Photos and specs leak for Panasonic Lumix S 50mm f/1.8 – Announcement expected this week

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

This one’s sure taking its time! Last September, a leaked Panasonic lens roadmap showed four new 24mm, 35mm, 50mm and 85mm f/1.8 primes being added to the L mount lineup. So far, only one of those lenses has made a public appearance – the Panasonic Lumix S 85mm f/1.8.

It looks like we might finally be seeing the second of the low budget set, as Nokishita has leaked photos of the Panasonic Lumix S 50mm f/1.8. They also say that an official announcement should be expected to come at some point this week.

As well as the two product photos of the lens, Nokishita also posted a list of possible specs for Panasonic’s upcoming Nifty Fifty.

Focal Length50mm
Maximum Aperturef/1.8
Minimum ApertureUnknown (but probably f/22)
Lens MountLeica L
Format CompatibilityFull-Frame
Angle of View47°
Maximum Magnification0.14x
Minimum Focus Distance45cm
Optical Design9 Elements in 8 Groups
Diaphragm Blades9, rounded
Focus TypeAutofocus
Image StabilizationNo
Filter Size67 mm (Front)
Dimensions (ø x L)73.6 x 82.0 mm
Weight300g

There’s no word on price, but with the 85mm f/1.8 sitting around $600, the 50mm will hopefully be quite reasonable. There’s also no word on when we’ll see the 24mm and 35mm f/1.8 lenses yet, either. For the 50mm f/1.8 specifically, an announcement is expected at some point this week. But we’ll keep you posted as we hear more information on any of the three yet-to-be-officially-announced lenses.


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John Aldred

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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