For those who have been following DIYPhotography for a while now, you are well aware of the awesome photographic results that can be achieved with materials NOT purchased from your local, friendly photo gear retailer. For those who are finding this to be your first visit to DIYPhotography, may I please inquire as the exact size of the rock under which you have been hiding. [Read more...]
There are a lot of panning heads out there, ranging from cheap and light all the way to uber-expensive and heavy duty. None did a decent job with a D800 mounted with a Nikon 400mm f2.8 beast. This is the story about a building a dedicated motorized Pan-Tilt-Head, used for automated panoramic shooting, if you’re not sure what those are check out our world biggest Where is Waldo project.
I have devised a way of using the very popular Rokinon 8mm F2.8 fisheye lens that comes under several other branded names including; Samyang and Bower. The photo included is of no great interest. In fact it’s just a photo taken at the rear of a house. But, the significance of the actual image lies in the fact that it is an infrared photograph taken by using a 8mm fisheye lens on an unconverted Fujifilm X-Pro1.
Surely a filter cannot be fitted onto the front of the 8mm fisheye lens? So how did I do it, I hear you ask? The answer is after the jump, but lets just say that, this is going to be one of those try-it-at-your-own-risk kind of posts
Robert Capa once said, “If your pictures aren’t good enough, you’re not close enough.” And he was not talking about longer lenses, he actually meant moving your feet. But what if you shooting such a blazing inferno that even pyrotechnicians are afraid of.
Back in the days, when we were still capturing images on sheets of plastic, ISO (also known as ASA) was not a button on the back of a camera. It was a chemical property of the film. Some cameras could read the encoding on the film can and set the ISO accordingly. But sometimes you wanted to get more out of a film – to set it to a higher (or lower) ISO. This process is called pushing/puling the film, and if the camera you had could only do auto ISO decoding, you had to hack the film.
Even today, if you still roll your own film, you may find this technique useful. We present – The Full Guide To Hacking DX Film Annotations
I am slothful. I am impatient. And, above all else, I am cheap…a beautiful trifecta that led me to this little project.
For the longest time, I have been wanting a way to easily capture point-of-view (POV) footage of my shoots as a way to document the exact moment an image is taken. This serves a variety of functions ranging from satiating my own vanity to allowing me to show others the “big picture” that eventually became a final image.
Essentially, I wanted something like this adapter from B&H that would allow me to attach a small camera to my hot shoe for documenting a shoot. However, I never really felt like buying one, buying one would require me to wait for it to arrive (like it was going to be THAT much longer than the year I’ve already sat on this), and, why buy something you can make yourself, right? So, I set about pulling odds and ends I had laying around to make my dream finally come true! ::snickers with excitement:: [Read more...]
We featured Rigwheels way back when they were only selling DIY hardware for dollies. Now they are back with some clever devices that are (again) on the intersection between pro and DIY.
The entire system is designed to be travel friendly, and fits in the back of a car.
About two years ago the web was sweat with the latest panoramic trend – small planet panoramas (AKA spherical panorama). It was only a matter of time until someone got the clevers to elevate this into the next stage: Small Planet Time Lapse Video.
Photographer Jonas Ginter used a 3d printed a 3d device that allows him to capture photos from 6 different GoPros simultaneously and then combined the footage in post to create a movie of the same effect: [Read more...]
His solution take about 5 seconds of work and about 0.1 cent of materials – it is a two step process: [Read more...]
Having your own portable background is seems like a great idea. If I had a big van taking a colourama might be an one solution but then it also involves stands and some set up time and the logistics to move it about.
I like to travel light, but have all the comforts of a studio, so the idea of a fold-able background that I can stuff into a bag and peg up on location with some string and just start shooting is genius to me. Inspired by the cloth backgrounds Tim Walker, Mario Testino and a whole other bunch of amazing photographers have shot with, I set about finding a nice shooting solution. [Read more...]