From Shooting To Post Production: How To Balance Flash With Ambient Light
Nov 25, 2014
Tiffany Mueller
Tiffany Mueller is a photographer and content strategist based in Hawi, Hawaii. Her work has been shared by top publications like The New York Times, Adobe, and others.
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Natural light is a wonderful thing, but sometimes we need to supplement it with an artificial light source, such as a flash, to really get the look we’re going for. In the video tutorial below, Gavin Hoey takes us behind the scenes of a Robin Hood themed photoshoot to show us the techniques he used to seamlessly blend a flash with the low, ambient light in the forest where the shoot took place.
Hoey explains how to use different modes including aperture priority and manual mode to capture the image you see above. The light wasn’t as great as Hoey hoped it would be on the day of the shoot so he calls on a Flashpoint RoveLight 600 outfitted inside of a Glow ParaPop 28″ R Softbox, to help create some of the dramatic lighting you see. There was a little added magic done to the photo in post production, but nothing to difficult and Hoey (the nice guy that he is) included a walk through of his post production, as well.
Take a look:
[ via YouTube ]
Tiffany Mueller
Tiffany Mueller is a photographer and content strategist based in Hawi, Hawaii. Her work has been shared by top publications like The New York Times, Adobe, and others.
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One response to “From Shooting To Post Production: How To Balance Flash With Ambient Light”
Wirklich interessant, aber recht viel Technik im Einsatz. Zeigt uns den Unterschied zum Profi ….