Russian rock band Leningrad from Saint Petersburg has recently released a new video. It’s for their new song Кольщик (Tattoo Artist), and it features an absurd sequence of mistakes in reverse. When I first saw it, I couldn’t stop watching. The quality of the footage is brilliant, and the sequence of events is so captivating, that you’ll stick with it until the very end. And what’s best – you’ll feel exactly the same when you watch it in reverse. Keep in mind that it’s quite hardcore, so viewer discretion is advised.
We’ve seen that captivating timelapse videos can be created without leaving your home. The one we’re presenting today is created entirely of front pages of The New York Times. Data artist Josh Begley created this timelapse that follows front pages of every NYT issue since 1852. It’s captivating and interesting, collecting 165 years in less than a minute. And it shows how the front page has changed, embracing photography as an important part of its content.
No matter what you do, I’m sure you learn from your job and your hobbies. About yourself, about the world and about the people around you. Ted Forbes addresses this topic in this video that can really get you thinking. He shares the most important lesson he’s learned as a photographer. And I’d love to hear if you agree with him.
We’ve all seen all kinds of cameras and different ways of creating very artistic photos. But I have recently discovered one of the most interesting landscape series so far. Surveillance Landscapes is a series of photos by fine art photographer Marcus DeSieno. Landscapes taken by something that’s not really used for art – surveillance cameras.
His work brings the mood and spirit of Ansel Adams’ black and white landscapes, and it’s a series of masterfully done photos. But he takes these moody, monochrome images without leaving his desk or picking up his camera. Instead, he hacks into surveillance cameras, public webcams and CCTV feeds all over the world.
Marcus was kind enough to share some details about his project with DIYP. And the idea and message of the series are as powerful as the photos themselves.
Fujinon has announced two new cinema zoom lenses: MK 18-55mm T2.9 and MK 50-135mm T2.9. They are fast, compact, versatile, and affordable. If you are in the “Sony team”, you may want one for your camera, as they are compatible with E-mount cameras with Super 35mm-sized sensor.
When it was first broadcasted in 2006, BBC’s series Planet Earth was truly groundbreaking. And now, more than ten years later, there is its brand new sequel – Planet Earth II. It’s the most cinematic wildlife film yet. You could sit back and watch it, and feel like you’re watching a movie. But what’s the secret to this cinematic feeling of the series?
Nobody can throw a spectacular light show like nature can. Timelapse photographer Ron Risman is well aware of this, so he chased a storm to create a magnificent timelapse of thunderstorm raging over a field in Kansas. He shot it in 4K and combined it with epic music (reminds me of music from Warcraft). As a result, he got spectacular thunderstorms striking at the beat of the song. It’s amazing for both watching and listening. Take your earphones, play the video, and enjoy!
Do you like photos with tilt-shift effect? If you do, then you know there are plenty of ways to make them. You can either buy a tilt shift lens or make one on your own. And if you prefer doing it in post-processing, Photoshop and Lightroom will be your allies. This tutorial from Scott Kelby teaches you to fake tilt-shift effect in Lightroom in no time.
French website Le Monde De La Photo (The World ofPhotography) has recently published test results for three Fujifilm lenses on a Fujifilm GFX 50S camera. They tested Fujinon GF 63mm f/2.8, Fujinon GF 120mm f/4 and Fujinon GF 32-64mm f/4. The lenses and the cameras will be released on February 28, 2017, so this is a good chance to take a look at the performance they offer.
According to the tests, all the lenses have performed very well in terms of performance, autofocus and ISO when attached to the GFX 50S camera. But the sharpness results were exceptional. This review is an early first look, but it gives a nice insight on the lenses and this mirrorless monster of a camera. Le Monde De La Photo has published the graphs showing the sharpness of these three lenses, and here are the results.
It seems that the rumors around new Sigma lenses were true. At least partially though – because they didn’t launch two new lenses, but four of them. Sigma 14mm f/1.8 and 135mm F/1.8 Art prime lenses are accompanied by two zooms: 100-400mm f/5-6.3 and 24-70mm F2.8. Considering that it’s a Sigma Art lens that got the highest DxO Mark rating ever, you might want to consider buying one of the new Art lenses if you’re looking to add these primes or zooms to your gear bag.