We are witnessing the rapid improvement of smartphone cameras (and more of them being added to each new phone that gets launched). But have we come to the point where smartphone cameras can take better photos than full-frame DSLRs? Tyler Stalman tested the iPhone XR against the Canon 5D Mark IV. And when it comes to dynamic range – the smartphone sure does a pretty impressive job!
Aurora HDR 2019 comes with new AI processing engine and LUT support
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Skylum’s Aurora HDR software has been growing on me. When it first came to Windows, the performance wasn’t that great, and it didn’t quite have all the features of the Mac version. But it’s come a long way since then. It’s seen some pretty major performance increases, along with a lot of new features.
And today, Skylum announces Aurora HDR 2019. It comes with the new AI-powered Quantum HDR Engine, which uses neural networks to quickly create more realistic looking HDR images. Aurora HDR 2019 also sees more performance boosts, as well as a LUT support.
Forget about Photoshop, you can use Microsoft Excel to make HDR photos
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No matter if you love or hate HDR, you have to admit that creating an HDR photo in Microsoft Excel sounds… Well, unordinary. Maybe even impossible. Well, in this highly amusing video, a young scientist and amateur photographer Kevin Chen explains how you can create an HDR image in Microsoft Excel.
CamFi Pro boasts the fastest wireless image transfer speeds in the world for tethered shooting
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Coming in far cheaper than the branded proprietary Wi-Fi options, CamFi has been a pretty popular accessory. But now they’re back with the new and improved CamFi Pro, which boasts the fastest wireless transfer speeds of any such system. The new unit uses 5.8Ghz Wi-Fi in order to offer transfer speeds up to and potentially over 10Mbps between camera and laptop or mobile device.
Macphun launches Aurora HDR 2018, finally coming to Windows
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Today, Macphun announced the release of the latest version of their HDR creation software. Aurora HD 2018 will soon be available for preorders, and what’s more – for the first time, it will be available for PC, and not only for Mac.
The software was co-developed with photographer Trey Ratcliff, with the goal of simplifying the complex HDR editing. Since its launch in November 2015, it reached 1.7 million users. There have been more than 10 updates since then, and the latest one comes with improvements and new features.
Bright skin, dark clothes, how to keep details on both
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This week, I have a pretty well-known tip for the manual HDR types out there.
Back in the days, landscape photographers used the shadow and highlight sliders in Photoshop to get the more details out of their files. This was kind of like making an HDR image before “HDR” existed.
In time, some started layering files with different “exposures” to bring the maximum detail out of a file.
While this is pretty common knowledge for a lot of adept Photoshop users, it’s not a particularly common technique for portrait photos.
NASA’s new high dynamic camera can correctly expose for rocket combustion
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If you’ve ever seen a rocket engine in action, you probably noticed the bright flame that emerges from the back of it. In fact, that bright fire was probably just an overexposed blob. Nasa’s new High Dynamic Camera system – the HiDyRS-X uses HDR techniques to show that wonderful flame in all its glory. It does so using a special sensor with built in HDR abilities.
First here is the high speed movie of the rocket engine:
How to create a fake HDR effect in Photoshop
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HDR tonemapping is the Marmite of photography. It’s something people either love or they hate, but even if you hate it, when used subtly it’s a technique that can still help to bring back some shadow and highlight detail where you need it.
This quick tip from photographer and YouTuber Jimmy McIntyre shows you a method for creating an fake HDR-like look from a single exposure within Photoshop, that you can easily adjust and tweak to suit your image’s needs.
Before & After – A post processing comparison with Peter Stewart
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I like to approach my digital photography with a certain sense of the fantastical and the surreal. Many of my architectural and cityscape images feature the use of bracketed multiple exposures, which allow me to retain highlight detail in things like window lights and neon signs when shooting at night, or shadow detail in underexposed areas of the frame I want to call attention to.
The majority of my editing is though Photoshop, with the process starting in Adobe CameraRAW. I’ll take each of my bracketed exposures and make my initial adjustments there to things like color temperature, saturation, highlight/shadow detail and perspective correction.
YouTube partners with GoPro for VR content, hopes to support HDR video ‘soon’
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It looks like YouTube is getting extremely interested in up-and-coming video formats, including virtual reality (VR) and high dynamic range (HDR).[Read More…]
