The following detailed (but not too lengthy) tutorial that shows how to make 3D red and blue images was written by David Cooper.
Part time photographer (and full time DB architect) Josh Grant, was able to shot an entire like the old schoolers, with a pinhole camera. In this post Josh shares how he made the pinhole camera (from a Canon 7D) and filmed the movie. josh picked the perfect subject too – a locomotive to match feeling with technology!
Reader Marco Jetti shared a really cool project on DIYP’s flickr pool. It is an Intervalometer project call LIM (Less Is More). Intervalometer is the thingy that allows you to take a picture every X seconds. And it is made with very basic electronics. It fits in a small liquorish box (which I guess is the Italian equivalent of Altoids).
Here is the cool thing. Marco added a very detailed diagram of the circuit as well as simulation and building steps. (This is very cool, Marco did just the same with his 5 km camera trigger) [Read More…]
do you really need one? The short answer is yes. The long answer is….
A reflector, as the name implies, is something that reflects light. In photography, is it usually a big sheet of something white, silver or gold, that bounces light at your subject (or at anything you want light on for that matter).
If you are not to particular about having your reflector look all nice and nifty are plenty of DIY options here, and basically any flat surface will do. Foam boards, bed sheets, aluminum covered plywood, did I say any big surface yet?[Read More…]
While I don’t usually advocate using the camera built-in flash, There are times that it may be useful. Neil van Niekerk is quite popular for his on camera flash use (with the black foamy thing). This little mod sent by Nick Murray-Hogarth goes even back as far as on camera flash goes and uses the on board flash wrapped in a snoot.
Not too long ago we had an article about using foam rubber sheets to make a snoot to mount on an external flash, not having upgraded to an external just yet, I thought I would have a go at making one for the on-board flash. So here goes![Read More…]
Digital pinhole uses the same principles as a “regular pinhole” i.e. a small hole instead of lens, but as all digital cameras, it provides a way to instantly view your image and “change film” with less hustle.
Finally I got around to making a little change on my GI Radio Slave Transmitter set (those are also known as GI Triggers or Poverty Wizards).
I love the triggers dearly, and while there pop rate is not good enough to play Russian Roulette with, it is good enough for most of my usage.
One thing that has been bothering me for ages is the short rage of those triggers. While they work well indoors, they tend to be a little limiting once stepping outside. I looked around and found some great tuts (including a camo one) about extending the GI range. This post will describe how I did it (kinda quick and dirty).
You can trust Google to do things BIG. Google was set to show the rendering speed of the Google browser – Chrome.
To show how fast the Chrome browser actually is they compared it with several high speed plays. That is to say, they burned, crushed and splashed all over the place like little kids and shot it in slo-mo HD. How slow mo? 2700 frames per seconds.
(If you are reading this via RSS, and don’t see the video, click through. If you do see the video, you may want to verify that your speakers are not set to high).
To show how fast the browser actually is they compared it with several high speed plays. That is to say, they burned, crushed and splashed all over the place like little kids and shot it in slo-mo HD. How slow mo? 2700 frames per seconds slow mo. They did it using a Phantom v640 cam, which can actually go up to 8K images per seconds if you are willing to throw HD away.
There’s something magical about the perfection and symmetry found in a circle. Today, we are going to learn one way to make perfect circles with light.
The idea is very simple and all the materials for the project can be purchased at local hardware and department stores. [Read More…]
There a lots of really talented light painters out there worldwide doing big small stuff and detailed everything style pieces. If I had to choose I wouldn’t but some folks take their photos to the next level. From the icy blue rocks and motioned ocean done by Burnblue to the triptastic tunnel work of someone like tcb (who did a few great tutorials for DIYP). Their work always has a real power owing to the huge or subtle location they use. Each does it their own way but to full effect.
I always try to focus on the journey of the light. An ideal shot for me is one with no streetlight or reflected windows and a frame of something that I can’t explain but recognize as soon as I see it. I love the use of spaces but I always have enjoyed focusing on the light itself as it flowed momentarily. Trying to add depth with the pathways of various sources or flipping something to create a symmetrical view if I feel it adds to what I was trying to do is usually about it. Here is how you do it.[Read More…]