The Digital Imaging Technician Cart (or “DIT Cart”) is where all of the media is ingested from a shoot and organised once it’s captured. G-Technology was showing off how some of their kit integrates into a DIT cart at NAB 2019, so we had a chat with them to find out more about it and how it helps with film set workflow.
Whenever a new camera is released, the first company to produce cages and accessories for them is usually SmallRig. We use a lot of SmallRig kit here at DIYP, too. We caught up with them on their booth at NAB 2019 to find out about their latest offerings for the Sony A6400, Blackmagic Pocket Cinema Camera 4K and the Zhiyun Weebill LAB gimbal.
Manfrotto’s new Nitrotech 608 and Nitrotech 612 fluid video tripod heads represent the latest in Manfrotto’s fluid head technology. Designed to offer the smoothest level of control and movement possible, the two new heads immediately drew our attention at NAB 2019. So, we stopped by the stand to have a chat and find out more.
Feelworld’s range of entry-level monitors have become quite popular over the last couple of years. Although they don’t offer all the bells and whistles we might find on monitors from Aputure and SmallHD, they’re plenty good enough for many hybrid shooters and specific use cases where those bells and whistles might be overkill.
The Feelworld F6 has been a very popular monitor, but Feelworld was showing off a new F6 Plus at NAB 2019, so we spoke with them to take a closer look and find out more.
There are quite a lot of sliders out there these days, and many of them are excellent for timelapse, but quite a few of them have one big problem when it comes to video. That problem is noise, which can make it difficult to not only get a good sync track on the camera, but the slider can actually be picked up by dedicated microphones for external audio, too.
The big news lately from the Adobe camp is Content-aware Fill for video in Adobe After Effects. But Adobe isn’t the only company who has been working on such a feature. Blackmagic’s latest DaVinci Resolve 16 Beta update also includes a similar feature, along with a slew of other major updates.
We spoke with Blackmagic at NAB 2019 to find out more about the new features that have come to DaVinci Resolve 16 Beta.
One of the biggest issues for photographers and filmmakers working on location is that of power. Many of us carry spare batteries of multiple kinds in our bags whenever we go out to shoot – for me, that’s usually 6 batteries each for 2 cameras, a couple of big USB power banks and my Novoo. Maybe a few LiPo batteries if I need LED lights. But all of those are a hassle.
Core SWX has an option that can help deliver power to all of my devices and more, cutting the number of different types of batteries one needs to take out with them. It’s called the Powerbase Edge, and we had a chat with Core SWX about it at NAB 2019.
At least, it’ll shoot full frame 12-Bit RAW video when the new firmware comes out in a few weeks. The Z6 (and Z7, and a few of Nikon’s DSLRs) will also support CFexpress when the new firmware update comes, too. Not surprisingly, Nikon was showing off the new Z6 Filmmaker’s Kit at NAB 2019, so we stopped by the booth to have a chat and find out more about it.
ASUS hasn’t traditionally been the first name photographers and video editors turn towards when it comes to monitors. While their motherboards, graphics cards and other components have been extremely popular for years, their monitors haven’t always been held in the same regard.
They have definitely improved over the last few years, though, and ASUS has now really stepped up to the plate with their latest ProArt announcements. Two of them were being showcased at NAB 2019; the PQ22UC 21.6″, a USB powered 4K OLED 10-Bit HDR display, and the PA32UCX, a 32″ desktop monitor also offering excellent specs for imaging & video editing. We spoke with ASUS about the new monitors while we were there to find out more.