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Five tips to record better quality sound with your shotgun microphone

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Shotgun microphones are the go-to for many filmmakers when recording audio. Whether it’s on-camera or boomed overhead of your subject, they offer a great ability to isolate the subject from the environmental noise around them.

But a lot of people don’t have great experiences with shotgun mics, because they’re not sure on exactly how to use them. Sure, it might be better than they’d get with the in-camera mics, but it can still be made even better. In this video, Kai Wong offers up five tips to help improve your shotgun mic recordings.

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Here are 10 microphone tips to improve the audio quality in your videos

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Audio is often the biggest challenge for filmmakers, especially newer ones. Most people just coming into the world of video don’t realise how much of a big deal it really is to get good quality audio. And while can be quite gear dependent, you don’t always need the most expensive kit to get decent quality sound. In this video, filmmakers Parker Walbeck and Nick Sales talk though their top ten tips and techniques for getting good quality sound for your videos.

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Rode has announced the new NTG-5 broadcast quality shotgun microphone

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It’s been a while since we’ve seen a new high-end shotgun mic from Rode. It’s 11 years since they launched the flagship Rode NTG-3, one of the most reputable microphones out there at its price point. Today, though, Rode has announced the next generation of broadcast shotgun microphones with the new Rode NTG-5. Rode says the NTG-5 represents the culmination of 28 years of research and development of microphones for broadcast and movie use.

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Ten creative ways to hide a lav mic and how to attach them to stuff

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Lav mics are one of the most commonly used and versatile microphones out there. But when you don’t want them seen in the final film, you can often be facing a pretty tough challenge to hide them, especially when you don’t want the microphone placement to negatively affect the quality of the audio.

In this video, Darious Britt of D4Darious shows us ten ways to hide a lav mic while keeping your audio clean, along with a bunch of tips for attaching them.

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Give your DJI Osmo Pocket vlogs great sound with DJI’s new external microphone adapter

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From the moment it was announced, the DJI Osmo Pocket became an instant hit with vloggers. But with great quality video and a tiny form factor that easily fits into your pocket while housing a full 3-axis gimbal, that eventuality was not much of a surprise.

One big issue for vloggers, though, is audio. Many choose to use external microphones. There haven’t really been any options for the Osmo Pocket to get external audio. There are various Type-C to microphone adapters out there, but none of them actually worked with the Osmo Pocket. Now, though, DJI has their own official adapter.

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Loupedeck+ adds integration for more software including Final Cut Pro and Adobe Audition support

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Since the Loupedeck’s reinvention of the Loupedeck into the Loupedeck+ the support for software besides Lightroom has been expanding nicely. At launch, it offered integration with Capture One and Aurora HDR. This was then extended to include Photoshop, as well as breaking into video editing with Adobe Premiere Pro and After Effects.

Now Loupedeck has announced a couple more software integrations, adding another video editor, Final Cut Pro, and taking the leap into audio with Adobe Audition.

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Original raw Star Wars footage highlights the impact of good sound design – Also, Han totally shot first

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We’ve posted before about the massive amount of work that went into the creation of Star Wars and how the movie was basically saved from disaster in the edit. And there has been plenty of content made over the years covering how some of the crazy sound effects in the Star Wars universe were created, like the iconic light sabre.

One thing not often shown, though, is how scenes compare with their original sound vs the final production sound – well, except for Darth Vader voiced by David Prowse’s before James Earl Jones was dubbed on top. Here, though, we see the original dailies from the Cantina bar scene from Star Wars: A New Hope, and you really realise just how much difference sound design makes.

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These “AudioPhotographs” combine a sound recorder with film photographs

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Personal and experimental projects can be a lot of fun for both those who create them and those who view them. This particular project was created by Italian film photographer Mario Cipriano, and it’s definitely a little bit odd, but pretty cool.

He combines film photographs he shot with his Leica M6 with a sound recorder to capture the five seconds leading up to the shot being taken, and the five seconds following it. Each photo then has 10 seconds of audio to accompany it. It’s fascinating to watch played back in video form.

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Sennheiser’s new wireless smartphone “Memory Mic” is now available to buy

Sennheiser’s new Memory Mic is a wireless microphone designed for smartphones. We saw it teased at NAB earlier in the year, and it does look like a pretty cool piece of microphone tech. It connects via Bluetooth but keeps recording without dropping even if you go out of range of the phone. And if the Sennheiser samples clips are anything to go by, it sounds pretty good, too.

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25 tips for recording voiceovers with practical examples

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Voiceovers are an acquired skill. If you’ve never done them before, they’re not that easy to just jump into and do. Your first few aren’t going to be great, but you’ll get better at them the more you do.

The more you do, the more tips and tricks you’ll pick up, too. Kevin, the Basic Filmmaker has picked up more than a couple of tricks over the years to help him with voiceovers. In this video, he goes through 25 of them to help you with yours. He also shows practical demonstrations for many of them to illustrate why they’re a good idea.

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