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New movie starring Kate Winslet portrays wartime photographer Lee Miller

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Production is underway for a new movie about the life of wartime photographer and correspondent Lee Miller. Filming has begun in Croatia, with actress Kate Winslet playing the role of Miller. The first production still of Winslet as Miller has been released, complete with a Rolleiflex camera in hand.

The movie apparently focuses on the decade of Miller’s life, which includes her time reporting the events of World War II. The former Vogue model-turned-war photographer captured many life-changing events with her lens. She was one of the first photographers to record the horrors of Nazi concentration camps.

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“We should show realities of school shootings,” says ‘Napalm Girl’ 50 years after iconic image was taken

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Only flashes of memory remain of that fateful day. Kim Phuc Phan Thi, aged just nine years old, was outside playing with her siblings and cousins. In an instant, the course of her life was altered. She remembers a plane swooping down, a loud noise, explosions, smoke, and then followed excruciating pain.

After that Kim remembers little. South Korean photojournalist Nick Ut took the iconic photograph for the Associated Press that has become famous worldwide for depicting the horrors of war. From that moment, Kim became known as ‘Napalm Girl’. Fifty years on from when Ut pressed the shutter, Kim has spoken out about the effects of that photograph on her life and how impactful a single image can still be.

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Lynsey Addario talks about being a war photographer and how it got her kidnapped… twice

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Being a war photographer is a tough gig. Very tough. I’m not talking from personal experience, of course, but I have been good friends with a couple. I know it’s definitely not the kind of photography gig I’m cut out for or would want to do. But for folks like American photojournalist, Lynsey Addario, covering combat is just another day in the office.

In this interview with Vice, Lynsey opens up about her life as a photojournalist, and how it caused her to be kidnapped. Twice.

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This is the story of Robert Capa, “the greatest war photographer in the world”

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Whether or not you are into documentary and war photography, I believe that you’ve heard of Robert Capa. But even if not, here’s a beautiful video by Martin Kaninsky of YFM Street Photography. He’ll tell you about the man who was described as “the greatest war photographer in the world,” sharing plenty of amazing photos Capa took over the course of his career.

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Photojournalist says his Leica cameras saved his life after being hit by shrapnel in Syria

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While covering clashes between the Syrian Democratic Forces and the Islamic State militant group in Syria, Italian freelance photojournalist Gabriele Micalizzi was severely injured. He was photographing the conflict in the village of Baghuz on 11 February 2019 when shrapnel hit him. Luckily, he survived and is recovering – and he claims that his Leica cameras saved his life.

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GoPro takes a bullet and saves Iraqi photojournalist’s life

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There’s never really been any doubt that GoPro cameras are built pretty tough. Just how tough is often tested. But I never thought I’d hear about one actually stopping a bullet and potentially saving a life. Iraqi journalist Amma Alwaely probably never expected to be the one experiencing it, either, but that seems to have been exactly what happened.

Digital Trends reports that on May 13th, Alwaely was covering the Iraqi troops attempts to recover the city of Mosul from ISIS. A sniper took aim at Alwaely and fired. The bullet is obviously too fast for the camera to pick up, but this video shows the impact of that bullet hitting the GoPro on his chest.

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Misery Is Photogenic

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This article might raise a few eyebrows. I am just wondering: do we need the spectacularization of pain?

Film production company Duck Rabbit just published an article on their blog criticizing Magnum Photo and Lens Culture for advertising a photo contest using an image of an underage sex worker having sex with a client. She is recognizable, he is not. Sure the impact is strong, but do we really need that picture? Is it making a difference or is it just sensationalistic exploitation?

The controversial image is just one of very many other pictures that photojournalists may feel pressured to produce.

Most features on the market cover tragedies and photo-editors’ desks are flooded with gut-wrenching pictures. They are often dismayed by the lack of reportage on much other than disasters, Third World tragedies and exploitation of children. There are editors (and readers) who can’t stand seeing pictures of poor kids and other forms of suffering any longer. But… the market demands it and photojournalism is there partly to reveal the ugliness of our world.

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Syrian photojournalist helps victims of bombing instead of taking photos

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The job of a photojournalist is difficult and surrounded by danger. Still, we often argue about the ethics of photojournalism. The opinions vary whether they should be taking photos, or help those in need when things get tough.

Photographer and activist Abd Alkader Habak made his decision last weekend, when a bomb hit a convoy of buses carrying evacuees from besieged Syrian villages. 126 people were killed, and the blast briefly knocked out the photographer himself. But when he recovered consciousness, he didn’t take photos. He took action instead and helped the injured in the explosion.

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Film retrieved from a buried capsule shows life in Nazi-controlled ghetto [NSFW]

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How do you feel when you see a major historic document right before your eyes? And what about seeing dozens of images that testify about the past? A series of images by Henryk Ross from the Nazi-occupied Jewish ghetto could make you feel the connection with the past you’ve never felt before. The series of images is very strong and emotional, and it could draw tears to your eyes. Some of them are also very graphical and not easy to digest.

It’s not about the photos of war and destruction; at least these are not the only things you’ll see. Ross managed to document daily lives of these people and smiles on their faces despite the conditions in which they lived. And he did it all secretly, risking his life. According to the Polish laws, the images are under public domain and can be shared. So we are sharing them, along with their incredible story.

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