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Laowa introduces two new “World’s Firsts” with the 15mm f/2 FF and 7.5mm f/2 MFT lenses

Sep 14, 2016 by John Aldred 1 Comment

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What is it with all these “world’s firsts” lately? It almost seems like companies are trying to outdo each other for an ego stroke, no matter how ludicrous their announcement may be. Well, now, it’s Laowa’s turn. Again.

The first new lens is the 7.5mm f/2 for Micro Four Thirds cameras, the widest f/2 lens ever designed for MFT. The other is the 15mm f/2 FE Zero-D for full frame cameras. It’s another lens in the “Close-to-Zero Distortion” lineup and the world’s fastest 15mm rectilinear lens for full frame. I wouldn’t get too excited, though, it’s only available in a Sony mount.

Laowa 15mm f/2 FE Zero-D

I wouldn’t expect this one to become available in other mounts. According to the press release…

Designed specially for the Sony Full Frame Mirrorless cameras, Venus Optics has successfully controlled the size and weight of the lens to the minimal. Weighing less than 1.1 pounds (500g) and 82mm in length, the portability and compactness of the Sony E-mount Mirrorless cameras can be maintained when used with the Laowa 15mm f/2 FE Lens.

Third party manufacturers designing for specific brand systems can be a gamble. They do get to optimise the lens for that system, but at the expense of potentially alienating potential future customers with other brands.

  • Focal length : 15mm
  • Maximum aperture : f/2
  • Angle of view : 110°
  • Format : Full Frame
  • Mount : Sony FE
  • Focusing : Manual Focus
  • Filter thread : 72mm
  • Dimensions : Φ66x82mm
  • Weight : 500g (1.1lbs)

Awesome for Sony shooters who want to pack light, though.

Laowa 7.5mm f/2 MFT

For those shooting micro four thirds cameras, now you too have a fast ultrawide lens you can tote around. It’s also super lightweight, at only 170g. You won’t get quite as shallow a depth of field as you would with the above lens on a full frame camera. But, you will get the same field of view and wide f/2 aperture.

The extreme 110 angle of view, ultra-fast f/2 aperture and featherweight make this lens an ideal option to pair up with drones for aerial photography.

I have to admit, having been looking into FPV and in-flight video options for drones lately, micro four thirds is starting to look quite attractive.

  • Focal length : 7.5mm
  • Maximum aperture : f/2
  • Angle of view : 110°
  • Format : Micro Four Thirds
  • Mount : MFT
  • Focusing : Manual Focus
  • Filter thread : 49mm
  • Dimensions : Φ50x55mm
  • Weight : 170g (0.37lbs)

The Laowa 15mm f/2 FE Zero-D and LAowa 7.5mm f/2 MFT are slated for release in “early 2017”. Prices have not yet been announced. Engineering prototypes will be available to test next week at Photokina, so we’ll be sure to head on over and check them out while we’re there.

It seems a lot of third party lens manufacturers seem to be focusing lenses on specific bodies or brand systems these days. Is this a good or a bad thing? On the one hand, it allows them to be optimised for a specific system, rather than being a generic “one-size-fits-all”. On the other hand, other brand users are going to feel a bit left out, and perhaps put off buying future releases for their systems. What do you think? Let us know in the comments.

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Related posts:

Laowa releases three new 7.5mm, 9mm and 15mm cine lenses for MFT, Super 35 and Full-Frame 7artisans has a new 7.5mm f/2.8 Mark II fisheye lens for Sony E, Fuji X, Canon EF-M, Nikon Z and MFT Laowa has released an automatic aperture version of their 7.5mm f/2 lens for Micro Four Thirds Pergear’s new 7.5mm f/2.8 fisheye lens for MFT and APS-C mirrorless targets low budget shooters

Filed Under: Gear Tagged With: 15mm, 15mm f/2, 7.5mm, 7.5mm f/2, Laowa, MFT, micro four thirds, sony

John Aldred: from diyphotography.net

About John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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