Oh yeah, that’s a whole lotta glass! New images have come from Nokishita showing five new Sigma Art, Sport & Contemporary series lenses. Two of these I suggested we may see soon after the recent Sigma Cinema Lens announcement, and one’s a very long-awaited and much-anticipated hunk of glass. But there are also a couple of surprises.
Sigma has today announced the addition of three new full frame lenses to their Cinema line. The 28mm T1.5, 40mm T1.5 and 105mm T1.5 are the newest high-speed cinema lenses from Sigma. This brings the total lineup of Sigma’s full frame high-speed cinema lenses to ten. With the addition of the three new lenses, eight out of the ten are now a super fast T1.5 aperture, with only the 135mm and 14mm lenses sitting at T2.
I’d been looking forward to getting my hands on the Sigma 105mm f/1.4 Art lens ever since it was announced. I got to have a brief look at one during The Photography Show back in March, but didn’t really have the chance to play with it properly.
Fortunately, one of my best friends is Sigma UK Ambassador, Paul Monaghan. So, when they sent him one to play with, we decided to get together. We met up a couple of times to go out and take it for a spin and I’ve already posted my first impressions of using the lens. The second time, though, the weather didn’t cooperate, so we used the lens as the subject of a product shot.
Sigma’s lineup of native Sony E-Mount Art is now almost complete. Having shipped the 20mm, 24mm, 35mm, 50mm and 85mm E-Mount lenses in June, Sigma has now started sending out the 14mm f/1.8 DG HSM, 70mm f/2.8 DG Macro and 135mm f/1.8 DG HSM Art series E-Mount lenses.
Having played with E-Mount versions of the 20mm and 50mm lenses only a week ago, they seem to show definite improvement on Sony bodies over MC-11 adapted EF or SA mount lenses. So these should be warmly welcomed by Sony shooters, particularly the 135mm f/1.8.
Sigma has been crashing the competition with its Global vision line up. Combination of no compromise image quality and fair price is creating havoc in Canon and Nikon tents. And the recent launch of Sony E mount lenses will surely disturb Sony’s first party glass business. (will also drive Sony’s mirrorless business by providing true 3rd party lens support). In 2013 I bought my first prime lens Sigma 35 f/1.4 art till this day it never leaves my camera bag. Since then I have added Sigma’s 85 f/1.4 and 135 f/1.8 into my arsenal.
Pricing and release information for Sigma’s upcoming 105mm f/1.4 DG HSM Art series lens has finally been announced. We figured it was pretty much a certainty that it would be less expensive than the Nikon 105mm f/1.4E, but I didn’t expect this big of a difference. Coming in at a mere $1,599 ($600 cheaper than the Nikon), the lenses will be shipping in June.
Sigma’s new 70mm f/2.8 DG Macro Art lens got a lot of people excited. At least, a lot of Canon, Sony and Sigma shooters. Finally, a macro lens with the build and optical quality of the other Art series lenses. And it was one of the lenses coming in a new native Sony E-Mount. Finally, Sigma has announced prices and release dates.[Read More…]
It’s not much of a secret that I like to see those factory tour videos. Watching cameras, lenses and other photography related items being built fascinates me. I just like to know how things are put together and how they work. But one thing that often gets lost in such videos is the human connection. To the company and its workers.
The folks at cinema5D had the opportunity to take a look around the factory to see lenses being built. But they also got to sit down and talk with Sigma CEO, Kazuto Yamaki. It’s an interesting discussion talking about the company, the people who built it, the people who still work there and why all the machines on the factory floor are painted blue.
One of the things I was most interested in checking out during The Photography Show were the new Sigma lens offerings. Those are the 105mm f/1.4 DG HSM Art lens, aimed primarily at portrait photographers, and the 70mm f/2.8 DG Macro Art. So, I sat down for a chat with Paul Reynolds of Sigma Imaging UK. I wanted to find out why the 70mm f/2.8 wasn’t available for Nikon, and I also hoped to get some insight on a release schedule for the new Sony E Mount versions of their existing and new prime lenses.
My name is Steffen Jahn, I´m a seasoned car photographer based in Germany. With over 20 years in business and all the famous manufacturers like Porsche, Lamborghini, Ferrari, Mercedes and Audi on my client list, I have a basic understanding what professional car-photography is all about.
I recently got the chance to shoot the Ferrari 488 Pista – a 2018 Geneva Motorshow novelty – secretly at Ferraris headquarter in Maranello / Italy for British Top Gear magazine.