The Laowa Venus Optics 9mm Full-Frame Lens f5.6 Dreamer is just one of Venus Optics’ newest upcoming lenses. At 9mm you’re probably associating it with a fisheye. This lens, however, is rectilinear by design. We got our hands on an early pre-production model and took it for a spin. Turns out 9mm is incredibly wide
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SXSW pulls the plug for the first time in 34 years over COVID-19 fears
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It seems Coronavirus has taken another one. The SXSW Festival has just announced that they are canceling the convention. SXSW is a major event hosting everything from tech, to music, to films. The Austin based festival officially canceled their annual event for the first time in 34 years, as they shared on Twitter.
Can you tell the difference between a $1,500 lens and a $35,000 lens?
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In the last few years, cine-grade gear is becoming more affordable. When I started shooting video, Cine PL lenses were basically a dream to rent. Let alone own. Laowa has been a key player in bridging that gap as they bring their new line of cinema lenses. They really knocked it out the park with their new Laowa 12mm t/2.9 Zero-D Cine. This video shows exactly just how well the $1500 dollar cine lens stacks up against an ARRI Ultra Prime 12mm T2.0 F Lens $35,000 lens.
Rode VideoMic NTG vs. VideoMic Pro+ vs Sennheiser MKE 400 vs. Sennheiser MKH 416
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Today we are comparing over $1,700 worth of shotgun mics: Rode VideoMic NTG vs. Rode VideoMic Pro+ vs. Sennheiser MKE 400 vs. Sennheiser MKH 416.
The Rode Videomic NTG is the new top of the line mic form RODE, and it packs quite a few interesting features. It’s part of the VideoMic series which is usually for on-camera use, but it’s also an NTG which is usually used for the company’s high-end mics. We tested the microphone, and we can see why it’s both an NTG and a VideoMic. For our thoughts on the features and on the sound quality, hit the jump.
This grip gives your Black Magic Pocket Camera enough battery to make it usable
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When Black Magic announced their Pocket 4k camera, they started a race. A race for improving their crappy runtime being the best battery solution for the camera. And it’s a hard race to win. (technically, Black Magic said they would release a battery grip in September, but we are still waiting…)
I would say that every P4K battery solution has its ups and downs. The trick is to find the balance between size, placement, and battery life. IndiPro Tools think they’ve hit the nail on the head with their brand new Universal Power Grip. An all-in-one solution for power, usability, and convenience.
First real world samples and review of the new Laowa 65mm APS-C 2x macro lens
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When we reviewed the Laowa 100mm f/2.8 2X we said it could compete with a microscope. Laowa’s new 65mm f/2.8 2x Ultra Macro APO is no different.
The Laowa 65mm f/2.8 2x Ultra Macro APO is just a slightly smaller version of its full-frame brother*. Venus Optics managed to cram in all the features and bonuses of its 100mm macro into a smaller package.
The best wireless mics for $200 – DIYP reviews RODE Wireless GO
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I remember the first time I bought a wireless lav system. It was a lot of money, but I finally bit the bullet and bought my first wireless Sennheiser G2 system. There I was, $600 down, but as happy as a clam. At the time, you couldn’t get a (decent) wireless body-packs for less than $450. My eyes were always set on Sennheiser though. Fast-forward half a decade later, and we have a bunch of wireless options. The prices have been going down and good quality has become more affordable. At $200.00, the Rode Wireless GO is one of the cheapest, most discreet, featured pack wireless systems on the market.
The things that Canon told and didn’t tell us about the Canon 1Dx Mark III at Photo Plus 2019
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We live in a world where you get a new iPhone every year, with or without significant features. It is so refreshing to see a camera like the Canon 1Dx Mark III getting an announcement, even if just a development announcement. It took three years from the release of the Canon 1Dx Mark II to get a sign of life for the series, and we could not be happier.
Again, this is only a development announcement. What this means in practice is, “we’ve been making this camera, just so you know”.
We have the privilege of speaking to Drew Maccallum, a Senior Technical Specialist from Canon, who gracefully took the time to answer (or gracefull ignore) all of our questions, speculations, and concerns. With the PR team being away from the show, we could not get any representative on camera. Drew spoke very selectively about the information he was able to disclose. If you ask me though, he knows more than he shares. Many most of the questions you’d like to know were responded with a smile and a wave of the hand: “These are not the droids you’re looking for” or something along the lines of “I can’t answer that right now”.
Best Video Tripod for Filmmakers! – Sachtler Flowtech 75
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To understand my view on the Sachtler Flowtech 75 (B&H | Amazon) I need to share a story. I remember one time I walked into my rental house, and I came to pick up my Sony FS7. It was outfitted with all the bells and whistles that one would need for a production. I called the rental house owner and asked him the last minute if it’s ok to add a tripod. He told me, “sure, no problem! Take the Sachtler 20”. I asked the worker to get me one and asked him how much extra it was going to be and he said: “Nothing”. Later we chatted and I asked him how could it be that you give a $6,000 camera with a tripod that costs more than $11,000? That’s double what the camera costs! His answer stuck with me for years to come.
“A good tripod keeps everything on top of it safe, it’s cheaper for me to rent the tripod for free and have no broken cameras returned than to save some pennies on the tripod and fix a camera every few rentals.”
I found the perfect roller-backpack hybrid – the Manfrotto Pro Light Reloader Switch-55
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Photographers and videographers alike are plagued with the burden of carrying equipment, it’s really just part of the job. Whether you’re a photographer who wants to have all your flashes ready in a jiffy, or a videographer who has multiple systems and multiple lenses; you’ll eventually have to move your gear from point A to point B.
Backpacks have always been the way to go for me, they’re usually not very bulky, have more space, and are not restricted to any specific dimensions. However, as someone who travels a lot, I can find myself lugging a 25+ kilos backpack around airports with kilometers of walking at a time (thanks, Madrid). So it finally happened, I caved in and switched to the Manfrotto Pro Light Reloader Switch-55. (Amazon | B&H)
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