Panasonic Announces Four New Lenses for Full Frame and Micro Four Thirds
Aug 26, 2026
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Panasonic is giving photographers four new reasons to look at its lens lineup this September, with new options ranging from a full frame 70 200mm telephoto zoom to compact Micro Four Thirds primes.
The company has announced the LUMIX S PRO 70 200mm F4 OIS for L Mount cameras, alongside updated versions of its Leica branded 12 60mm, 25mm and 42.5mm lenses for Micro Four Thirds.
All four are scheduled to launch in mid September 2026, bringing refreshed versions of several established lenses rather than introducing entirely new focal lengths.

Panasonic updates its 70 200mm telephoto
The most substantial addition is the LUMIX S PRO 70 200mm F4 OIS, a full frame telephoto zoom designed for Panasonic’s L Mount system. It maintains a constant f/4 aperture throughout its 70mm to 200mm range, giving photographers a consistent exposure and depth of field as they zoom.
Panasonic says the lens is designed for subjects including sports and wildlife, while the 70mm end also makes it suitable for portraits. At 200mm, photographers can achieve stronger background compression and bring distant subjects closer.
Optical stabilization provides up to 6.5 stops of correction under CIPA testing conditions when used with compatible cameras. The front element also receives a fluorine coating intended to make dirt easier to remove.
The lens will cost ¥220,000 ($1,383) in Japan, including tax, and is scheduled for release in mid September.
A versatile Leica zoom for Micro Four Thirds
For Micro Four Thirds photographers, Panasonic is updating its LEICA DG VARIO ELMARIT 12 60mm F2.8 4.0 ASPH. POWER OIS as the H ES12060A.
The lens covers a 24mm to 120mm equivalent range, making it one of the more versatile options in the announcement. The 24mm equivalent wide end can handle landscapes and architecture, while the 120mm equivalent telephoto end extends into portrait and nature photography.
Its maximum aperture ranges from f/2.8 to f/4, and Panasonic says the lens is designed to maintain image quality across the zoom range. The updated model will replace the versions supplied with certain DC GH7L and DC G9M2L kits over time.
The Japanese suggested retail price is ¥137,500 ($864), including tax.
Two fast Micro Four Thirds primes
Panasonic is also refreshing two compact prime lenses for Micro Four Thirds users.
The LEICA DG SUMMILUX 25mm F1.4 II ASPH. receives the H XA025A designation. Its 25mm focal length provides a 50mm equivalent field of view, making it a familiar choice for everyday photography. The f/1.4 aperture is designed to help in low light while also providing a shallower depth of field.
Panasonic is pricing the updated lens at ¥82,500 in Japan, including tax.

The LUMIX G 42.5mm F1.7 ASPH. POWER OIS is also being updated as the H HS043A. Its 42.5mm focal length produces an 85mm equivalent view, putting it firmly in portrait territory. It has an f/1.7 maximum aperture, optical image stabilization and a minimum focusing distance of 31cm.
The lens will be available in black and silver, with a Japanese suggested retail price of ¥55,000 ($345) including tax.
Small changes across all four lenses
The four updated lenses share some practical changes. Panasonic says each has a fluorine coating on the front element to make cleaning easier. The company has also changed how lens markings are presented to reduce reflections during shooting.
The S R70200A and H ES12060A use engraved markings, while the H XA025A and H HS043A receive gray lettering on their nameplates.
All four lenses are scheduled to arrive in mid September 2026, although Panasonic notes that supply delays or changes to the release schedule are possible.
With four lenses covering everything from wildlife and sports to portraits and everyday photography, Panasonic’s September refresh gives both full frame and Micro Four Thirds users some interesting additions to consider. Which of these four lenses would you actually put in your camera bag?
Alysa Gavilan
Alysa Gavilan has spent years exploring photography through photojournalism and street scenes. She enjoys working with both film and mirrorless cameras, and her fascination with the craft has grown over the decades. Inspired by Vivian Maier, she is drawn to capturing everyday moments that often go unnoticed.


































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