DIY Photography

Your one stop shop for everything photo-video

  • News
  • Inspiration
  • Reviews
  • Tutorials
  • DIY
  • Gear
Search

Submit A Story

How I Shot These Etherial Portraits With A Lensbaby

Jul 13, 2016 by Patrick Shipstad 9 Comments

  • Share
  • Tweet
  • Flipboard
  • WhatsApp

Patrick Shipstad, Galadriel Stineman

So this is happening more and more… I’m talking with a client who wants me to shoot a creative portrait of them, and they say, “I like your blurry photos, I want that look.” My blurry photos? Most of the time that’s not something a photographer wants to hear, but I know they’re referring to the shots I’ve done over the years with the Lensbaby creative effects lenses.

I’ve been shooting studio portraits with them for a long time now and there’s nothing quite like them. It takes practice, some trial and error to learn the idiosyncrasies. And with lots of lens kits, focal options, etc., their product line now has a very comprehensive set of tools and it continues to grow (yay, more toys! err…I mean tools).

My favorite Lensbaby combination is the Composer Pro with the Double Glass Optic. Note that the Double Glass Optic is an older, discontinued Lensbaby product, but their current Sweet 50 Optic is very similar to the Double Glass and can be used to produce the same effect. I think it gives the greatest variable from beautiful blurry, smeared edges to a crystal clear focus area. If you’re not familiar with Lensbaby, it should be noted that as of this blog post, there is no auto focus available with any of the Lensbaby lenses. That’s where a lot of the technique and fun comes in. You actually “perform” your focus area by moving the lens around.

shipstad_lensbaby_lensbaby_camera1

I do my own styling for these shoots. I go to craft stores, thrift shops, costume shops, Amazon, etc., and find little elements to throw into pictures. It takes very little to change the vibe of a photo. In the shot with my model, Galadriel Stineman (green flower and twig wreath on her head), that’s nothing more than a four dollar wreath I bought on sale at a fabric shop. As for the “Game of Thrones” looking shot— black gloves from my wardrobe stash, a $12 short black tutu from Amazon (around model Rose Bachtel’s neck) and the crown is something found on Amazon for $15. Easy breezy. They do their own make-up, and we’re good to go!

OK, let’s talk about these images. My setups for these photos are pretty simple, using one or two lights with reflectors. For the shot with the green wreath headdress, I used two lights. I have a medium soft box horizontal above and between myself and the model Galadriel, and it’s positioned just a little off to the right to avoid flat lighting her. Taking it a bit off center of the model gives a slight shadow on her nose and some depth to the lighting.

There is a piece of white foam core at chest level to bounce back light under the chin and to fill in some shadows. And then there is a 7” parabolic with a 40° grid spot on the olive green velvety background. The grid creates a controlled throw of light giving a natural, in-camera vignetting of the backdrop. I’m careful to place the circle of light directly behind her, otherwise the halo of light isn’t symmetrical to the model. In general, when it’s off center to the model’s head, it gives the shot an unbalanced look.

shipstad_lensbaby_details1

shipstad_lensbaby_gridspot1

Patrick Shipstad, Rose Bachtel, Lensbaby, Crown

For the other setup with the crown, I tried a different approach using only one light. I’ve been wanting to use my huge Paul C. Buff 86” PLM Umbrella with a diffusion sock. Now I could do it the easy way and throw a Paul C Buff Einstein in there and be done with it, or I could experiment (as I like to do) and see what it would look like if I rigged an Alien Bee Ring Flash (ABR 800) into it.

I thought it might throw a wider, more even light into the umbrella vs. a regular strobe. I’ll have to do some tests to check the softness between different lights in that PLM, but for now, I’m just telling you what I used. Needless to say, a regular strobe facing into the umbrella would have worked just fine.

shipstad_lensbaby_plm1

shipstad_lensbaby_inside_plm

I placed the PLM as close as I could to Rose’s right (camera left) and a little above eye level. I moved it around looking at the light and shadows from the modeling light on her face till I found the right spot. For some fill light on the other side, I again bounced the light off a large white foam core board. But I was getting a bright white reflection on the front of the silver crown. I needed fill, but now I have a reflective surface I need to consider…hmm.

shipstad_lensbaby_rose_view1

My solution was to take a piece of black lace and hang it over the white foam core. Now the board wasn’t pure white. The lace dulled the white reflection on the crown so it wasn’t full black. The foam core was still filling the shadows on the other side of the PLM. Yay, problem solved! As you would expect, layering the lace had an effect on the amount of fill light the white board provided. I’ll definitely be using that lace diffusion technique again. The reason I was able to use only one light is because I positioned Rose close to the backdrop. That huge 86″ light source spilled onto the background and kicked enough light to the reflector.

shipstad_lensbaby_lace_whiteboard1

The size and proximity of the PLM to the model and background created beautiful, soft light everywhere. I shot in manual mode, ISO 100, f/8, 160th shutter speed. At the 50mm distance I’m shooting, that focal length gives a wide enough field of focus to get the model’s face and shoulders sharp before fading off into that beautiful blurry look my clients specifically asked for.

