American Museum of Natural History has published an impressive video that will help you understand how our eyes see and our brains perceive color. While color is important to understand in photography, I believe that how we perceive and process it is also a crucial thing to understand about ourselves.
Follow these five tips if you don’t want to suck at color theory
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Understanding color theory is one of the essential skills for photographers. It combines art and science and it’s what makes it so interesting, so complex… and so frustrating at times. If you want to be a good photographer, you don’t want to suck at color theory. And this video from Greg Gunn (The Futur Academy) offers five tips that will help you not to suck at it.
The must have tool for color addicts – the Rosco MixBook
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Color. Such an important tool to help bring a time, place, or even emotions into an image. Wouldn’t it be nice to have something that makes working with color easier? Inside this little package is a new tool by Rosco called “Mixbook“. To help creators pre-visualize gel and LED colors.
Essentially Rosco has digitized the old gel swatch books, as you can see in my reenactment of a Rosco scientist at work. Note the old gels from my swatch book flying around as the new Mixbook arises from the smokey pot.
Follow these eight tips for stunning colors in your photos
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Whether it emphasizes the subject or is a subject itself, color is a powerful ally in creating a striking image. In this video, Jamie Windsor gives you eight tips that will help you master the use of color in your photos. He supports each of them with a set of wonderful examples, so take a look, take notes, and enjoy.
Watch: How to shoot and develop color photos with a camera obscura at home
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British photographer Brendan Barry is well-known for his camera obscura projects. He has taken photos with a camper-camera, container-camera, and plenty more. And during the lockdown, he turned his own bedroom into a camera. In this short film, he shares behind the scenes of taking a color photo with a camera obscura, which is something you can do in your own home.
How to change colors in Photoshop even in the most complex images
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When I think of changing the color in Photoshop, one would think there are no techniques left to learn. But it looks like you can always learn some new tricks. This one is particularly useful if you want to change a specific color, and you have an image with very complex selections. It’s relatively simple, and in this video, Jesús Ramirez guides you through it step by step.
Watch: All you wanted to know about color theory and color grading
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Understanding color is one of the crucial things to understand, no matter if you’re a photographer or a video creator. Understanding color theory and psychology will help you add more meaning and impact to your work. So, if you’d like to master the use of color, Joanna Kustra has an amazing video for you.
Are you still chasing “perfect” colour?
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It’s my belief that colour is actually one of the most subjective elements that we as humans all understand, yet we actually have no real way of enforcing or translating it to one another.
Think of colour like a language. I may say the word ‘Red’ to you and you will have an idea of what I mean, but it’s still extremely vague.
Colour in Cinema: Ad Astra – The Most Colourful Movie You Never Saw
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Have you seen Ad Astra? Do you remember it being one of the most colourful movies you’ve ever seen? No? Why not?
Many modern space films have been guilty of looking a little drab and desaturated, but can we blame them? Space, as far as many of us see it, is pretty colourless. It’s just a vast black void punctuated only by blindingly bright light. We don’t immediately associate that limitless void with bold, striking colours that exist between those two extremes. So how does a film about space inject colour into its scenes whilst still remaining somewhat realistic?
Colour in cinema: Abstract colour in Katsuhiro Otomo’s Akira
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Many new people who find my work today, think my lighting is simply inspired by me watching a couple of modern films. Either that or I get asked which photographer inspires me the most. The truth behind my lighting and colour inspiration is routed far further back than that though, and not even by cinematographers or photographers at all.
Although I’ve never consciously tried to be inspired by this, my best guess assessment of what inspired me and my work all those years ago was in fact not a photographer at all, but rather a comic.
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