Sigma’s New Pocket Cinema Camera Shoots 6K Open Gate

Alysa Gavilan

Alysa Gavilan has spent years exploring photography through photojournalism and street scenes. She enjoys working with both film and mirrorless cameras, and her fascination with the craft has grown over the decades. Inspired by Vivian Maier, she is drawn to capturing everyday moments that often go unnoticed.

Sigma FP2 camera

A camera small enough to slip into a bag sounds appealing, but filmmakers often need far more than a compact body. High resolution video, reliable autofocus, flexible audio recording, and room to build a production rig can quickly add bulk.

Sigma’s newly announced FP2 aims to address that tradeoff with a modular full frame camera featuring a 24.5 megapixel sensor, 6K Open Gate recording, and expanded video tools. The company says the camera will launch globally on November 11, 2026, with pricing still to be announced.

Sigma FP2 camera

Sigma FP2 builds on a modular design

The FP2 follows the minimalist concept of the original Sigma fp, which was designed to function as a compact camera that users could configure for different shooting needs. The new model retains that approach, with 1/4 inch mounting threads on three sides of the body for attaching accessories and building custom rigs.

According to Sigma, users can configure the camera for lightweight street photography or expand it with cinema lenses, matte boxes, and external monitors for video production. Optional viewing accessories include the EVF-21 tilting OLED viewfinder and LVF-21 optical loupe.

A physical switch also separates the camera’s still photography and cinema operating systems, giving each mode a dedicated interface. A separate Color button provides access to 13 built in color modes for photographers and filmmakers who want to establish a particular look in camera.

Sigma FP2 camera

6K Open Gate targets hybrid creators

One of the FP2’s headline features is 6K Open Gate recording, which uses the full height and width of the sensor. This gives editors additional flexibility when producing both horizontal video for YouTube and vertical clips for platforms such as TikTok and Instagram.

Instead of recording separate takes for different aspect ratios, creators can capture a wider image area and reframe the footage during editing. The approach can be useful for small production teams that need to deliver content across multiple platforms.

Sigma also lists ProRes RAW support and a claimed 14.1 stops of dynamic range. These capabilities could provide additional flexibility in post production, although independent testing will be needed to assess image quality and highlight recovery.

Sigma FP2 camera

Autofocus, audio, and storage get upgrades

The FP2 uses a partially stacked full frame sensor, which Sigma says reduces rolling shutter distortion. The company also lists improved subject detection autofocus, including dedicated bird tracking, and burst shooting of up to 20 frames per second.

For video creators, the camera supports 32 bit float audio recording when paired with the optional HU-21 hot shoe unit. This format offers greater flexibility when adjusting recording levels in post production, helping manage unexpected changes in sound levels.

The body also includes 70GB of internal storage alongside an SD card slot. Sigma claims battery life of approximately 370 still images or 130 minutes of video, around 30% longer than the original fp.

Can a pocket sized camera handle a full production?

Sigma has not announced pricing or kit configurations for the FP2. Its proposed combination of compact construction, modular accessories, and expanded video features makes it an interesting option for photographers moving into filmmaking.

The real test will be how well its autofocus, recording limits, battery performance, and image quality hold up in practical use. Would you build a full cinema rig around a camera this small, or keep it stripped down for everyday shooting?



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Alysa Gavilan

Alysa Gavilan

Alysa Gavilan has spent years exploring photography through photojournalism and street scenes. She enjoys working with both film and mirrorless cameras, and her fascination with the craft has grown over the decades. Inspired by Vivian Maier, she is drawn to capturing everyday moments that often go unnoticed.

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