German company Meyer-Optik Goerlitz just announced the Nocturnus 75mm. F0.95 lens, which they claim is the fastest in the world. It will be available for Leica M, Sony E, and Fujifilm X.
According to Photorumors, Tamron will be releasing a 28-75mm. f/2.8 Di III RXD lens on April 27th. The company hasn’t mentioned anything about how much it’s going to cost yet. However, Sonyaddict reported in March that the pre-sale price listed in China was Y5,300.00 (about $840) on Taobao.com. If that value is accurate, it’s going to be $1,349 cheaper than Sony’s very own 24-70mm.
Offering a 135° field of view, Lomography’s new Naiad 3.8/15 Art Lens builds on the Neptune Convertible Art Lens system. The 15mm lens was hinted at as far back as May last year when the system was initially announced. Neptune is designed as an expandable system, so now the new lens is finally here.
First mentioned nearly a year ago in May 2017, the Sony 400mm f/2.8 GM OSS seems to have been spotted in use during the Winter Olympics in South Korea. An image posted to Instagram by Photoofthelife. Now for the bad news. Not surprisingly, it’s going to be as large as one would expect a 400mm f/2.8 lens for DSLRs to be, and it’s going to cost at least $10,000.
I know things with Leica written on them are supposed to be expensive, but wow. Leica has been producing Noctilux lenses for over 50 years. It kicked off in 1966 with the Noctilux 50mm f/1.2 at Photokina in 1966. That lens today has been updated with an f/0.95 aperture. Leica say that the new Noctilux-M 75mm f/1.25 ASPH is even better, and even more expensive.
At $12,795, one would hope so, too. Designed for the 35mm “full frame” format, the Noctilux-M 75mm contains 9 elements in 6 groups with 11 aperture blades. Leica says the elements are designed from material with high anomalous partial dispersion and low chromatic dispersion. This allows them to reduce aberrations to a “hardly detectable” level, Leica told Digital Trends.
I guess all of us had a misfortune or two when shipping or receiving a package. But the amount of damage Jacob Hawkins’ lens survived is hard to believe. Sheffield-based photographer sold a Tamron SP 70-300m lens on eBay. He carefully packed it in polystyrene and bubble wrap, but he got shocked when the buyer notified them what he’d received. The lens arrived smashed into pieces, literally looking “like an elephant has trodden on it.”
It’s been in development for a while, but now Tamron have officially announced the 100-400mm f/4.5-6.3 Di VC USD (model A035) lens. It’s an ultra-telephoto for full frame Nikon and Canon DSLRs. It comes with built in vibration control offering up to 4 stops of stabilisation. Handy when you’re at 400mm.
Tamron boast that the new lens is “the lightest in its class”, while offering fast and precise autofocus performance. It features magnesium alloy components to reduce the weight while keeping strength. It’s also weather and dust sealed, with lens coatings designed specifically to protect against dust, dirt and smearing.
What do you do when you shoot in the harsh wind? Well, photographer Mathieu Stern learned it the hard way that he should add weight to the tripod when it’s windy. Although he has quite a collection of cheap vintage lenses, the wind managed to tip over the tripod with his camera and an $800 Sony E 10-18mm f/4 lens. Since he was shooting the video at that moment, he accidentally captured the unfortunate event, too.
After successfully funding a Kickstarter campaign for the resurrection of Biotar 75mm f/1.5, Oprema Jena is bringing back its “little brother,” Biotar 58mm f/2.0. The lens features unique bokeh, and it’s very sharp even at wide aperture. However, one of its most interesting features is certainly the record number of 17 aperture blades.