How to use a polariser to remover glare from portraits

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Polarisers are one of the few filters that still hold an advantage for digital cameras. Pretty much everything else can be done these days much more easily in post. Even the effect of neutral density filters can be simulated – although it’s still not quite the same. Polarisers are common amongst landscape photographers, although not so much with portrait photographers. But they can be very useful, as the Koldunov Brothers demonstrate in this video.

As I mentioned, polarisers are pretty common filter amongst landscape photographers. They help to remove reflections from lakes and rivers. They make trees and leaves appear more green for the same reason. And they also help to darken down and saturate bright blue skies. For portraits, the principle is similar to that of foliage.

Essentially, as far as portraits are concerned, polarisers remove the specular highlight reflections from the skin.Polarisers are used quite commonly for video, but not so much for stills. Removing the specular highlights can help to reduce glare from direct lights, and also reduce the contrast required to capture the shot. you’ll notice in the comparison below, it also helps remove some reflection and increases saturation in the hair, too.

But, removing those specular highlights can have some negative effects, too. Specular highlights are part of what allow us to define shape and form and depth in a 2D photograph. They help to convey that third dimensions where none exists, giving your subject a flatter, wider appearance.

It can also have a tendency to make skin look soft, almost velvety. I saw numerous scenes out in the desert during Breaking Bad where I could see obvious use of a polarising filter, as the skin wasn’t reflecting the sunlight and environment around it.  Obviously, though, they had to use a polariser to pull down the brightness of the sky and prevent it from blowing out to pure white.

It’s a filter I commonly use myself for video, but it’s something one has to be careful with. Fortunately, polarising filters aren’t a binary on-or-off switch. They offer varying degrees of reflection reduction between their two limits. So, find yourself a happy medium that helps to reduce the glare, but doesn’t eliminate reflections from the skin completely.


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John Aldred

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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11 responses to “How to use a polariser to remover glare from portraits”

  1. Ron Packer II Avatar

    It amazes me how much “photographers” rely on Photoshop and filters rather than just taking the photo right the first time. Makes me miss film. You either knew what you were doing or you didn’t.

  2. John Aldred Avatar

    Well, let me know next time you’re going to move the sun to the other side of the sky so you don’t ruin my shot. :)

    And film photographers relied on filters even more than now. :)

  3. Viggo Næss Avatar

    I just today used a polarizer to get the best possible results from my Siros L with a P65. Using a pol-filter is just good sense when the lamp is in the correct spot. It isn’t sloppy technique, it’s good technique..

  4. Brian Leadingham Avatar

    No. I use a polarizer.

  5. Rona E Philpott Avatar

    Lydia Routledge – this might help a little when you do the photos in the sun.

  6. Gary Sthland Avatar

    Something I’ve been doing since dot!

  7. Zach Smidt Avatar

    Great article! I’ve never even considered using my CPL for portraits.

  8. Darrell Larose Avatar

    The photos illustrating the article seem to have less depth-of-field probably from not adjusting for the 2-2.4 stops of light a polarizer steals.

  9. Mike Avatar

    Gonna try that on my next shoot.

  10. Youri J. Soloviov Avatar

    Fantastic! No more catch light in the eyes. This instantly gives a beautiful dead fish look.

    1. Vic Rivera Avatar
      Vic Rivera

      That is true, but I imagine it is easier to brighten up the eyes than to remove glare from the whole face, yes?