The Profoto A1 is the new on-camera flash. And off-camera flash. And Air remote. You can use it any way you like. For me as a photographer (mainly portraits) working on-location a lot, this is the piece of equipment I have been waiting for a long time.
So, this might not be the most objective review you have read, but hopefully interesting in some way.
The Profoto A1 fits right in beside the Profoto B1 and B2. Or as a stand-alone camera mounted flash for events and simpler lighting (mostly). As soon as I have bought my A1, I will probably sell my old Nikon Speedlight.
I borrowed two A1 from Profoto and used them for testing before writing this review, together with accessories that will be sold separately.
What is Profoto A1?
In short, A1 is a hotshoe speedlight-type of flash that works in the Profoto universe. With a built-in remote.
It is the most lightweight of all lights from Profoto and has a built-in Air Remote TTL. If you want a flash for on-camera work as well as off-camera, I can’t really think of any better alternative. It is the cheapest flash in the Profoto system (although not what most people call really cheap).
I got two A1 from Profoto to test for a few days, and I mostly used them at home, but also on an assignment with an author and an illustrator.
There is still a lot to be learned for me, even if they are easy to use.
Unboxing the Profoto A1
Opening the box, you will find the A1, a smart bag, the battery and charger plus a bounce card with a holder. And, two “filters” that you can put in front of the light with smart magnetic connectors.
One is like the drag-out plastic panel on a Speedlight, it spreads the light wider. The other is more like a small dome and will diffuse the light. You can also stack them on top of each other, but I couldn’t really see much difference in the light when doing so.
The charger for the Profoto A1
Even if a fully charged battery is good for many many full flashes, I will buy one extra battery per light. Just in case.
Front view of Profoto A1
It looks like this and you can see the detachable battery.
The head can be tilted and turned as you would expect from any on-camera flash. It has a built-in LED modelling light.
Rear view of Profoto A1
It looks very much like a Profoto Air TTL Remote, and maybe because that is what it is. Plus a light on top. Start it by pressing the white on/off button and then turn the dial a bit. The interface is very familiar if you have used the Air Remote or a D1/D2/B1 before.
Profoto A1, top view
A round fresnel lens covering the flash tube, with a magnetic ring when you want to attach things to it. The front ring can also be turned for “zooming” the light.
The diameter is a lot smaller than all the other Profoto heads, so don’t expect to put a Speedring with a softbox there.
Size: Profoto A1 vs Nikon Speedlight
These two flashes are roughly the same size. The Profoto A1 is maybe a tiny bit longer, but I would say that they are very similar holding them together.
The round front glass is maybe what makes A1 stand out among similar speedlight type lights.
Size comparison: Profoto A1, B1 and B2
Packing my bags for any assignment is always the hard question: should I take this, do I need this? A Profoto A1 in its bag is smaller than a B2 with a head, and also smaller than a B1.
If you have room for a B1, then you will have room for at least two A1. Probably more.
The Profoto A1 bag
This deserves mention, having small bags for all of my equipment makes my life a lot easier.
The A1 bag can be put inside a bigger bag or fastened outside my backpack with a cord. Inside the A1 bag there is a small space for the wideangle/diffusion accessories, both of them.
A bag that is easy to use
Even better, you don’t have to remove them to fit everything inside the bag as the small compartment for the diffusion has a flap that will fold away easily.
Not a big thing, but small things can make my work easier.
Small stand included
Also included is a small table-stand for the Profoto A1 (or maybe a floor stand, or just to have it standing on anything?). With a small pocket for this on the bag, you can always have it with you.
I have never use a Speedlight with a stand like this, but it is a lot smarter than just laying it on the ground.
A bigger bounce card
My Nikon Speedlight has a very small built-in bounce card, Profoto A1 has one too, but you will have to mount it by yourself with a small holder (also included).
Wide angle lens
You mount that and other things in front of the glass with these magnets. It might not be as sturdy as velcro, but I think it will work just fine. It is a lot faster to work with at least.
And very silent, compared to velcro.
The diffusion dome
The “dome” also has magnets you use to lock it in place with.
Hard filter gels for A1
If you want to colour your light, for correction or effects, Profoto has accessories for that too.
Buy a Gel Kit separately and you will get a few hard plastic filters (CTO, CTB etc) that you attach with a special magnetic holder. Very easy to work with, a more durable than soft plastic.
The box is round and small, compared to most things in my life. Fits perfectly in your back pocket, or anywhere.
The magnetic holder fits the hard plastic gels and takes no time to attach, and leaves no marks. Just click to attach or pull to detach.
