Oh yes, you’ve all been waiting a long time for this one. Aputure has now officially announced the launch of the Aputure MC 12-Light Production Kit, initially debuted way back in April 2019 at NAB. It’s a case containing twelve Aputure Amaran MC LED lights, along all the associated hardware and bits to keep them all charged and ready to go at a moment’s notice.
The world was introduced to the Moza Slypod in grand fashion at NAB 2019 earlier this year. We went to the Gudsen stand to check it out while we were there, too. It’s an interesting device, with a whole new take on the camera slider form factor. It essentially looks like a motorised monopod, but how good is it really? In this video, Caleb Pike walks us around the features of the Slypod, and what he thinks about it.
Aputure has announced the release of the new Aputure MC RGBWW LED light. It’s the first RGB light to be released by Aputure, first shown off at NAB 2019 earlier this year. It offers full control over hue, saturation and intensity, but it also features white LED lights, too, offering a bicolour range from 3200K to 6500K with a CRI/TLCI of 96+.
Aputure has come a long way since its founding in 2005. Every year they bring us an array of newer and better lights, and occasionally something that’s just a little bit different. But one light that got a lot of attention at NAB 2019 in Las Vegas a few months ago was the Aputure 300D Mark II.
Well, now it’s available to buy and is shipping now. The Aputure 300D Mark II builds upon the original in a number of ways, sporting a new enclosure, with a new control unit, wireless capabilities and it’s 20% brighter than its predecessor, offering 45,000 lux output with the reflector at one metre and 80,000 lux with the Fresnel attachment.
During my recent visit to the USA, I decided to forego the lightweight travel tripods and go with something a little more substantial. Something that could stand up to all day use at NAB 2019 as well as trekking around the Arizona landscape.
I also needed something that would work for video. So, my tripod for this particular adventure was the Manfrotto 190X Video tripod & 500 fluid head. The ideal setup for shooting video at NAB, but some might think it a little unusual for landscape photography. For me, though, and I mentioned this briefly in a vlog I made during the trip, video tripods make the best landscape tripods. I want to tell you why.
Sometimes, the video editing and visual effects jobs we get can demand some pretty hardcore specs for maximum performance. While we were at NAB 2019, we spotted a PC on the ASUS stand that definitely seemed to have specs that fall under that “hardcore” category. We spoke with ASUS to find out more.
Although Laowa does make a cinema mod version of their crazy 24mm f/14 Probe lens, they’re not really known for their cinema lenses. Because they haven’t really made any, until now. At NAB 2019, we saw a couple of pretty cool new lenses on the Laowa stand. 12mm T2.9 prime and a 25-100mm T2.9 zoom cinema lenses. So, we stopped to have a chat with them.
Timelapse is a subject that many photographers and filmmakers have tried. But sometimes, a couple of hours just isn’t long enough to shoot the sequence that you really need. In construction, for example, you might need to keep shooting for up to a month, or even more.
While we were visiting NAB 2019, we took the opportunity to have another chat with Ben from Syrp. We wanted to find out more about how camera sliders and motion control heads can be used in practical situations. Typically, we see sliders being used for timelapse creation, but we wanted to know more about how they could be used for video. So, here Ben shows us how we can use the Syrp Genie II 3-Axis Pro Slider Kit to add a B camera to an interview.