If you want to shoot colorful portraits inspired by the ‘80s aesthetic, you’ve come to the right place. Tajreen and Chloe of Tajreen&Co have prepared a fantastic video to give you some guidelines and examples of how to do it. The girls share lots of useful information in a short and concise video. But also, you’ll see that it doesn’t take much money to make this setup, and you can even do it in your own living room.
When we’re kids, in school, we’re taught that the primary colours are red, yellow and blue. But this isn’t entirely accurate when it comes to light. Pure white sunlight is made up of a whole spectrum of colours, with the primaries actually being red, green and blue. Our cameras with Bayer filter arrays on the sensor see RGB. Our monitors also display RGB.
But have you ever wondered how we’re able to get so many different colours from just three? And why just blasting red, green and blue LEDs at an object doesn’t always give you true white light? This fascinating video from Technology Connections isn’t really specific to photography, but light in general, and how red, green and blue affects our (and our camera’s) perception of colour.
When you’re working in Lightroom, you can add color to all local adjustments by selecting it from a swatch. But did you know that you can pick color from anywhere in the photo? As a matter of fact, you can pick it from anywhere on your computer. In this video, Matt Kloskowski shows you how to do it in Lightroom. It’s a very simple trick, and it also works in Photoshop.
Paint splash photos are really fun to take, and they can certainly look amazing. If you would like to experiment with this technique, Steve Kazemir shares a very cool technique in his latest video. He takes fantastic, colorful paint splash photos with the help of a speaker, a garbage bag and some noise. Check out his video below if you want to learn how to take them, too!
If you’re a photographer or retoucher, perhaps you perceive color better than an average human. But is it really the case? The UK-based vision care company Lenstore has created a test that lets you check your color perception. It’s super-fun but pretty difficult, so the results may surprise you.
Color grading is a great way to change the mood of your images, and there is more than one way to do it. But other than doing it from scratch, you can copy the color grading of an image you particularly like, and add the same mood to your shots. In this video, Ted Forbes will teach you two simple methods for copying the color grade from one image to another, and you can apply it to any photo you like.
Sometimes, it’s not so easy to decide whether a photo should be in color or black and white, especially if you’re still new to photography. So, how do you know whether you should leave it in color or convert it to black and white before delivering the photo to a client? In this video from Denae & Andrew, you’ll hear some thoughts and tips that could help you make a decision.
I’m not a fan of western superhero franchises.
Yes I fully appreciate that I’m in the minority here and it’s certainly not my intention to turn you away in the first sentence, but rather to solidify the fact that this exploration of colour in cinema does not come from a fanboy solely driven by vapid, one dimensional characters and napkin narratives, but rather pure adoration of a masterwork in cinematography.
This is an interesting look at the world in which we live. As Principle Digital Imaging Evangelist at Adobe, Julieanne Kost has travelled most of the known world. And during her travels, she’s shot many photographs of the places she’s had the opportunity to visit. While recently looking through the images, she started to notice a pattern in the images she’d chosen to shoot. That pattern was colour.
If you want to add both contrast and a punch of color to your photos Unmesh Dinda of PiXimperfect shows you a technique you might want to try out. In this video, he teaches you how to use Color Burn and Color Dodge blending modes together to quickly boost contrast and color at the same time.