We’re now five events into Walter’s Wardrobe, with the creaky doors opening in no less than one abandoned Victorian theatre, one gothic castle and three stately homes from various periods. But what really goes on behind the wooden doors? As ‘Ruffles & Ready’ took the stage this April, I thought it was about time I explained what goes on within the Wardrobe…
I think it’s fair to say that most photographers will at some point in their career have to work with models at least once. Whether you’re a still life shooter that photographs models’ hands holding a fork full of food a couple of times a year or an e-commerce shooter that works with models every single day. We all need to know how to contact a model, book a model and what to expect when working with a model.
But working with models in our current industry isn’t just for professional photographers anymore. The digital age of photography has meant that the barrier to entry is now almost non-existent meaning that more people than ever before are picking up a camera and getting into photography and more specifically model photography.
Combining natural light and flash can be tricky, but photographer Axel Rivera shared a perfect example of such image with us. He shot this gorgeous portrait in quite tricky conditions – it was during the sunset, the model was backlit, and he only had one strobe. But he did a great job, and he kindly shared his setup, tips, and tricks with DIYP.
I will probably get a bunch of hate for this post but whatever. Hopefully, my message will help some of you. I realise this website is filled with enthusiasts, professionals, camera geeks, etc… but this post is pointed more at people that want to make it as a portrait or fashion photographer.
I’m a photographer that lives off photography shooting a campaign every few months and I just wanted to share some advice that I wish someone had told me years back.
I’ve met a lot of photographers in my time and they always break down into two categories. The ones that are artists and the ones that obsess over camera gear.
We’re in a world where robots seem to be taking over many of our jobs. I’m not saying whether this is a good or bad thing, it’s just reality. But this one I find to be a little bit strange. Especially when delays on professional photography shoots are usually not down to the photographer this system attempts to replace.
Regardless, in an attempt to apparently try and keep something as efficient as it already is, StyleShoots have launched Live. A robotic photo studio that, in theory, eliminates the need for a photographer or any other crew. Combining depth sensors, lighting rigs, a Canon 1DX Mark II (with a cheap 24-105mm f/3.5-5.6 lens), and some nifty software on the iPad, all you need is a model and stylist.
There are things more important than worrying about when you’re light’s going to fade. Finding a dead body at the location you’d chosen to use for a photo shoot is one of them. At least, one would think so. Apparently not for one bunch of models and their photographer. After discovering the body of 27 year old Declan Noonan, the group of eight carried on shooting for six hours.
They then went on to go and eat pizza at the local Papa John’s restaurant. It wasn’t until 1am that one of them called the police to inform them that they’d found a body. One of the models, Max Dos Santos Liete, who was 17 at the time attempted to justify their actions by saying that the body “wasn’t going anywhere”.
Recently, The Try Guys at BuzzFeed were Photoshopped to produce their ideal male body types, as a way to explore how the world of Photoshop and retouching affects men. With such an overwhelming experience and response, especially from women, they started thinking about how the process female subjects, too.
In their new video, they recreate several famous magazine cover shots involving Kim Kardashian, Madonna, and others to see the kind of retouching that goes into producing images of women for magazines and advertising compared to what’s actually even possible in the real world.
I bought a stack of foreign Vogue magazines for inspiration, and inside of Vogue Italia I saw an amazing photo of Alessandra Ambrosio on a beach at night (the image at the bottom of this page). I tucked it away in a manila envelope labeled “Possible Shoots”.
For a year and a half, every time I would create a new mood board, I would see this gorgeous photo. Slowly over time an idea grew that I could manage to have a similar shoot, without having to leave my studio.
Watch and learn as fashion photographer Alexi Lubomirski takes us on a journey from concept to completion of a photo shoot on the streets of New York City.
While the video does build on the foundation of a magazine shoot, almost all of the tips and suggestions mentioned can apply to pretty much any session you might shoot, whether it’s a commission for a client, a personal project with friends, or a professional collaboration to pad your respective portfolios.
When it comes to the names of those that have changed the photography world over the years, fashion photographer David Bailey is often one of the first that comes to mind. Leading the fashion photography of the 60s with cohorts Terence Donovan and Brian Duffy, they captured and created the “Swinging London”, and set the stage for things to come.
Coming back to today, we have John Rankin Waddell (aka Rankin), a high profile fashion photographer based in London, who in 2008 made a documentary entitled “Seven Photographs that Changed Fashion” in which creates his own tributes to iconic images by Richard Avedon, Helmut Newton, Herb Ritts, David Bailey, Guy Bourdin, Cecil Beaton, and Erwin Blumenfeld.