I wirelessly triggered the lights via the White Lightening CyberSyncs. I also use the iPad tethered wirelessly to a Camranger on top of my Canon 5D MKIII. I can check critical focus on the iPad which is much easier than zooming in on the LCD or using a loop with the LCD. The Camranger/iPad combo has been a huge asset in working with clients and models and I can remotely trigger the camera for some shots that I wouldn’t have been able to do without that combo. Love, love, love it!

As for the post processing of these images, that could be a whole other article in itself. Basically, I’ve really been getting into adding a little desaturation to the photos by combining a low opacity black and white layer on top of the colored layers and doing my color toning with non-destructive, channel based curve adjustments. Basically, shifting the color tone of the highlights and shadows within the different color channels using the curves tool. It’s really just about playing around until I find something I like.

Thanks to my wonderful models: Galadriel Stineman and Rose Bachtel

FIND THIS INTERESTING? SHARE IT WITH YOUR FRIENDS!

  • Share
  • Tweet
  • Flipboard
  • WhatsApp

Related posts:

Lensbaby Spark 2.0 is a new and improved version of the first Lensbaby lens ever Lensbaby launches Velvet 85mm f/1.8, a lens designed for soft portraits I shot a full portrait session with a Lensbaby Composer Pro II with Sweet 80 Optic. Here’s how it went Default ThumbnailDouble Portraits – Portraits of Projections of Portraits

Filed Under: Inspiration Tagged With: Canon, lensbaby, lighting, photo break down, portrait photography

Patrick Shipstad: from diyphotography.net

About Patrick Shipstad

Patrick Shipstad is a professional photographer based in Los Angeles. He shoots creative portraits, celebrity, beauty, fashion, commercial and product photography. He has worked with NBC Universal, Disney, Buena Vista Television, DirecTV, Samsung, Lensbaby, Jones Of New York, Seagrams and  MTV books. You can see more on Patricks's site and Instagram

« Yi 4K vs GoPro Hero4 Black first impressions
Build an easy DIY overhead camera rig with Open Source Hardware »

Submit A Story

Get our FREE Lighting Book

DIYP lighting book cover

* download requires newsletter signup

Recent Comments

Free Resources

Advanced lighting book

Learn photography

Recent Posts

  • Selfie-deaths now a public health problem, say researchers
  • Custom gridlines are coming to Sony cameras – you’ll have to pay for it
  • The first 360 action camera in space takes impressive photos of Earth
  • Holiday Gift Guide – The best photo and video lights of 2023
  • Cute, sad, and awe-inspiring photos of animals – Wildlife Photographer of the Year wants your vote

Udi Tirosh: from diyphotography.netUdi Tirosh is an entrepreneur, photography inventor, journalist, educator, and writer based in Israel. With over 25 years of experience in the photo-video industry, Udi has built and sold several photography-related brands. Udi has a double degree in mass media communications and computer science.

Alex Baker: from diyphotography.netAlex Baker is a portrait and lifestyle driven photographer based in Valencia, Spain. She works on a range of projects from commercial to fine art and has had work featured in publications such as The Daily Mail, Conde Nast Traveller and El Mundo, and has exhibited work across Europe

David Williams: from diyphotography.netDave Williams is an accomplished travel photographer, writer, and best-selling author from the UK. He is also a photography educator and published Aurora expert. Dave has traveled extensively in recent years, capturing stunning images from around the world in a modified van. His work has been featured in various publications and he has worked with notable brands such as Skoda, EE, Boeing, Huawei, Microsoft, BMW, Conde Nast, Electronic Arts, Discovery, BBC, The Guardian, ESPN, NBC, and many others.

John Aldred: from diyphotography.netJohn Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter - and occasional beta tester - of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

Dunja Djudjic: from diyphotography.netDunja Djudjic is a multi-talented artist based in Novi Sad, Serbia. With 15 years of experience as a photographer, she specializes in capturing the beauty of nature, travel, and fine art. In addition to her photography, Dunja also expresses her creativity through writing, embroidery, and jewelry making.

Copyright © DIYPhotography 2006 - 2023 | About | Contact | Advertise | Write for DIYP | Full Disclosure | Privacy Policy