This photographer designed and 3D printed a massive 300mm extension tube for super macro magnification

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

3D printing has come such a long way in the last few years. As developments in printer design and software have progressed, it’s become a lot easier to make some pretty accurate prints. One photographer, though, Nick Sherlock, decided to test the limits of his 3D printer to make a 300mm long extension tube allowing him to extend the magnification of his Sigma 180mm f/3.5 APO Macro DG HSM lens.

Macro lenses can already see pretty close up, and the Sigma 180mm macro offers a 1:1 magnification. But extension tubes allow you to get even closer to the action. Canon makes their own extension tubes, although they’re not very long. And you can buy 3rd party sets of extension tubes to give a little more reach, too. But even with all three tubes in the kit stacked, they pale in comparison to this beast that Nick has created.

Nick told DIYP that he’s been working on this extension tube for the last month. His goal was to push his macro to 5:1 magnification. This means that a subject only 7.2 x 4.8mm completely fills his full-frame sensor. And his creation even has aperture and focus control.

Having electronic connection from the camera to the lens through the tube was pretty much a given, as otherwise, your lens is locked at a specific aperture and you have no way to adjust your depth of field. So Nick cannibalised a Kenko 12mm extension tube, which features electronic pass through.

After dismantling the Kenko tube, Nick made his own end pieces, to which he could mount the metal mounts for the camera and lens.

He then printed the 300mm tube in two sections on his Prusa i3 MK3S 3D printer. These screw together to form one 300mm long tube. With a larger printer, it could have been printed in a single piece, but the Prusa i3 is limited by a 250 x 210 x 200mm build volume.

But the Prusa i3 MK3S is accurate enough that these parts fit together fine, without light leaks. And it’s also accurate enough that the parts to go on each end fit the metal parts from the Kenko tubes just fine.

Both the lens and body mounts contain the pins that came with the Kenko tube, and Nick extended the connection between them with long wires that travel through a channel in the body of the extension tube. This way, the camera maintains its electrical connection to the lens and can open and close the aperture.

Nick says that it works great, and presented some examples of how the lens compares. Here are three images. The first is a wide shot of the scene before him to show context and scale.

And this is how close he can get with just the Sigma 180mm f/3.5 APO Macro DG HSM Macro lens with no extension tubes and a 1:1 magnification ratio.

The Sigma 180mm macro is already pretty impressive. But once Nick puts that tube in between it and his camera, he is able to get very close.

These weren’t the only sample images Nick has made. He managed to get outside and shoot a few aphids and a tiny spider, too.

Nick has posted a complete build log of the entire process on his website, including some of the issues he faced, print settings, and how he got around some tricky problems. And there’s also a nice big fat warning about how you can kill your camera if you’re not careful, so if you attempt something like this… Well, be careful!

And you can attempt this yourself, as Nick has also graciously uploaded his designs to Thingiverse for anybody to check out and try for themselves if they’re feeling brave enough.

Nick does note that he’s “not nearly swole enough to hold my arm straight out in front of my face to support this thing for long periods of time”, but given that it’s been released under Creative Commons, anybody is free to modify this to add a tripod collar. Perhaps with a built-in Arca Swiss foot so you don’t need to mess around with 1/4-20″ threads?

You’ll want to make sure your printer is very dialled in before you try this. And you’ll want to use PETG. PLA isn’t the best for small mechanical screws, and PETG doesn’t come with the fumes and shrinking issues that ABS does.

Images used with permission.


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John Aldred

John Aldred

John Aldred is a photographer with over 25 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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15 responses to “This photographer designed and 3D printed a massive 300mm extension tube for super macro magnification”

  1. Paul Ford Avatar

    Sounds a bit silly but why not just buy a body cap and rear lens cap tape together with a bit of black drain tube?

    1. Nicholas Sherlock Avatar
      Nicholas Sherlock

      That would be a decent solution for lenses with mechanical aperture control, but Canon lenses require an electronic connection to control their aperture. You super don’t want the lens to be stuck at your shooting aperture (the viewfinder is already darkened to around f/14 with this lens wide open, just by the 300mm extension).

    2. Alexander L. Harris Avatar

      because that’s not going to justify buying a 3d printer, duh!… it can’t all be battle armour for cats.. https://www.youtube.com/watch?time_continue=1&v=fl2nGpQK1U4

  2. Kacper Marczukiewicz Avatar

    Ok then. I will buy 5m metal tube in Castorama = i will see electrons due infinite magnification.

  3. Jon Grimes Avatar
    Jon Grimes

    This is very interesting, but have you heard of a guy named Bill Masters? I recently read an article on OZY about how Masters developed the first 3D printing patent – then lost it. Anyone know anything about this? Here it is for reference: http://www.ozy.com/flashback/and-he-could-have-been-the-father-of-3d-printing/81198#.WeXu6REalHI.twitter

  4. Donald Craig Yaremko Avatar

    How on earth does he manage to focus ?

    1. Alexander L. Harris Avatar

      slowly and carefully?

    2. Nicholas Sherlock Avatar

      Focusing is accomplished by swaying very slightly backwards and forwards (since you’re going to sway anyway naturally, it’s silly to add an extra focusing mechanism like the focus dial on top of that). Then take a ton of photos and hope that one of the shots really nails what you were going for!

  5. Adrian J Nyaoi Avatar

    I did not make the news because mine was pvc pipe and not 3d printed.

  6. Tj Ó Seamállaigh Avatar
    Tj Ó Seamállaigh

    Impressive, but it’s quite shaky, wouldn’t it?
    I use lenses on reverse with the help of Macrofier (from Vello, available for Canon and Sony). According to my calculations and by practice… reversing 20mm lens would yield 3.2X. If I add a regular extension tube to that (36mm from Kenko) i can reach 5X easily. Plus, the length of the set is much shorter I believe. Well, unless the distance from the subject is a big deal. I find focusing using extension tubes is somehow limiting. That’s why I prefer reversing the lens.

  7. Jeoncs Avatar
    Jeoncs

    Tubes are great. I have a set of old bellows that is cracked up and I’m thinking I’ll remove that and use the focus rails with an absurd tube. I’ve done tons of super magnification shots like this and it can be an insane pain in the but to get enough light and catch the microscopic focus plane. Looks like I’m ordering black plastic next batch.

  8. Adrian Duron Avatar

    I like my bellows

  9. Sterling Wong Avatar

    How about a Pringles can?

  10. Robbery Tyler Avatar

    Pringles Can in 2007.