I have not yet used the hard plastic colour gels, but just holding them in my hand makes me a little bit happy. And the round box. Won’t really miss the soft plastic alternative.
If they now could make something similar for Profoto B1 and B2, that would be great. Maybe with magnets as well. And maybe a cutout for the umbrella rod to use it on B2?
With its round features, very familiar design and interface, it feels like something that is a very natural on-camera part of my lighting equipment. But that is of course because I have been using Profoto for many years. Users of other brands may disagree.
The best bonus
Apart from what I think is a great addition that completes my arsenal of lights working well together, I am in a way most happy about the bag.
The bag for my Nikon SB-910 feels a lot bigger than it needs to be.
The A1 bag is more like a skin. And packing equipment in a bigger backpack or rolling case is simpler and quicker if I can just throw it in after a shoot. Not needing to worry about things scratching and crushing each other.
Soft Bounce for Profoto A1
Another thing you can buy for your Profoto A1 is the Soft Bounce, a larger bounce card, quite a bit larger in fact.
It comes with a nice bag as well, and folds easily. Just unpack it and attach it to the front of your A1 with magnets and you will have a more diffused light source for events or fill light.
For my Speedlights, I have used a whole bunch of different diffusers over the years. The Gary Fong Lightsphere might have been the most extravagant one. And the one I used almost never.
This one I might buy, mostly for the ease of use and the simplicity of having the flat bag hanging on the outside of my backpack in case I need softer light.
Attaching the A1 everywhere
One of the new thing with having a small and lightweight flash that works perfect in my Profoto ecosystem is being able to use “new” attachment methods (again).
Many of the accessories I bought in Strobist fashion for my Speedlights before will be of use again. For instance, this small Gorillapod.
Maybe I will buy the larger version, but the small one actually works if I want to hang the Profoto A1 onto something, or just using it as a floor stand. A clamp with a hotshoe connector can also be very useful when attaching a light to a door or anything it can hold on to.
Using Manfrotto Nano stands more
Since Manfrotto release the Nano stand, I have had at least one in the bag for different purposes. Mostly using it to hold a reflector or sometimes my DIY black flag made of Molton fabric.
Now I can use them as my main lighting stands on smaller assignments. Just add a tilt connector for hotshoe and pack a small umbrella.
That should be enough to use the A1 with my DIY homemade ring flash adapter, I think.
This is the kind of transport tube architects and art students use for stuff, I bought mine in an art store just to try if it could be useful. Now it can.
The weight of this tube bag is nearly nothing, and you can expand it to fit a Profoto A1, a small umbrella and a Nano stand. Maybe the smallest lighting equipment I have ever had?
Profoto A1 – the zoom-able flash
Turning the front ring of the light, you can change the focus of the light through the fresnel lens. From wide (above) to narrow (below).
A small symbol on the top left corner of the display will change as you turn the ring.
With the wide angle filter on, the light cone will spread wider.
Adding the “diffusion dome” will make the shadows less sharp.
Will I buy a Profoto A1?
I have already ordered two Profoto A1 in fact.
This is the Profoto light that I have been waiting for a long time now. And finally, it is here. And it fits right into my lighting ecosystem perfectly.
I did try the Strobist way quite hard before, but as soon as I had bought a used Profoto AcuteB 600R, there was no turning back. And then came the Profoto B1.
Maybe buying the B2 was more because I liked the idea of a lightweight head so much, not because I really needed it. But now I own one, and I use it quite a lot.
Not as much as my four Profoto B1, but it is not collecting dust. Buying two heads was a bit unnecessary though. One of them I never use.
What will I use it for?
Three things come to mind directly. One is replacing my Speedlights as the on-camera flash for events and stuff like that.
The other is for smaller editorial assignment when I want to travel with as little equipment as possible. Two Speedlight type lights will make lighting most editorial portrait something I can do quickly and painlessly.
The third, but not the least, is always having at least one A1 in the bag as an addition to a B1 or B2. Sometimes as fill light, but maybe more often as hair/rim light.
Will Profoto A1 replace my B1 or B2?
The scenario that I find most probable is having a lot more lighting options but not necessarily a lot more lighting equipment in the bag. Adding just one A1 in my backpack takes up the same amount of volume as a normal zoom lens.
Maybe it will be enough to just bring two A1s to a quick assignment, but I will probably still use at least one B1/B2 for the wider range of lighting modifiers.
What is Profoto A1 not?
