tutorial on lighting and photographing tricky, reflective products. And what’s more, you don’t need fancy gear. Prepare simple lighting modifiers, your DIY spirit, and Photoshop.
Understanding Light – Working with hard light
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Being able to look at an image and understand the lighting within it is not crucial to becoming a great photographer. But having the ability to look at another image you love and recognise the qualities that stand out to you will undoubtedly help you to become a better photographer far faster.
Last week we looked at how important being able to understand light can be and I also highlighted where many self-taught photographers struggle with this in today’s industry. If you missed last weeks article then I recommend you take a look to see some of the pitfalls self-taught photographers can struggle with as today’s article leads on from that.[Read More…]
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