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Healthy skin tone – The Lighting Series #12

Jan 20, 2019 by Stefan Kohler 3 Comments

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Nikon D800, 85mm f1.8 @f6.3, ISO 100, 1/200s

The name of this installment is meant to be a joke, but anyone who follows the blog knows that I’m is a little bit color-obsessed. This image is a play on the highly popular orange and teal color scheme, using the complementary contrast between orange and cyan

Gear

  • 2x normal reflector on 500Ws monoblocks
  • 1x  cyan gel (Light Blue, Lee) from the Jake Hicks collection
  • 1x orange gel (Light Orange, Lee) from the Jake Hicks collection

Setup

In this photo, we play around with different elements and effects.

First, the whole scene was washed in a deep orange. The primary light source is relatively close to the camera, camera-right, which produces a shadow from the nose camera-left. The hard light used here produces hard shadows, but also strong highlights on the model’s face.

To emphasize the look, we used tons of baby oil on the model. Don’t be stingy!

Coming from opposite the main light, so rear camera-left is a complimentary light source. It has a normal reflector, but with a cyan gel.

All of the shadows falling from the main light are now being brightened by the backlight. Do be sure, though, to leave some shadow between the different light sources. You can see this clearly on the forehead, between the transition between the orange and cyan tones.

The individual light sources

Key light

The main light here was deliberately selected to be hard; the reflection in the eye touches the upper edge of the eye while the shoulder, chest and the side of the model’s face furthest from the light have deep shadows.

Back light

The backlight has been set so that it brightens the shadows from the main light – but in a different color. The area of this color is much smaller than the main orange tone, running at an 80/20 distribution, which is just what we want.

Downloads

For the pictures in the article, we used the light simulation Set.A.Light 3D. You can download the lighting setup and try everything for yourself.

If you’ve never worked with Set.a.Light before, you should give it a try! There is also a free demo version on the website, which you can use to open our project file

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Related posts:

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Filed Under: Tutorials Tagged With: color harmonies, gels, strobist, studio lighting, The Lighting Series

Stefan Kohler: from diyphotography.net

About Stefan Kohler

Stefan Kohler is a full-time retoucher. He's from Germany and likes bacon. In the last years, he built up a broad community around his retouching classes at the Infinite tool's website. You can follow his work oninstagram.

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