This new product was unfortunately leaked on the internet, so before writing this review I have read a few comments about it. Comments that in many ways looked much like the comments when Profoto released the B2. Very much focus on Watt-seconds. And the price tag.
This is not a light you bring to a beach in the middle of a sunny day and place it ten meters away from a swimsuit model and hope to overpower the sun. For that purpose, I would rent a Pro-10. Or a B1 with a Magnum Reflector at least?
And this is not a light that will give you the best specification per dollar either. If you just want to save money, there are other brands that aim for that part of the market.
Sadly, this is not a light that will be compatible with all your OCF lighting modifiers. It might not be so hard to build an adapter to get the A1 to work with a Beauty Dish, just cut out a piece of foam with a hole in it.
Building a speedlight type of light restricts you a bit to the strength of the hotshoe, so it is probably wise not to put too much weight on that part of a camera or flash. But it would, of course, be nice if I could use this in the OCF system in some way.
Maybe this will be a revival for the Profoto Speedlight Speedring adapter/bracket? I bought one, many years ago, and never used it very much. It took forever just to attach the Speedlights in the right position with all the screws and brackets. But, with that on a stand, you could use a Profoto A1 together with any softbox you would like.
Why I might like the Profoto A1?
I am a portrait photographer in Stockholm, Sweden. Right now, there is sunlight enough to work most of the day. But, a large portion of the year, photographers here can’t rely on natural light. That would be crazy, and very restricting.
For me, to add one or two Profoto A1 to my lighting system makes a lot of sense. I like to pack enough equipment to manage most situations in portraits, from smaller group shots to editorial portraits on-location and individual portraits in a studio-like environment.
But, I really dislike carrying too much.
One large backpack and one Manfrotto padded bags for my lighting stands is more than enough. Maybe a third if I bring more than one Profoto B1.
I did just recently buy the ThinkTank Logistics Manager 30, and it is the perfect rolling bag for me. One or two Profoto B1 or B2 inside, together with cameras and lenses. Plus small or medium sized stands with a softbox or umbrella on the outside. With Profoto A1, I can easily add two more lights that can expand the choices in lighting I can work with a lot.
Event photography is something I do, and packing one B1 plus at least one A1 would make those assignments very much more fun. Place a B1 somewhere for a portrait setup, and have an A1 on the camera for everything else. Use the A1 as a remote and/or fill in the setup.
Profoto A1 for wedding photographers
I don’t do weddings anymore, but they are a bit like events. Therefore the A1 would be a perfect match for those who want a Speedlight but also an off-camera flash.
Profoto A1 for studio photographers
It might seem a very expensive small light, but on the other hand, why not buy a versatile flash that you easily can place almost anywhere? I am sure that I will use my A1’s in the studio, probably not as main lights but maybe as hair light sometimes? Or anything.
Profoto A1 for beginners
Buying a Profoto A1 as your first flash might seem a bit expensive, but it could be a really good investment. First, use it on-camera as you would with a Speedlight, and learn how it works. Buy a Remote or another Profoto flash to expand your possibilities. I could almost guarantee that starting with a Profoto light lets you explore portrait lighting quicker than with the complicated menus of a Speedlight.
Yes, this is an expensive product.
But, for me, working full-time as a freelance photographer, it doesn’t really matter that much. I could, of course, buy at least two Godox AD200 (or maybe three, or four?) that at a glance should fulfil the same needs for a photographer.
If I would just need a small inexpensive light, a Godox would be more than ok. But I like parts in a system that works painlessly together, and mixing Profoto with Speedlights or other stuff is not painless.
I will probably use this product almost every day and on all assignments in the coming years. Having paid 300 or 995 dollars is not of much impact compared to the time and frustration I can save.
And it is really nothing compared to the total sum I have invested in cameras, lenses or lights over the years.
I have, as I said, already ordered two.
Profoto A1 Specifications
- 76 Watt seconds
- 9 stops of power adjustment
- 0.05-1.2 second recycle time
- 2.75? round tiltable, rotating, zoomable flash head
- Auto-zoom from 32-150mm
- Wide lens attachment for 14-24mm coverage
- 350 full power flashes on a single battery charge
- Removable Lithium Ion Battery
- 80 minute charge time
- Flash sync up to 1/250th of a second
- High Speed Sync mode
- Front & rear curtain sync modes
- LED Modelling light
Will you buy one, or two? Or not?
About the Author
Stefan Tell is a commercial portrait photographer based in Stockholm, Sweden. You can find out more about Stefan on his website and follow him on Instagram or Facebook. This article was also published here and shared with permission.