I recently bought a new pair of shoes and before I use them and get them all dirty (as I always do in two seconds), I wanted to play around with them for a bit. Here is a step by step tutorial on how I made the shoes looks so fine. I tried to shoot them as straight out of the camera as possible, there is just some very minor editing to be done at the end.
I’m an impatient person. I’m also very singularly-minded, so when I get an idea in my head, everything else gets put on hold while I’m pursuing it (and, often making a mess in the process).
I needed some artificial ice cubes for a few personal photo projects, but I didn’t want to have to buy any or be arsed to wait for them to arrive in the mail. So, I decided to make my own, adapting a great tutorial by Kyle May.
I’ve been making different product photography tutorials for awhile now and I still regularly go back to a previous posts because I am still using the same techniques. I wanted to make a single point of contact for functional tips on improving your product photography.
Toys are meant to entertain no matter your age, according to Daniel Cerejo, so rather than let his toys collect dust he decided to have some fun and photograph them.
Cerejo’s love of toys and humor has lead to an ongoing series capturing the daily experiences of pop culture action figures, and over 20,000 followers on his Instagram account.
See how Kermit the Frog and Mr. Potato groom, Spiderman in a sticky situation and Darth Vader putting his lightsaber to good use.
If you are like me you know what superheroes are doing for the brief 120 minutes that they are on the silver screen, but surely they have a life after the movie, and they face the same situations as we all do, don’t they? Photographer Edy Hardjo decided to find out.
In his photos our favorite superheroes face jealousy, bodily needs and human emotions. Not without a healthy sense of humor.
I wondered how the photos look so real. I guess using 1/6 detailed figures (like Hot Toys, Enterbay, 3A and alike, they those are not cheap and can easily go over $200-$300) have a big contribution to that, but Edy also told DIYP that he makes small modifications to the figures: “especially the hair. I change original the sculpted hair with rooted hair, to make it looked more alive. My friend do it for me, he is the expert“. And those modifications are well worth the effort.
As a pro photographer there are all sorts of little tips & tricks that you learn on the job.
Aside from the basics – camera, lenses, lighting etc. there are those little secrets of the craft that help you go from amateur to pro. These are little tricks of the trade that I have picked up from my years as a photographer. One of the things we photographers are great at is “improvising” I have seen some of my fellow photographer friends come up with the funniest tools for getting the job done.
10 things never to be without when heading out on a photoshoot. All of these things can be picked up at your local grocery/hardware store.
This tutorial is about how to obtain a large depth-of-field using focus stacking.
The main question is: Is it better to use a macro rail or is it better to vary the focus of the lens?
As Alex, I use focus stacking (or “deep focus fusion”) quite often and most of the time I just shoot a series of photos with varied focus instead of a series with varied distance, using a rail.
Until now I always thought, that approach is a bit dirty, because it introduces changes in the magnification, but often it was the only way, because the depth of the object was far too deep for any rail. Imagine for example shooting a landscape. :-)
But now, I wanted to know for sure what is the better method and and did some tests.
One thing I can say to start with: With complex scenes, it is a good idea, not to change the position of the camera!
But now let’s take a closer look:
In our previous post where I reviewed the 34 Inch 21:9 UltraWide Display – LG 34UM95, I had to include a few photos of the display sitting on my desk. I could have used an advertising photo, but for a hands on review, I wanted to show the monitor sitting on my actual desk.
As it turns out, the final shot was a teeny bit more involved than I was planning and I think that you might find the thought process along the way pretty interesting.
The heart of DIYP is about creating much from little, using what is on-hand or can be cheaply fashioned to achieve quality results. That is exactly what this post is about. Not gun control, not gun rights, or even the timeless tradition of hunting. As we know, there is no better way to send a conversation with an American into verbal bloodshed than by mentioning the Second Amendment, socialized healthcare, or the fact Tampa Bay actually has an NFL team.
I attribute a great portion of my rekindled interest in photography to the late Bill Simone, a phenomenal commercial photographer whose work for one of my previous employers was dynamic and emotive, especially to a young adult whose previous exposure to photography had primarily been relegated to a 35mm camera. Some of my favorite images from Bill were simple, single-light setups that seemed to draw the viewer into the photo, and they looked great in a glossy catalog!
For some weird reason I always think about the articles I’m going to write when I’m taking a shower. So last week I thought about making the bathroom the subject for my article.
I am gong to share an interesting excessive you can execute with no help probably today to hone your photography and lighting skills. Ready? Here is the challenge. Pick 3-4 items from inside a single room (it can be the living room, kitchen, bathroom, garage and so on) and use those items as your subjects. I wanted to do this so that I could just practice my photography (Practice makes perfect, remember?) and also challenge myself to get up and shoot. (It also serves as some sort of proof that I use a shower).