Taking A Step Back To Snap Your Setup
A shot while back I featured a post called 21 Photographs And Lighting Setups For Every Occasion. Not surprisingly the post featured a collection of amazing photographs along with a snap of the setup that was used to capture those photographs.
So... what's up with all those photographers taking setup pictures with no artistic value whatsoever. gotta be a reason for that, right? Right.
Why Do You Need A Setup Picture?
So, the shoot is done, the winning image taken and you're going to pack it up and go home. What if there was one more picture you could take that will make a big difference? I mean, go wide and grab that setup shot. There are many reasons you may want to do this. Here are the ones I think matter most:
Reproduction - On elaborate setups where you have tons of lights, each in a different distance, different power, with a different modifiers, it would be very easy to remember them all if you just had a picture. Way easier than to reverse engineer the shot.
This is kinda similar to what a script girl supervisor does on movie sets.
Post mortem - are you happy with the photograph? a bit more rim lights would be great, right? see how they were before, and adjust for the next shoot.
Same goes for the height of your pipet on that water drops shot.
Teaching / Learning - that was the actual purpose of the 21 setups post. Setup images are great to see if you got your reverse engineering right, to show how a shot was taken and to discuss the goods and bads of a shot.
How to Take A Good Setup Picture
Now that you really want to take those setup pictures, here are some of the tips that I find to be working well for setup shots
Include The Entire Setup - This one's is a no brainer. Make sure your setup image include as much of the scene as possible. If you cannot back up far enough, consider using a wide lens.
Be As Leveled As You Can / Go Overhead - For the sake of after learn it is beneficial to have the picture in good perspective, try to keep the horizontals horizontal and the verticals vertical. It will help you when you need to asses distances later.
If possible, consider to grab a picture from the overhead position.
Lights On / Lights Off? - Why choose? Take an image of each.
Camera Location - It's best to have the original camera in the shot if possible. Camera location is a part of the setup and has impact on light, perspective, and flare among other things. If not consider using the tripod as a marker.
This, of course, does not apply for the times when the shoot is hand held.
Consider Annotating - If your aim to to use the setup as an instructional tool, consider annotating it with the type of light you used, flash settings as power and zoom, or any other relevant info.
Do you take setup pictures? Would love to hear if it's working out for you.
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Comments
Great advice!
More great advice. It takes almost no effort to step back and get a set up shot, but what you can learn from what you did, plus what you can teach, is far reaching.
I love viewing setup shots
I love viewing setup shots for photography and video. It's amazing to see how something was shot and then see the final image. I haven't had many reasons to really take many setup shots but if I put some work into a setup I will take a shot and share.
People love it
Good advice, Udi.
I get a lot of appreciative comments when I post my set up shots along with my photos on my photo club site.
It seems people really enjoy knowing how a photo was done, especially if it's something really eye catching.
Thanks for the reminder.
A great way to learn, and remember...
I started doing this a couple of years back, and now I do it on every shoot. My blog is full of diagrams, and the funniest thing is that on Flickr, some of the setup diagrams have more views than the actual photo (weird but true).
To get everything in the picture, using a panorama-app for the camera in the phone can be a solution, and for the annotations, putting post-it-labels on the different lights and modifiers is an easy way to get everything in one picture.
But the easiest way is still to do a sketch in a notebook, I think, don't forget to bring some sort of measurement tool.
Whiteboard sketch
On many of my set ups I use my handy whiteboard to do a schematic diagram of the setup with power and settings marked for all the lights. I then take a picture of the diagram and keep the file with the rest of the images from that shoot. If I make any changes mid-shoot I adjust the drawing and re-shoot the board. That way as I go through my images I know when something was changed because of the included whiteboard shot.
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