Many photographers love using vintage lenses for their unique character. With Thorium-coated “radioactive lenses,” their yellowish tint is what gives them a distinct look. However, the downside is that the color intensifies with time, turning the lens’ “character” into something that’s more of a nuisance.
If you love film photography and vintage camera and lenses, this might be a place you’ll want to visit once we start traveling again. David Chan is a Hong Kong photographer who collects vintage camera gear. He has spent the past 60 years collecting vintage gear, and he owns a little shop where you’ll find tons of iconic cameras.
Do you still need vintage lenses even in 2020? Well, yes, you do, despite all the modern ones out there. Vintage lenses can be awesome for video, or for portrait photography. And if you’re new to macro photography, they’re a perfect choice for you, too. In this video, Mark Holtze will give you five reasons why vintage macro lenses should be your choice if you’re just starting out.
Photography gear is getting more and more advanced, and it seems that new lenses are being announced every few weeks. But even with all these fancy new lenses, there are still reasons to use vintage ones.
Mark Holtze says that there are as many as 100 reasons to use vintage lenses in 2020, but “nobody is sitting through 90 minutes of this,” he adds jokingly. So, he limited himself to a 7-minute video and five big reasons to shoot with vintage glass even in 2020. And I’d say these will apply in the future, too.
While walking around a flea market, Markus found a huge 500mm Petzval lens, produced around 1860. It was in a pretty bad condition, but Markus had an idea. He bought this rare gem, restored it, and took some fantastic portraits with it.
The ubiquitous 50mm lens has been a staple of photography for many years. And a lot of those older 50mm lenses really aren’t all that terrible – if you’re shooting video or can deal with manual focusing. In this video, Andrew from Danae & Andrew looks at 10 of the most popular vintage 50mm lenses to see how they compare.
While quite a few vintage lenses are starting to fetch some decent money, there are a lot of bargains still to be had, particularly at the 50mm focal length. All ten of the lenses shown in the video cost less than $100. And it might surprise you to find out that some of them actually have a pretty fast f/1.4 aperture.
So I made a big purchasing decision a few months ago by investing in the new Fujifilm GFX 50R camera. It is a larger-than-full frame, ‘medium format’ sensor camera. The 50Rwas by far the most affordable medium format option in its class at the cost of $4500 USD($5700 CAD). Despite the amazing image quality of the Fujifilm G series lenses, they can be prohibitively expensive and lack the wide apertures that full frame shooters are accustomed to. What excited me most about this camera was its ability to adapt other lens systems with F/1.4 lenses to create images with a very shallow depth of field. In an ideal world, I would be able to treat this camera like a medium format digital back.
If you’re looking for a high-quality, sharp lens with fantastic bokeh, vintage lenses can be a great option. They can give you images of great quality, yet you can buy many of them at very affordable prices. In this video, Mathieu Stern compares three vintage lenses for shooting portraits: Konica 40mm f/1.8, Porst 50mm f/1.4, and Jupiter 9 85mm f/2. He paid the cheapest among them around $6, so let’s see how they perform.
I have been a commercial and wedding photographer for over 13 years. And from the beginning, I have been using Canon DSLR cameras and a variety of auto-focus lenses for the Canon EF system.
Switching to another camera system/brand did cross my mind because I made a substantial investment into lenses for the Canon system. Meanwhile I have gathered over 15 EF and EF-S lenses.
But in 2016 I decided to try a mirrorless camera and bought a SONY A7 r-II.
Because lens adapters exist that allow me to use my existing Canon glass on a Sony mirrorless camera I did neither plan nor anticipate that I will buy lenses especially for the SONY system. At least that was the plan.
But little did I know…